The surprising successes of Bonnie and Clyde, The Graduate, and Easy Rider in the late 60's marked a turning point in the history of American cinema. A period of artistic renewal began, of a kind that had never been possible before in America.

This unique treasury provides information on 2,000 stars and the movies they made - from the early silent films to today. For each star, old or new, there is a concise biography and complete chronological list of all movie and TV appearances. Included are triumphs and disasters alike - as well as Academy Award nominations and prizes. Each entry is accompanied by a photograph of the star at the height of his or her career or in a typical role. Both the old and the new of cinema are found within these pages: Bette Davis William Powell, Marlene Dietrich, John Wayne, Carole Lombard, Richard Burton, Clint Eastwood, Robert De Niro, Robin Williams, Winona Ryder, Kevin Costner, and Christopher Walken, among hundreds of others. From the obscure (Gloria Talbott) to the mega-famous (Tom Cruise), from the award winners (Tom Hanks) to the never nominated (Edward G. Robinson), from the classics (Buster Keaton) to the luminaries of today (Jim Carrey) - the careers of all are here.

Who doesn't remember Kevin Keegan's haircut? Or David Seaman's? Or David Beckham's latest...'

Reinhold Wagnleitner argues that cultural propaganda played an enormous part in integrating Austrians and other Europeans into the American sphere during the Cold War. In Coca-Colonization and the Cold War, he shows that 'Americanization' was the result not only of market forces and consumerism but also of systematic planning on the part of the United States. Wagnleitner traces the intimate relationship between the political and economic reconstruction of a democratic Austria and the parallel process of cultural assimilation. Initially, U.S. cultural programs had been developed to impress Europeans with the achievements of American high culture. However, popular culture was more readily accepted, at least among the young, who were the primary target group of the propaganda campaign. The prevalence of Coca-Cola and rock 'n' roll are just two examples addressed by Wagnleitner. Soon, the cultural hegemony of the United States became visible in nearly all quarters of Austrian life: the press, advertising, comics, literature, education, radio, music, theater, and fashion. Hollywood proved particularly effective in spreading American cultural ideals. For Europeans, says Wagnleitner, the result was a second discovery of America. This book is a translation of the Austrian edition, published in 1991, which won the Ludwig Jedlicka Memorial Prize.

This comprehensive guide is an ideal reference work for film specialists and enthusiasts. First published in 1984 but continuously updated ever since, CineGraph is the most authoritative and comprehensive encyclopedia on German-speaking cinema in the German language. This condensed and substantially revised English-language edition makes this important resource available to students and researchers for the first time outside its German context. It offers a representative historical overview through bio-filmographical entries on the main protagonists, from the beginnings to the present day. Included are directors and actors, writers and cameramen, composers and production designers, film theorists and critics, producers and distributors, inventors and manufacturers. An appendix includes short introductory essays on specific periods and movements, such as Early Film, Weimar, Nazi Cinema, DEFA, New German Cinema, and German film since unification, as well as on cinematic developments in Austria and Switzerland. Sections that crossreference names around specific professional groups and themes will prove equally invaluable to researchers.