Looks at how stories & imagination come together in our daily lives, influencing not only our thoughts about what we see and do, but also our contemplation of what is possible and what our limitations are.

In this book, Powell examines the ways that identities are constructed in displacement narratives based on cases of eminent domain, natural disaster, and civil unrest, attending specifically to the rhetorical strategies employed as barriers and boundaries intersect with individual lives. She provides a unique method to understand how the displaced move within accepted and subversive discourses, and how representation is a crucial component of that movement. In addition, Powell shows how notions of human rights and the "public good" are often at odds with individual well-being and result in intriguing intersections between discourses of power and discourses of identity. Given the ever-increasing numbers of displaced persons across the globe, and the "layers of displacement" experienced by many, this study sheds light on the resources of rhetoric as means of survival and resistance during the globally common experience of displacement.

Narrative practice has come under attack in the current "post-truth" era. In fact, many associate "narrative hermeneutics"--the field of inquiry concerned with reflection on the meaning and interpretation of stories--directly with this putative movement beyond truth. Challenging this view, The Use and Abuse of Stories argues that this broad arena of inquiry instead serves as a vitally important vehicle for addressing and redressing the social and political problems at hand. Hanna Meretoja and Mark Freeman have gathered an interdisciplinary group of esteemed authors to explore how interpretation is relevant to current discussions in narrative studies and to the broader debate that revolves around issues of truth, facts, and narrative. The contributions turn to the tradition of narrative hermeneutics to emphasize that narrative is a cultural meaning-making practice that is integral to how we make sense of who we are and who we could be. Addressing topics ranging from the dangers of political narratives to questions of truth in medical and psychiatric practice, this volume shows how narrative hermeneutics contributes to topical debates both in interdisciplinary narrative studies and in the current cultural and political situation in which issues of truth have gained new urgency.

This book proposes the concept of "fictional contamination" to capture the fact that fictionalization and literary complexity can be found across different kinds of narrative. Exploring conversational storytelling in oral history and other interviews from socionarratological perspectives, the book systematically discusses key narrative features such as story templates, dialogue, double deixis, focalization or perspective-taking and mind representation as well as special narrative forms including second-person narration and narratives of vicarious experience. These features and forms attest to storytellers’ linguistic creativity and serve the function of involving listeners by making stories more interesting. Shared by fictional and conversational narratives at a basic level, they can bring conversational stories closer to fiction and potentially compromise their credibility if used extensively. Detailed analyses of broad-ranging examples are undertaken against a rich narrative-theoretical background drawn from the fields of narratology, linguistics, oral history, life storytelling, psychology and philosophy. The book is of interest to scholars and students working in these fields and anyone fascinated by the richness of conversational storytelling.

Since the 1990s, in response to dramatic transformations in the worlds of technology and the economy, design - a once relatively definable discipline, complete with a set of sub-disciplines - has become unrecognizable. Consequently, design scholars have begun to address new issues, themes and sub-disciplines such as: sustainable design, design for well-being, empathic design, design activism, design anthropology, and many more. The Routledge Companion to Design Studies charts this new expanded spectrum and embraces the wide range of scholarship relating to design - theoretical, practice-related and historical - that has emerged over the last four decades. Comprised of forty-three newly-commissioned essays, the Companion is organized into the following six sections: Defining Design: Discipline, Process Defining Design: Objects, Spaces Designing Identities: Gender, Sexuality, Age, Nation Designing Society: Empathy, Responsibility, Consumption, the Everyday Design and Politics: Activism, Intervention, Regulation Designing the World: Globalization, Transnationalism, Translation Contributors include both established and emerging scholars and the essays offer an international scope, covering work emanating from, and relating to, design in the United Kingdom, mainland Europe, North America, Asia, Australasia and Africa. This comprehensive collection makes an original and significant contribution to the field of Design Studies.

Research suggests that future influenza pandemics are inevitable as strains of the virus mutate in new ways. With this uncomfortable reality in mind, this book examines how the general public experienced the 2009 H1N1 influenza virus outbreak by bringing together stories about individuals' perception of their illness, as well as reflections on news, vaccination, social isolation, and other infection control measures. The book also charts the story-telling of public life, including the 'be alert, not alarmed' messages from the beginning of the outbreak through to the narratives that emerged later when the virus turned out to be less serious than initially thought. Providing unprecedented insight into the lives of ordinary people faced with the specter of a potentially lethal virus and drawing on currents in sociocultural scholarship of narrative, illness narrative, and narrative medicine, Pandemics, Publics, and Narrative develops a novel 'public health narrative' approach of interest to health communicators and researchers across the social and health sciences.

Personal narrative and its significance for social change is a prominent topic in the psychological and wider social sciences. Yet while the importance of narrative for social change is commonly assumed by narrative researchers, no single text addresses it exclusively and from a variety of scholarly perspectives. Stories Changing Lives explores the strong and qualified significance of personal stories and how they catalyze and contribute to social change. The first of the book's three sections examines the embeddedness of personal narratives within larger narratives, and how these narratives shift towards justice. The second section considers how narrative language supports and generates social change. Finally, the concluding section addresses the ways in which re-narrations of the past taking place in the present, and narrations of the future using the present and past, impact social change. Stories Changing Lives sets out the theory and methodology underpinning a range of narrative projects that are committed to progressive change, delineating the strengths and limitations of that research. Chapters focus on projects in Africa, South and North America, and Europe, and bring to the fore the multiplicity of stories, narrative multimodalities, and the importance of intersectionality; they also highlight the interdisciplinarity, historical reach, and transnationalism of narrative research. This volume will further develop our understanding of generating narratives and pursuing social change as two intertwined processes that exemplify the personally and socially transformative characteristics of politics.

Meta-Narrative in the Movies investigates narrative theory through close analysis of films featuring stories and storytelling. The cinematic interpretations investigate the role of story creation in knowing ourselves and planning our future, in structuring social relationships, and in sharpening our experience of popular culture.

People from Eastern and Western cultures have differences in their perception and understanding of the world that are not well represented by a collectivist/individualist distinction. Differences in worldview are inscribed in personal relationships and the ways in which people try to understand the "other" in relation to themselves. When people from the East and West encounter one another, these differences are brought to the fore in jarring moments of culture clash. Such encounters, seen through a contextualized narrative lens can offer insights for deeper cross-cultural knowing. In Narrative and Cultural Humility Ruthellen Josselson recounts her time teaching group therapy to Chinese therapists over the course of ten years and illustrates her own profound experience of cultural dissonance. For example, many of her students regarded her as what they termed "a good witch" seeing her as a transformative healer purveying something magical rather than a teacher of psychotherapy with theories and techniques that could be learned. At the same time, she was often mystified by their learning styles and organizational processes which were so different from her own experiences. In these instances, along with others chronicled in the book, Josselson confronts the foundational (and often unconscious) assumptions embedded in cultural worldviews (on both sides) that are manifest in nearly every interaction. This re-telling underscores the need for cultural humility when narrating one's experiences and the experiences of different relational cultures. While narrative is always rooted in culture-bound worldviews, it can also be a way of bridging them. Narrative and Cultural Humility ultimately tells the story of what it means to recognize our own unspoken assumptions to better connect with people of another culture. It also highlights the values and needs that are universally human.

Narratives surrounding mental health are intertextually and culturally embedded in a constantly evolving web of narratives, whether it is in research and treatment practices in psychology and psychiatry, the professional categorization and definition of mental health issues, people's own definitions of mental health, or medial as well as artistic representations of different mental health states. Narrative and Mental Health: Reimagining Theory and Practice investigates the nexus between narratives and mental health from an interdisciplinary perspective, offering a dialogue between psychology and psychiatry and other fields such as social work, linguistics, philosophy, literary studies, and cultural studies. Contributors from various disciplines and countries across the globe address questions surrounding mental health and illness in individual as well as cultural stories while also attending to their mutual influence. Narrative interviews, narrative psychology, narrative therapy, diary writing, and psychodynamic processes are explored alongside oral history, news media, graphic novels, film, fiction, and literary autobiographies. At the same time, the volume acknowledges the potential limitations of these narrative paradigms, especially when coupled with normative expectations of truthfulness, coherence, and comprehensiveness. From here, mental health emerges as a dynamic concept that is subject to change over time and which deserves close attention both in research and practice.