NEW ENGLAND BEYOND CRITICISM “Elisa New’s book is a remarkable achievement. It is very rare that a critic manages to ask what seem exactly the right questions, then to answer them in a lively, brilliant, evocative, and supremely intelligent prose.” Charles F. Altieri, University of California “Elisa New is a refreshing voice among critics and historians of literature. She has a keen sense of the nature of New England and its deep spiritual resources, reaching back to the Puritans, moving through the great nineteenth-century expressions of interior landscapes and visions. This is a book I welcome and celebrate.” Jay Parini, Middlebury College Literary criticism of the past thirty years has undercut what the canonizers of the nineteenth and early twentieth centuries saw as the fundamental role of early New England in the development of American literary culture. And yet, a determination in literary circles to topple perceived Ivy League elitism and Protestant cultural creationism overlooks the continuing value, beauty, and even practical utility of a canon still cherished by lay readers around the world. This Manifesto raises questions about how academic specialization and the academic study of New England have affected enthusiasm for reading. Using a range of interpretive practices, including those most often deployed by contemporary academic critics, Elisa New cuts across firmly established subfields, mixing literary exegesis with autobiographical reflection, close reading with cultural history, archival and antiquarian inquiry with experiments in style, and lays bare editorial orthodoxies, raising to question the whole hierarchy of values now governing the study of American and other literatures. Taking New England as a test case for a wider, more accessible set of critical practices, New England Beyond Criticism demands that the domain of literary study be opened further to the tastes of the general reader.

Playful Wisdom examines how Henry David Thoreau’s thinking about religious “play” created a theological legacy in American literature—one that includes Emily Dickinson, Jack Kerouac, Thomas Merton, Annie Dillard, and Marilynne Robinson. Although these writers differ in many ways, they share with Thoreau an improvisational “looseness” or “mobility” in their thinking about the sacred, a sense that religious experience unsettles fixed belief and alters the very shape of the perceiving self. From this perspective, Robert Leigh Davis argues, unswerving orthodoxy is not as crucial to a life of faith as a light-handed responsiveness of spirit that constantly revises fixed assumptions in light of new experiences. Dickinson describes this responsiveness as “nimble believing” and Thoreau calls it “holy play.” Scholars of literature, religion, and philosophy will find this book particularly useful.

A scientific and educational journal not only for professional statisticians but also for economists, business executives, research directors, government officials, university professors, and others who are seriously interested in the application of statistical methods to practical problems, in the development of more useful methods, and in the improvement of basic statistical data.

Important American periodical dating back to 1850.