In this substantial selection of her occasional journalism, poet Wanda Coleman has judiciously reshaped articles, essays, interviews and columns written over three decades (for, among other places, the Los Angeles Times. L.A. Weekly and The Free Press) into a nearly-seamless personal narrative: "a tour through the restless emotional topography of Los Angeles as glimpsed through the scattered fragments of my living memory".

Music and song are important parts of worship, and hymns have long played a central role in Protestant history. This book explores the ways in which Protestants use hymns to clarify their identity and define their relationship with America and Christianity.

This groundbreaking collection of essays shows that, from the moment European expansion commenced through to the twentieth century, indigenous peoples from America, Africa, Australia and New Zealand drafted legal strategies to contest dispossession. The story of indigenous resistance to European colonization is well known. But legal resistance has been wrongly understood to be a relatively recent phenomenon. These essays demonstrate how indigenous peoples throughout the world opposed colonization not only with force, but also with ideas. They made claims to territory using legal arguments drawn from their own understanding of a law that applies between peoples - a kind of law of nations, comparable to that being developed by Europeans. The contributors to this volume argue that in the face of indigenous legal arguments, European justifications of colonization should be understood not as an original and originating legal discourse but, at least in part, as a form of counter-claim. Native Claims: Indigenous Law against Empire, 1500-1920 brings together the work of eminent social and legal historians, literary scholars, and philosophers, including Rolena Adorno, Lauren Benton, Duncan Ivison, and Kristin Mann. Their combined expertise makes this volume uniquely expansive in its coverage of a crucial issue in global and colonial history. The various essays treat sixteenth- and seventeenth-century Latin America, seventeenth- and eighteenth-century North America (including the British colonies and French Canada), and nineteenth-century Australasia and Africa. There is no other book that examines the issue of European dispossession of native peoples in such a way.

As Protestantism expanded across the Atlantic world in the seventeenth and eighteenth centuries, most evangelists were not white Anglo-Americans, as scholars have long assumed, but members of the same groups that missionaries were trying to convert. Native Apostles offers one of the most significant untold stories in the history of early modern religious encounters, marshalling wide-ranging research to shed light on the crucial role of Native Americans, Africans, and black slaves in Protestant missionary work. The result is a pioneering view of religion’s spread through the colonial world. From New England to the Caribbean, the Carolinas to Africa, Iroquoia to India, Protestant missions relied on long-forgotten native evangelists, who often outnumbered their white counterparts. Their ability to tap into existing networks of kinship and translate between white missionaries and potential converts made them invaluable assets and potent middlemen. Though often poor and ostracized by both whites and their own people, these diverse evangelists worked to redefine Christianity and address the challenges of slavery, dispossession, and European settlement. Far from being advocates for empire, their position as cultural intermediaries gave native apostles unique opportunities to challenge colonialism, situate indigenous peoples within a longer history of Christian brotherhood, and harness scripture to secure a place for themselves and their followers. Native Apostles shows that John Eliot, Eleazar Wheelock, and other well-known Anglo-American missionaries must now share the historical stage with the black and Indian evangelists named Hiacoomes, Good Peter, Philip Quaque, John Quamine, and many more.

Covering the history and contributions of black women intellectuals from the late 19th century to the present, this book highlights individuals who are often overlooked in the study of the American intellectual tradition. This edited volume of essays on black women intellectuals in modern U.S. history illuminates the relevance of these women in the development of U.S. society and culture. The collection traces the development of black women's voices from the late 19th century to the present day. Covering both well-known and lesser-known individuals, Bury My Heart in a Free Land gives voice to the passion and clarity of thought of black women intellectuals on various arenas in American life—from the social sciences, history, and literature to politics, education, religion, and art. The essays address a broad range of outstanding black women that include preachers, abolitionists, writers, civil rights activists, and artists. A section entitled "Black Women Intellectuals in the New Negro Era" highlights black women intellectuals such as Jessie Redmon Fauset and Elizabeth Catlett and offers new insights on black women who have been significantly overlooked in American intellectual history.

Strangers in a Strange Land: Immigrant Stories is an anthology that explores immigration in poems, essays, and short stories by a diverse collection of authors who offer their own experiences, observations, and speculations. From searing poetry drawn from a Native American perspective to essays chronicling the marginalization of LGBT people, to the crime fiction of new Americans and writers whose ancestors were brought to the country in bondage, Strangers in a Strange Land examines the intersection of hope and despair that defines the immigrant experience. With works by Walter Koenig, Linda Rodriguez, Patricia Abbott, Teresa Roman, R.C. Barnes, James B. Nicola, Eric Beetner, Katherine Tomlinson, Heath Lowrance, Kimmy Dee, Mark Rogers, Sheikha A., Mark Hauer, Berkeley Hunt, Manuel Royal, Kathleen Alcalá, Christine Mathewson, Veronica Marie Lewis-Shaw, Zoe Chang, and James L’Etoile.

In recent years, studios like Marvel and DC have seen enormous success transforming comics into major motion pictures. At the same time, bookstores such as Barnes & Noble in the US and Indigo in Canada have made more room for comic books and graphic novels on their shelves. Yet despite the sustained popular appeal and the heightened availability of these media, Indigenous artists continue to find their work given little attention by mainstream publishers, booksellers, production houses, and academics. Nevertheless, Indigenous artists are increasingly turning to graphic narratives, with publishers like Native Realities LLC and Highwater Press carving out ever more space for Indigenous creators. In Indigenous Comics and Graphic Novels: Studies in Genre, James J. Donahue aims to interrogate and unravel the disparities of representation in the fields of comics studies and comics publishing. Donahue documents and analyzes the works of several Indigenous artists, including Theo Tso, Todd Houseman, and Arigon Starr. Through topically arranged chapters, the author explores a wide array of content produced by Indigenous creators, from superhero and science fiction comics to graphic novels and experimental narratives. While noting the importance of examining how Indigenous works are analyzed, Donahue emphasizes that the creation of artistic and critical spaces for Indigenous comics and graphic novels should be an essential concern for the comics studies field.

Taking his lead from his subject, Gershom Scholem—the 20th century thinker who cracked open Jewish theology and history with a radical reading of Kabbalah—Prochnik combines biography and memoir to counter our contemporary political crisis with an original and urgent reimagining of the future of Israel. In Stranger in a Strange Land, Prochnik revisits the life and work of Gershom Scholem, whose once prominent reputation, as a Freud-like interpreter of the inner world of the Cosmos, has been in eclipse in the United States. He vividly conjures Scholem’s upbringing in Berlin, and compellingly brings to life Scholem’s transformative friendship with Walter Benjamin, the critic and philosopher. In doing so, he reveals how Scholem’s frustration with the bourgeois ideology of Germany during the First World War led him to discover Judaism, Kabbalah, and finally Zionism, as potent counter-forces to Europe’s suicidal nationalism. Prochnik’s own years in the Holy Land in the 1990s brings him to question the stereotypical intellectual and theological constructs of Jerusalem, and to rediscover the city as a physical place, rife with the unruliness and fecundity of nature. Prochnik ultimately suggests that a new form of ecological pluralism must now inherit the historically energizing role once played by Kabbalah and Zionism in Jewish thought.

The history of Saint Susan’s monastery on the south coast of England is as remarkable as the tumultuous times in which it existed. Located at East Lulworth, it was founded in 1794 and existed for twenty-three years before political and other circumstances forced Dom Antoine Saulnier de Beauregard and his community to leave England for France in 1817. There they re-founded the old Cistercian abbey of Melleray in Brittany. Strangers in a Strange Land brings the story of Saint Susan’s monastery to light against the backdrop of a war between England and France, religious prejudice, conflicts of personality, lies, and misunderstanding. It introduces the dominant figure of the time, Dom Augustin de Lestrange, abbot of La Valsainte in Switzerland, as well as two others of major importance including the first prior of the house, Dom Jean-Baptiste Desnoyers, and the last and only abbot, Dom Antoine Saulnier de Beauregard.