Narrative, Political Violence and Social Change is a call for engaging actively and critically with the ontological, epistemological, and methodological implications of narrative in the study of political violence and terrorism. Building on a basic framework of three modes of narrative – as lens, as data, and as tool – the chapters in this book demonstrate how the study of political violence and terrorism benefits from narrative inquiry as an interdisciplinary endeavour, in particular as regards diverging perceptions of social reality, the meanings of belonging, and the human drive for change. They showcase the substantial advances that scholars have made in this field to date and identify promising avenues for further research. The chapters in this book were originally published as a special issue of the journal Studies in Conflict & Terrorism.

In Civil Society Narratives of Violence and Shaping the Transitional Justice Agenda in Zimbabwe, Chenai G. Matshaka shows the shaping of the transitional justice agenda in Zimbabwe from a civil society perspective. Based on the understanding that transitional justice approaches are seen through the lenses by which the violence and conflict is understood, Matshaka explores the complexities that arise when particular narratives of violence dominate the agenda. This book contributes to a discussion on how narratives intervene in the trajectory of a transitional justice process of a society in ways that may be beneficial or detrimental to breaking cycles of injustice and domination.

First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

The Routledge Companion to Narrative Theory brings together top scholars in the field to explore the significance of narrative to pressing social, cultural, and theoretical issues. How does narrative both inform and limit the way we think today? From conspiracy theories and social media movements to racial politics and climate change future scenarios, the reach is broad. This volume is distinctive for addressing the complicated relations between the interdisciplinary narrative turn in the academy and the contemporary boom of instrumental storytelling in the public sphere. The scholars collected here explore new theories of causality, experientiality, and fictionality; challenge normative modes of storytelling; and offer polemical accounts of narrative fiction, nonfiction, and video games. Drawing upon the latest research in areas from cognitive sciences to complexity theory, the volume provides an accessible entry point for those new to the myriad applications of narrative theory and a point of departure for new scholarship.

This innovative Handbook offers a new perspective on the cutting-edge conceptual advances that have shaped – and continue to shape – the field of intervention and statebuilding.

An exploration of how political violence is constructed, this book presents the life stories of individuals once committed to political transformation through violent means in Portugal. Challenging simplistic conceptualisations about the actors of violence, this book examines issues of temporality, gender and interpersonal dynamics in the study of political violence. It is the first comprehensive case study of political violence in Portugal, based on the perspectives of former militants. These are individuals from different political spheres who became convinced that they could not be mere spectators of the circumstances of their times. For them, the only viable way of making a difference was through violent acts. Applying the Dialogical Self Theory to trace the identity positions underpinning their narratives, this book not only sheds light on radicalisation and deradicalisation processes at the individual level, but also on the meso- and macro-level contexts that instigate engagement with and encourage disengagement from armed organisations. This book will be of interest to students and scholars of critical terrorism studies, political violence, European history and security studies more generally.

This handbook provides a comprehensive introduction to the cutting-edge field of cultural legal studies. Cultural legal studies is at the forefront of the legal discipline, questioning not only doctrine or social context, but how the concerns of legality are distributed and encountered through a range of material forms. Growing out of the interdisciplinary turn in critical legal studies and jurisprudence that took place in the latter quarter of the 20th century, cultural legal studies exists at the intersection of a range of traditional disciplinary areas: legal studies, cultural studies, literary studies, jurisprudence, media studies, critical theory, history, and philosophy. It is an area of study that is characterised by an expanded or open-ended conception of what ‘counts’ as a legal source, and that is concerned with questions of authority, legitimacy, and interpretation across a wide range of cultural artefacts. Including a mixture of established and new authors in the area, this handbook brings together a complex set of perspectives that are representative of the current field, but which also address its methods, assumptions, limitations, and possible futures. Establishing the significance of the cultural for understanding law, as well as its importance as a potential site for justice, community, and sociality in the world today, this handbook is a key reference point both for those working in the cultural legal context – in legal theory, law and literature, law and film/television, law and aesthetics, cultural studies, and the humanities generally – as well as others interested in the interactions between authority, culture, and meaning.

This open access book gathers the contributions from the Design! OPEN International Conference, held in Parma, Italy in May 2022. The conference explored the multidisciplinary aspects of design starting from its dimensions: objects (design as focused on the object, on its functional and symbolic dimension, and at the same time on the object as a tool for representing cultures), processes (the designer’s self-reflective moment which is focused on the analysis and on the definition of processes in various contexts, spanning innovation, social engagement, reflection on emergencies or forecasting), experiences (design as a theoretical and practical strategy aimed at facilitating experiential interactions among people, people and objects or environments), and narratives (making history, representing through different media, archiving, narrating, and exhibiting design). The contributions, which were selected by means of a rigorous international peer-review process, highlight numerous exciting ideas that will spur novel research directions and foster multidisciplinary collaboration among different specialists.

This thoroughly engaging book uses empirical analysis to illustrate that the response of individuals to global terror events, via social media, provokes an opportunity to interpret the ways in which individuals view their place in the world and their relation to law and justice. It is through analysing these responses that Cassandra Sharp demonstrates that a ‘hashtag jurisprudence’ can be constructed.

Asking vital questions concerning the future directions of terrorism research, this topical Research Agenda dives into the current state, emerging methodologies and key trends of this emotive and controversial field.