First Published in 1996. Articles on present-day tribal groups comprise more than half of the coverage, ranging from essays on the Navajo, Lakota, Cherokee, and other large tribes to shorter entries on such lesser-known groups as the Hoh, Paugusett, and Tunica-Biloxi. Also 25 inlcludes maps.

Donald Fixico, one of the foremost scholars on Native Americans, details the day-to-day lives of these indigenous people in the 20th century. As they moved from living among tribes in the early 1900s to the cities of mainstream America after WWI and WWII, many Native Americans grappled with being both Indian and American. Through the decades they have learned to embrace a bi-cultural existence that continues today. In fourteen chapters, Fixico highlights the similarities and differences that have affected the generations growing up in 20th-century America. Chapters include details of daily life such as education; leisure activities & sports; reservation life; spirituality, rituals & customs; health, medicine & cures; urban life; women's roles & family; bingos, casinos & gaming. Greenwood's Daily Life through History series looks at the everyday lives of common people. This book explores the lives of Native Americans and provides a basis for further research. Black and white photographs, maps and charts are interspersed throughout the text to assist readers. Reference features include a timeline of historic events, sources for further reading, glossary of terms, bibliography and index.

This illuminating and provocative book is the first anthology devoted to Twentieth Century Native American and First Nation art. Native American Art brings together anthropologists, art historians, curators, critics and distinguished Native artists to discuss pottery, painitng, sculpture, printmaking, photography and performance art by some of the most celebrated Native American and Canadian First Nation artists of our time The contributors use new theoretical and critical approaches to address key issues for Native American art, including symbolism and spirituality, the role of patronage and musuem practices, the politics of art criticism and the aesthetic power of indigenous knowledge. The artist contributors, who represent several Native nations - including Cherokee, Lakota, Plains Cree, and those of the PLateau country - emphasise the importance of traditional stories, myhtologies and ceremonies in the production of comtemporary art. Within great poignancy, thye write about recent art in terms of home, homeland and aboriginal sovereignty Tracing the continued resistance of Native artists to dominant orthodoxies of the art market and art history, Native American Art in the Twentieth Century argues forcefully for Native art's place in modern art history.

The Native American tribes of the Great Plains had rich and varied lifestyles until the coming of Europeans. Despite the many destructive forces focused upon them after that time, Plains Indian people have not only survived but are moving into the new century with renewed hope, determination, and pride.

Employing innovative research and unique interpretations, these essays provide a fresh perspective on Native American history by focusing on how Indians lived and helped shape each of the United States. Native America: A State-by-State Historical Encyclopedia comprises 50 chapters offering interpretations of Native American history through the lens of the states in which Indians lived or helped shape. This organizing structure and thematic focus allows readers access to information on specific Indians and the regions they lived in while also providing a collective overview of Native American relationships with the United States as a whole. These three volumes synthesize scholarship on the Native American past to provide both an academic and indigenous perspective on the subject, covering all states and the native peoples who lived in them or were instrumental to their development. Each state is featured in its own chapter, authored by a specialist on the region and its indigenous peoples. Each essay has these main sections: Chronology, Historical Overview, Notable Indians, Cultural Contributions, and Bibliography. The chapters are interspersed with photographs and illustrations that add visual clarity to the written content, put a human face on the individuals described, and depict the peoples and environment with which they interacted.

Written especially for the general reader and for college students, Native Americans in the Twentieth Century makes available for the first time a concise yet comprehensive survey of Native American history from the 1890s to the present. With clarity and balance the volume conveys the complex web of economic, political, and cultural forces that have characterized relations between Native and non-Native Americans for the past century. For anyone wanting a better understanding of the crucial issues and events that have led to the contemporary "Indian Problem," this is the best place to start.

Although it is usually assumed that Native Americans have lost their cultural identity through modernization, some peoples have proved otherwise. Brian Hosmer explores what happened when cultural identity and economic opportunity converged among two Native American communities that used community-based industries to both generate income and sustain their cultures. Comparing a lumber business run by the Menominees of Wisconsin and a salmon cannery established by British Columbian and Alaskan Tsimshian communities known as Metlakatla, Hosmer reveals how each tribe responded to market and political forces over fifty years. Hosmer's innovative ethnohistory recounts how these Indians used the marketplace to maintain their distinctiveness to a far greater extent than those who became wage earners in the white man's world. Hosmer shows that by selectively incorporating elements of American capitalism into their cultural lives, the Menominees and Metlakatlans came to view modernization less as a threat to their tribal life than as a means for maintaining their independence. These tribes embraced the same market accused of hastening the demise of native societies and became comparatively successful in American terms even as they both honored fundamental values and forged new cultural identities. Over time, these peoples came to understand how the market worked, recognized that the broader economy operated according to market principles, and learned how to adjust to it. Hosmer reveals how their strategies of "purposeful modernization" brought relative economic independence and sometimes the respect and cooperation of local and federal governments, how it helped chart a middle course between unchecked individuality and a communal ethos that might stifle economic development, and how economic development and cultural values ultimately affected one another. American Indians in the Marketplace is a story of adaptation that acknowledges the hardship and suffering common to most Indian-white contact while emphasizing the benefits of selective modernization accompanied by a constant re-invention of tradition. It questions the victim thesis of Native American history and shows that native peoples can meet the challenges of surviving in the larger world.