To coincide with an exciting new documentary from Warner Home Video about the history of DC Comics villains, DC Comics proudly presents this collection of tales starring DC's most popular villains from some of the biggest names in comics!Collected here are stories featuring such popular creators as Geoff Johns, Jim Lee, Pete Tomasi and Darwyn Cooke, all taking on the baddest of the bad in the DC Universe.á The Joker, Bane, Lex Luthor, General Zod, the who's who of evil goes on in this action-packed trade paperback!This volume collects: Action Comics Annual #10, Batman #244, 614, Batman Villains Secret Files and Origins 2005 #1, Black Adam 6, Countdown #2, 6-9, 10-11, 14-15, 16, 19, 27, 29, 33-34, 36-37, Countdown to Infinite Crisis #1, Green Lantern Corps #14, Solo #1, Superman: Lex 2000, Wonder Woman #214

Contributions by Jerold J. Abrams, José Alaniz, John Carey, Maurice Charney, Peter Coogan, Joe Cruz, Phillip Lamarr Cunningham, Stefan Danter, Adam Davidson-Harden, Randy Duncan, Richard Hall, Richard Heldenfels, Alberto Hermida, Víctor Hernández-Santaolalla, A. G. Holdier, Tiffany Hong, Stephen Graham Jones, Siegfried Kracauer, Naja Later, Ryan Litsey, Tara Lomax, Tony Magistrale, Matthew McEniry, Cait Mongrain, Grant Morrison, Robert Moses Peaslee, David D. Perlmutter, W. D. Phillips, Jared Poon, Duncan Prettyman, Vladimir Propp, Noriko T. Reider, Robin S. Rosenberg, Hannah Ryan, Lennart Soberon, J. Richard Stevens, Lars Stoltzfus-Brown, John N. Thompson, Dan Vena, and Robert G. Weiner The Supervillain Reader, featuring both reprinted and original essays, reveals why we are so fascinated with the villain. The obsession with the villain is not a new phenomenon, and, in fact, one finds villains who are “super” going as far back as ancient religious and mythological texts. This innovative collection brings together essays, book excerpts, and original content from a wide variety of scholars and writers, weaving a rich tapestry of thought regarding villains in all their manifestations, including film, literature, television, games, and, of course, comics and sequential art. While The Supervillain Reader focuses on the latter, it moves beyond comics to show how the vital concept of the supervillain is part of our larger consciousness. Editors Robert Moses Peaslee and Robert G. Weiner collect pieces that explore how the villain is a complex part of narratives regardless of the original source. The Joker, Lex Luthor, Harley Quinn, Darth Vader, and Magneto must be compelling, stimulating, and proactive, whereas the superhero (or protagonist) is most often reactive. Indeed, whether in comics, films, novels, religious tomes, or video games, the eternal struggle between villain and hero keeps us coming back to these stories over and over again.

The American Villain: Encyclopedia of Bad Guys in Comics, Film, and Television seeks to provide one go-to reference for the study of the most popular and iconic villains in American popular culture. Since the 1980s, pop culture has focused on what makes a villain a villain. The Joker, Darth Vader, and Hannibal Lecter have all been placed under the microscope to get to the origins of their villainy. Additionally, such bad guys as Angelus from Buffy the Vampire Slayer and Barnabas Collins from Dark Shadows have emphasized the desire for redemption—in even the darkest of villains. Various incarnations of Lucifer/Satan have even gone so far as to explore the very foundations of what we consider "evil." The American Villain: Encyclopedia of Bad Guys in Comics, Film, and Television seeks to collect all of those stories into one comprehensive volume. The volume opens with essays about villains in popular culture, followed by 100 A–Z entries on the most notorious bad guys in film, comics, and more. Sidebars highlight ancillary points of interest, such as authors, creators, and tropes that illuminate the motives of various villains. A glossary of key terms and a bibliography provide students with resources to continue their study of what makes the "baddest" among us so bad.

In The Secret Origins of Comics Studies, today’s leading comics scholars turn back a page to reveal the founding figures dedicated to understanding comics art. Edited by comics scholars Matthew J. Smith and Randy Duncan, this collection provides an in-depth study of the individuals and institutions that have created and shaped the field of Comics Studies over the past 75 years. From Coulton Waugh to Wolfgang Fuchs, these influential historians, educators, and theorists produced the foundational work and built the institutions that inspired the recent surge in scholarly work in this dynamic, interdisciplinary field. Sometimes scorned, often underappreciated, these visionaries established a path followed by subsequent generations of scholars in literary studies, communication, art history, the social sciences, and more. Giving not only credit where credit is due, this volume both offers an authoritative account of the history of Comics Studies and also helps move the field forward by being a valuable resource for creating graduate student reading lists and the first stop for anyone writing a comics-related literature review.

Alongside superheroes, supervillains, too, have become one of today’s most popular and globally recognizable figures. However, it is not merely their popularity that marks their significance. Supervillains are also central to superhero storytelling to the extent that the superhero genre cannot survive without supervillains. Bringing together different approaches and critical perspectives across disciplines, author Nao Tomabechi troubles overly hero-centered works in comics studies to reconsider the modern American myths of the superheroes. Considering the likes of Lex Luthor, the Joker, Catwoman, Harley Quinn, Loki, Venom and more, Supervillians explores themes such as gender and sexuality, disability, and many forms of Otherness in relation to the notion of evil as it appears in the superhero genre. The book investigates how supervillains uphold and, at times, trouble dominant ideals expressed by the heroism of our superheroes.

Along with Batman, Spider-Man, and Superman, the Joker stands out as one of the most recognizable comics characters in popular culture. While there has been a great deal of scholarly attention on superheroes, very little has been done to understand supervillains. This is the first academic work to provide a comprehensive study of this villain, illustrating why the Joker appears so relevant to audiences today. Batman's foe has cropped up in thousands of comics, numerous animated series, and three major blockbuster feature films since 1966. Actually, the Joker debuted in DC comics Batman 1 (1940) as the typical gangster, but the character evolved steadily into one of the most ominous in the history of sequential art. Batman and the Joker almost seemed to define each other as opposites, hero and nemesis, in a kind of psychological duality. Scholars from a wide array of disciplines look at the Joker through the lens of feature films, video games, comics, politics, magic and mysticism, psychology, animation, television, performance studies, and philosophy. As the first volume that examines the Joker as complex cultural and cross-media phenomenon, this collection adds to our understanding of the role comic book and cinematic villains play in the world and the ways various media affect their interpretation. Connecting the Clown Prince of Crime to bodies of thought as divergent as Karl Marx and Friedrich Nietzsche, contributors demonstrate the frightening ways in which we get the monsters we need.

Batman is one of the most compelling and enduring characters to come from the Golden Age of Comics, and interest in his story has only increased through countless incarnations since his first appearance in Detective Comics #27 in 1939. Why does this superhero without superpowers fascinate us? What does that fascination say about us? Batman and Psychology explores these and other intriguing questions about the masked vigilante, including: Does Batman have PTSD? Why does he fight crime? Why as a vigilante? Why the mask, the bat, and the underage partner? Why are his most intimate relationships with “bad girls” he ought to lock up? And why won't he kill that homicidal, green-haired clown? Combining psychological theory with the latest in psychological research, Batman and Psychology takes you on an unprecedented journey behind the mask and into the dark mind of your favorite Caped Crusader and his never-ending war on crime.

DC Comics has created some of the most twisted and complex villainous characters in the world of comics. The third installment in the popular 100 Greatest Moments of DC Comics series, DC Comics Super-Villains features the pivotal acts that shaped the characters of 74 of these bad guys in over 200 pages of art. Every hero needs a villain. In fighting them, the extreme superiority of our heroes is revealed. The methods and morals of villains are usually the key difference between them and the heroes. Batman, for instance, is a vigilante who cleans up the streets while never stooping so low as to kill the deplorable criminals he battles. What makes him truly good is that he upholds these standards even when he's faced with a villain like the Joker, an entity that would arguably be better off dead. Many bad guys cause mayhem for mayhem's sake, with sometimes no apparent reason other than simply being bad. What makes a villain great, however, is the complexity of their character. The truly terrible villains of DC Comics have depths of cruelty that grow with them, and specific motivations driving them. In these pages, you will see these super-villains at the peak of their achievements; committing heinous acts of death and destruction, all to achieve a specific goal. They challenge the heroes and their ideals, seeing the caped and cowled figures as obstacles to be overcome. Compiled by several groups of hardcore fans, these 100 moments are the greatest (worst?) villainous acts in DC Comic book history. A summary of each super-villain brings new fans up to speed, from their origins to their most dastardly revivals. Classic and modern comic book art are shown throughout. Enjoy the most important parts of your favorite story arcs. It's a great starting point for new readers or a nostalgic look for hardcore fans through the villains old and new. An extension of the DC Comics 100 Greatest Moments series for the most dedicated and curious DC comics fan.

In Politics in Gotham, scholars from a variety of fields—political science, philosophy, law, and others—provide answers to the question: “What does Batman have to do with politics?” Contributors use the Batman canon, from the comics to the feature films, to explore a broad range of issues in politics and political thought. What can Batman’s role in Gotham City teach us about democracy? How do Batman’s vigilantism and his violence fit within a society committed to the rule of law? What’s the relationship between politics in Gotham and politics in our own communities? From Machiavelli to the fake news phenomenon, this book provides a compelling introduction to the politics behind one of the world’s most enduring pop culture figures.

Why didn’t Peter Parker stop the burglar who killed Uncle Ben? Are Spider-Man’s foes inherently evil, or are they victims of circumstances beyond their control? What do the many web-slinging superheroes across the Spider-Verse tell us about the choices we make in the world(s) we inhabit? And who really wants to date a superhero, anyway? Especially an underdog like Spider-Man . . . Spider-Man has been ranked among the best-selling superhero characters since the 1960s, often as the best-selling superhero of all time. Much of his popularity lies in his humanity and his status as the poster boy for neurotic superheroes. In Spider-Man Psychology: Untangling Webs, Travis Langley (author of the acclaimed Batman and Psychology and Stranger Things Psychology) is back with his team of expert contributors to plumb the psychological depths of our favorite friendly neighborhood Spider-Man. Drawing examples from comic book stories, motion pictures (including the animated blockbuster Spider-Verse movie series), and a few well-known video games or TV cartoons, Dr. Langley and his team will untangle a variety of sticky psychological issues found throughout the famed web slinger's time-tested saga to help readers better understand psychology.