This book examines the recent development of the far right in Britain against the backdrop of changing public attitudes toward race and immigration in Britain. Focusing in particular on the British National Party (BNP) which has been the most electorally successful far right party in British history, the book examines the worrying rise in support for extremist and racist ideas.

The continuing interest in the history, ideas, structure and development of fascism in Britain in the twentieth century appears to show little sign of diminishing. This collection of essays, first published in 1980, deals in some depth with new evidence and interpretations of the phenomenon of British fascism and provides a reassessment of some of the major issues that have caused controversy, examines the diverse nature of British fascism and suggests areas which need further research. The early essays identify certain elements of British fascism, particularly anti-semitism, which produced the ideology of the inter-war organisations calling themselves ‘fascist’. Stress is laid on the British roots rather than the European influences of Italy or Germany, and the book also considers the Imperial Fascist League, a competitor of the British Union of Fascists in the 1930s. The second section of the book deals with particular aspects of the BUF. Considering its ideology and tactics, there are studies of anti-semitism, economic thought and the public order question. Presenting new research and fresh interpretations of existing material, this important volume considers many of the crucial and unanswered questions surrounding British fascism.

In Post-War Britain cultural interventions were a feature of fascist parties and movements, just as they were in Europe. This book makes a new major contribution to existing scholarship which begins to discuss British fascism as a cultural phenomenon. A collection of essays from leading academics, this book uncovers how a cultural struggle lay at the heart of the hegemonic projects of all varieties of British fascism. Such a cultural struggle is enacted and reflected in the text and talk, music and literature of British fascism. Where other published works have examined the cultural visions of British fascism during the inter-war period, this book is the first to dedicate itself to detailed critical analysis of the post-war cultural landscapes of British fascism. Through discussions of cultural phenomena such as folk music, fashion and neo-nazi fiction, among others, Cultures of Post-War British Fascism builds a picture of Post-War Britain which emphasises the importance of understanding these politics with reference to their corresponding cultural output. This book is essential reading for undergraduates and postgraduates studying far right politics and British history.

This clear, balanced survey provides an accessible guide to the essential features of British fascism in the inter-war period with a special attention to fascism and culture. The book explores the various definitions of fascism and analyzes the origins of British fascism, fascist parties, groups and membership, and British fascist anti-Semitism.

This book examines the domestic evolution and international connections of post-war fascists in the UK. It argues that post-war British fascism became transnational as the radicals increasingly exchanged ideas, money and culture with like-minded foreigners. Using interviews with key figures in several countries, this book traces the history of the National Front (NF) and British National Party (BNP), focusing on the political parties’ youth, music and international outreach. It explores how British fascism grew into an international movement, how fascist youth developed skinhead music as a conduit for their ideas, and how some of those key figures made international connections with people in Iraq, Libya, Syria and the United States. Moreover, it also draws from rare internal party documents, law enforcement records and membership lists to track foreign funding and the parties’ domestic electoral growth. For the first time, this book gained access to both the leadership and rank-and-file of the BNP and NF to explore its culture and international connections. In doing so, it shows the successes, failures and changes that have made British fascism a force in the international extremist subculture.

The British Fascisti, the first fascism movement in Britain, was founded by a woman in 1923. During the 1930s, 25 per cent of Sir Oswald Mosley's supporters were women, and his movement was 'largely built up by the fanaticism of women.' What was it about the British form of Fascism that accounted for this conspicuous female support? Gottlieb addresses these questions in the definitive work on women in fascism. This book continues to fill a significant gap in the historiography of British fascism, which has generally overlooked the contribution of women on the one hand, and the importance of sexual politics and women's issues on the other. Gottlieb's extensive research makes use of government documents, a large range of contemporary pamphlets, newspapers and speeches, as well as original interviews with those personally involved in the movement. This new edition includes a preface analysing the current affairs of the last 20 years, reframing the book according to contemporary context. Here, Gottlieb looks at the resurgence of populism, the rise of women as leaders of far-right parties across Europe and North America, and the normalisation of fascism in fiction and political discourse.

Despite the Second World War and the Holocaust, postwar Britain was not immune to fascism. By 1948, a large and confident fascist movement had been established, with a strong network of local organisers and public speakers, and an audience of thousands. However, within two years the fascists had collapsed under the pressure of a successful anti-fascist campaign. This book explains how it was that fascism could grow so fast, and how it then went into decline.

The history and ideologies of the Far Right in Britain have been well documented, but there has been little understanding of the movement's cultural foundations. This text explores the cultural history of fascism and the Far Right and mines a seam of intense interest for both academics and students, as well as for the general reader. The book demonstrates that British fascism is essentially not just a political movement, but one that has as its goal the establishment of an all-embracing fascist culture in Britain. The contributions cover film, theatre, music, literature, the visual arts and the mass media. Striking examples of the material that they examine include fascist marching songs, "Aryan music", the creation of Mosley as a "matinee idol", even "fascist science", the cult of the "New Fascist Man" and fascist "masculinity" and "feminity". The authors demonstrate the persistence of the Far Right cultural forms from Mosley's British Union of Fascists within the present National Front and British National Party.

This set gathers together a collection of out-of-print titles, all classics in their field. Reissued for the first time in some years, they offer an insightful reference resource to a variety of topics. From Professor Colin Holmes’s groundbreaking studies of racism in British society, to Professor Kitchen’s analysis of the rise of fascism in pre-war Austria, these books shed much light on society’s recent dark past.

This book shows how, during the 20th century, evils such as totalitarianism, tyranny, war, and genocide became indelibly linked to the fascist cause, and examines the enduring and popular appeal of an ideology that has counted princes, poets, and war heroes among its most fervent adherents. From the followers of Hajj Amin Al-Husseini, the Arab leader who met with Adolf Hitler in November 1942 to the murderous death squads of the Croatian Ustasha to certain members of the British Establishment, fascism's heady brew of extreme nationalism and revolutionary violence has attracted followers from across all religions, races, and classes. Now widely reviled, fascism became an immensely powerful political force in Western Europe throughout the 1930s and into the 1940s. How did civilized nations like Italy, Germany, Austria, and others succumb to an ideology now regarded by the political mainstream as barbarous and beyond the pale? World Fascism: A Historical Encyclopedia covers all the key personalities and movements throughout the history of fascism and brings to light some of the ideology's lesser-known aspects, from Hindu extremists in India to the influential role of certain women in fascist movements. How did an ideology which was openly boastful of its belief in violence come to seduce the elites of some of the most civilized nations on earth? What can explain fascism's enduring appeal?