Get the behind-the-music story of the New Barbarians, the short-lived band founded by the Rolling Stones lead guitarist Ron Wood! In 1979, Rolling Stones lead guitarist Ron Wood founded the New Barbarians. The group's all-star lineup included Wood's fellow Rolling Stones guitarist Keith Richards, jazz bassist Stanley Clarke, former Faces keyboardist Ian McLagan, Stones confederate and saxophonist Bobby Keys, and drummer Joseph "Zigaboo" Modeliste from the Meters. The band formed in 1979, toured, and played its final concert in 1980-gone, but not forgotten. Now fans can learn the untold story of this legendary band, recounted through never-before-seen photography and in-depth interviews. The New Barbarians offers an intimate look at the brief history of a band that built a cult following in record time. The band became known for hard-edged music, but it also gained notoriety for events such as the riot at the New Barbarians' first concert in Milwaukee-a riot that broke out when the "special guests" did not appear during the show. This and more wild, rollicking stories are included in The New Barbarians, which features behind-the-scenes anecdotes about the band members as well as dirt about its famous tour, plus background on the widespread influence of its music. Featuring never-before-published photography of the band by Bruce Silberman, who accompanied the New Barbarians on their US tour in 1979, this book is a feast for Stones fans and an essential contribution to rock and roll history.

An impassioned, controversial plea for us to recognise the importance of writing history - from world-famous historian David Cannadine David Cannadine is one of Britain's most distinguished historians and this is his masterpiece. The Undivided Past is an agonised attempt to understand how so much of the writing of history has been driven by a fatal desire to dramatize differences - to create an 'us versus them'. Great works of history have so often had at their heart a wish to sift people in ways that have been profoundly damaging and provided the intellectual backing and justification for terrible political decisions. Again and again, categories have been found--whether religion, nation, class, gender, race or 'civilization'--that have sought to explain world events by fabricating some malevolent or helpless 'other'. This book is above all an appeal to common humanity. We seem doomed always to fall (most recently in the wake of 9/11) into the 'us versus them' trap, but there is no reason why the history we read and write should not be much better than this and describe what we all have in common rather than what divides us. About the author: Sir David Cannadine is Chair of the National Portrait Gallery, Dodge Professor of History at Princeton University and General Editor of the Penguin History of Europe and Penguin History of Britain. He is a Fellow of the British Academy and the Chair of the Blue Plaques Committee. His major books include The Rise and Fall of the British Aristocracy, Ornamentalism and Mellon: A Life. He is currently writing the Penguin History of Victorian Britain. He has previously taught at Cambridge, Columbia and London universities.

A selection of essential essays, by leading scholars, on Lucan's civil war epic, De Bello Civili. Five essays appear in English for the first time, and quotations from Latin and Greek have been translated. A specially written Introduction, by Susanna Braund, provides an up-to-date guide to scholarship and reception.

During the 20th century, Italy experienced some regrettable political developments. It was the first European nation after World War I in which a mass militia-party of revolutionary nationalism achieved power and abolished parliamentary democracy with the goal of building a totalitarian state. It was also the first in Europe to institutionalize the sacralization of politics and to celebrate officially the cult of the leader as a demi-God. These achievements were not accidents. Since the beginning of the 20th century, Italian nationalist movements, from the national radicalism of La Voce to futurist nationalism and fascism, fostered one of the strongest waves of European right-wing radicalism. The confrontation between nationalism and modernity is one of the main keys to understanding to the permutations of Italian radical nationalism from modernist avant-gardes up to the fascist regime. This book analyzes the ideological undercurrents and cultural myths that unite all these movements. Looking at Italian nationalism from its risorgimento roots to the neo-fascist heritage, Gentile considers the relationship between myth and organization in the making of the fascist state, the role of the party, the liturgy of mass politics in Italy, the fascist organizations abroad, and the attitude of fascist culture toward the United States.

Since the advent of the American toy industry, children’s cultural products have attempted to teach and sell ideas of American identity. By examining cultural products geared towards teaching children American history, Playing With History highlights the changes and constancies in depictions of the American story and ideals of citizenship over the last one hundred years. This book examines political and ideological messages sold to children throughout the twentieth century, tracing the messages conveyed by racist toy banks, early governmental interventions meant to protect the toy industry, influences and pressures surrounding Cold War stories of the western frontier, the fractures visible in the American story at a mid-century history themed amusement park. The study culminates in a look at the successes and limitations of the American Girl Company empire.

The Greek Alexandrian poet C. P. Cavafy (1863–1933) has been recognized as a central figure in European modernism and world literature. His poetry explored the conditions for animating the past and making lost worlds or people haunt the present. Yet he also described himself as “a poet of the future generations.” Indeed, his writings address concerns and desires that permeate the twentieth and twenty-first centuries. How does poetry concerned with the past, memory, loss, and death, carry futurity? How does it haunt, and how is it haunted by, future presents? Specters of Cavafy broaches these questions by proposing spectral poetics as a novel approach to Cavafy’s work. Drawing from theorizations of specters and haunting, it develops spectrality as a lens for revisiting Cavafy’s poetry and prose, fiction and nonfiction, as well as his poetry’s bearing on our present. By examining Cavafy’s spectral poetics, the book’s first part shows how conjurations work in his writings, and how the spectral permeates the entanglement of modernity and haunting, and of irony and affect. The second part traces the afterlives of specific poems in the Western imagination since the 1990s, in Egypt’s history of debt and colonization, and in Greece during the country’s recent debt crisis. Beyond its original contribution to Cavafy studies, the book proposes tools and modes of reading that are broadly applicable in literary and cultural studies.

This is the strange story of how, following the failure of the revolutionary Paris Commune in 1871, some 4,500 Communards were exiled to the South Pacific colony of New Caledonia. The surprising parallels and interactions between the "political savages" and the "natural savages," the Melanesian Kanak, in their confrontation with the forces of French civilization, form the subject of this book.

" Was Hitler a moral aberration or a man of his people? This topic has been hotly argued in recent years, and now Jay Gonen brings new answers to the debate using a psychohistorical perspective, contending that Hitler reflected the psyche of many Germans of his time. Like any charismatic leader, Hitler was an expert scanner of the Zeitgeist. He possessed an uncanny ability to read the masses correctly and guide them with ""new"" ideas that were merely reflections of what the people already believed. Gonen argues that Hitler's notions grew from the general fabric of German culture in the years following World War I. Basing his work in the role of ideologies in group psychology, Gonen exposes the psychological underpinnings of Nazi Germany's desire to expand its living space and exterminate Jews. Hitler responded to the nation's group fantasy of renewing a Holy Roman Empire of the German nation. He presented the utopian ideal of one large state, where the nation represented one extended family. In reality, however, he desired the triumph of automatism and totalitarian practices that would preempt family autonomy and private action. Such a regimented state would become a war machine, designed to breed infantile soldiers brainwashed for sacrifice. To achieve that aim, he unleashed barbaric forces whose utopian features were the very aspects of the state that made it most cruel.