A National Park for Women's Rights chronicles a little-known story in American history: the establishment of the Women's Rights National Historical Park in Seneca Falls, New York; the first "idea park" in the National Park system. As told by Judy Hart, its visionary founder and first superintendent, the park's story is one of struggle and perseverance, opposition and solidarity. Hart narrates the uphill battle she fought to secure the park's location—on the site of the first women's rights convention in 1848—and to gain respect for the idea of a park dedicated to women's rights from 1978, when she first championed its creation to the triumphant moment in 1982 when the park opened its doors, and following years. Hart's journey highlights the prejudices and resistance that she faced, like other women who have advocated for themselves, their rights, and their place in America. Going behind the scenes of the park's planning and the negotiations, conflicts, and collaborations that shaped the final vision, A National Park for Women's Rights highlights the contributions of Park Service officials, politicians, and interested citizens in Seneca Falls, despite opposition from within and beyond the Park Service. An inspiration and rallying cry for women (and their male allies) to tell their stories and claim their place in American history, A National Park for Women's Rights also offers a model for public history activism. No matter how daunting the opposition to such acts of historical memory-making are, Hart's experiences remind citizen-activists to dream, organize, and persist.

George Alexander Grant is an unknown elder in the field of American landscape photography. Just as they did the work of his contemporaries Ansel Adams, Edward Weston, Eliot Porter, and others, millions of people viewed Grant’s photographs; unlike those contemporaries, few even knew Grant’s name. Landscapes for the People shares his story through his remarkable images and a compelling biography profiling patience, perseverance, dedication, and an unsurpassed love of the natural and historic places that Americans chose to preserve. A Pennsylvania native, Grant was introduced to the parks during the summer of 1922 and resolved to make parks work and photography his life. Seven years later, he received his dream job and spent the next quarter century visiting the four corners of the country to produce images in more than one hundred national parks, monuments, historic sites, battlefields, and other locations. He was there to visually document the dramatic expansion of the National Park Service during the New Deal, including the work of the Civilian Conservation Corps. Grant’s images are the work of a master craftsman. His practiced eye for composition and exposure and his patience to capture subjects in their finest light are comparable to those of his more widely known contemporaries. Nearly fifty years after his death, and in concert with the 2016 centennial of the National Park Service, it is fitting that George Grant’s photography be introduced to a new generation of Americans.