Anthropology is a branch of science which focuses on human behavior, human biology and societies. Anthropology of landscape discusses how different individuals and groups engage with it. It consists of various theoretical and methodological approaches, values and interests. From sharing and observing local lives through ethnographic fieldwork, anthropology studies how landscapes matter to people. The people physically shape and ascribe meaning to the landscape they inhabit. It is an intrinsic part of human social and cultural lives, constructed both physically and symbolically, and helping to make and unmake relationships and identities. This book covers in detail some existent theories and innovative concepts revolving around the anthropology of landscape. While understanding the long-term perspectives of the topics, it makes an effort in highlighting their impact as a modern tool for the growth of the discipline. The readers would gain knowledge that would broaden their perspective about anthropology of landscape.

Landscape has long had a submerged presence within anthropology, both as a framing device which informs the way the anthropologist brings his or her study into 'view', and as the meaning imputed by local people to their cultural and physical surroundings. A principal aim of this volume follows from these interconnected ways of considering landscape: the conventional, Western notion of 'landscape' may be used as productive point of departure from which to explore analgous ideas; local ideas can in turn reflexively by used to interrogate the Western construct.The Introduction argues that landscape should be conceptualized as a cultural process: a process located between place and space, inside and outside, image and representation. In the chapters that follow, nine noted anthropologists and an art historian exemplify this approach, drawing on a diverse set of case studies. These range from an analysis of Indian calendar art to an account of Israeli nature tourism, and from the creation of a metropolitan "gaze" in nineteenth-century Paris to the soundscapes particular to the Papua New Guinea rainforests. The anthropological perspectives developed here are of cross-disciplinary relevance; geographers, art historians, and archaeologists will be no less interested than anthropologists in this re-envisaging of the notion of landscape.

People all over the globe are experiencing unprecedented and often hazardous situations as environments change at speeds never before experienced. This edited collection proposes that anthropological perspectives on landscape have great potential to address the resulting conundrums. The contributions build on broadly phenomenological, structuralist and multi-species approaches to environmental perception and experience, but they also argue for incorporating political power into analysis alongside dwelling, cosmology and everyday practice. The book’s 13 ethnographically rich chapters explore how the material and the conceptual are entangled in and as landscapes, but it also looks at how these processes unfold at many scales in time and space, involving different actors with different powers. Thus it reaches towards new methodologies and new ways of using anthropology to engage with the sense of crisis concerning environment, movements of people, climate change and other planetary transformations. Dwelling in political landscapes: contemporary anthropological perspectives builds substantially upon anthropological work by Tim Ingold, Anna Tsing and Philippe Descola and on related work beyond, which emphasises the ongoing and open-ended, yet historically conditioned ways in which humans and nonhumans produce the environments they inhabit. In such work, landscapes are understood as the medium and outcome of meaningful life activities, where humans, like other animals, dwell. This means that landscapes are neither social/cultural nor natural, but socio-natural. Protesting against and moving on from the proverbial dualisms of modern, Western and maybe capitalist thought, is only the first step in renewing anthropology’s methodology for the current epoch, however. The contributions ask how seemingly disconnected temporal, representational, economic and other systemic dynamics fold back on lived experience that are materialised in landscapes. Foremost through studying how socially valued landscapes become irreversibly disturbed, commodified or subjected to wilful markings or erasures, the book explores a number of approaches to how landscapes are entangled in the ways people gather and organise themselves. Mindful of troubling changes in Earth Systems, all the authors argue from empirics. They show that processes of landscape change are always both habitual and laden with choices. That is, landscape change is political. Undoubtedly, landscape politics is bound up not just in how nature has been imagined, but in long histories of consumption. Today, an alarming quest for raw materials and energy continues to change both political and geological formations. Meanwhile dominant socio-political aspirations mean the exploitation of staggering volumes of cheap resources like fossil fuels in order to sustain economic processes that are as taken-for-granted as they are unsustainable. Like anthropology generally, this book attends to the contextual details buried in such planet-scale pictures. Building on traditional anthropological strengths, many authors consider the details of how the past is brought into the present – or erased from it – in material flows and sensory awareness, as well as in narratives that are explicitly linked to particular landscapes. Colonial identity formation and the different ways that it links with how landscape is viewed and managed (for instance for resource development for a global market), whether in Southern Africa, Israel/Palestine, the Canadian arctic or Indonesia, is a particularly striking example of how to talk about landscape is also to talk about past, present and future. And as the idea that we inhabit the Anthropocene becomes commonplace, the discipline can meaningfully discuss the current era as one of disavowed ruins as well as of poorly understood multispecies relations. To think of landscape as historically produced across multiple scales, does not mean ignoring its sensuous qualities let alone its role in cosmological systems. On the contrary, the analyses in the collection attend to the ways people’s movements through the landscape produce it as a material and conceptual resource. Taken together, the book’s ethnographic analyses take on board the unprecedented conditions under which people everywhere are having to make sense and forge relationships to the worlds they inhabit. Since landscapes are not what they used to be, neither can anthropology be.

American, Australian and British scholars examine the significance of the use of landscape for studies of identity.

Following the discovery of Franco-Caribbean cave art in the nineteenth century, standard interpretations of these works usually revolved around hunting, magic, and fertility cults. Orthodox positions such as these have weighed heavily on later generations of art historians, archaeologists, and anthropologists, even those whose views dissented from those of their predecessors. In the last few decades, however, new approaches to cave art, often based on discoveries made in Africa, Asia, Australia, North America, and the Arctic region, have produced new insights into possible meanings and functions of prehistoric paintings and sculptures. This new collection of essays explores these insights, gathering the observations of eight experts from a variety of disciplines, and examining some of the social and spiritual functions of a variety of artistic genres ranging from 40,000 B.C. to 5,000 B.C. These insights, which derive from evolutionary biology, feminist scholarship, ritual studies, and new modes of anthropology, argue collectively that prehistoric art was a culture-specific form of communication that should be interpreted in the social context of early hunger-gatherer societies and should not be measured with the criteria and paradigms of modern art. Essential reading for anyone interested in prehistoric art or its cultural implications, this volume represents a bold step forward in the research and analysis of the very first artists.

People all over the globe are experiencing unprecedented and often hazardous situations as environments change at speeds never before experienced. This edited collection proposes that anthropological perspectives on landscape have great potential to address the resulting conundrums. The contributions build particularly on phenomenological, structuralist and multi-species approaches to environmental perception and experience, but they also argue for incorporating political power into analysis alongside dwelling, cosmology and everyday practice. The book's 13 ethnographically rich chapters explore how the material and the conceptual are entangled in and as landscapes, but it also looks at how these processes unfold at many scales in time and space, involving different actors with different powers. Thus it reaches towards new methodologies and new ways of using anthropology to engage with the sense of crisis concerning environment, movements of people, climate change and other planetary transformations. Dwelling in political landscapes: contemporary anthropological perspectives builds substantially upon anthropological work by Tim Ingold and others, which emphasises the ongoing and open-ended, yet historically conditioned ways in which humans and nonhumans produce the environments they inhabit. In such work, landscapes are understood as the medium and outcome of meaningful life activities, where humans, like other animals, dwell. This means that landscapes are neither social/cultural nor natural, but socio-natural. Protesting against and moving on from the proverbial dualisms of modern, Western and maybe capitalist thought, is only the first step in renewing anthropology's methodology for the current epoch, however. The contributions ask how seemingly disconnected temporal, representational, economic and other systemic dynamics fold back on lived experience that are materialised in landscapes.

An Anthropology of Landscape tells the fascinating story of a heathland landscape in south-west England and the way different individuals and groups engage with it. Based on a long-term anthropological study, the book emphasises four individual themes: embodied identities, the landscape as a sensuous material form that is acted upon and in turn acts on people, the landscape as contested, and its relation to emotion. The landscape is discussed in relation to these themes as both ‘taskscape’ and ‘leisurescape’, and from the perspective of different user groups. First, those who manage the landscape and use it for work: conservationists, environmentalists, archaeologists, the Royal Marines, and quarrying interests. Second, those who use it in their leisure time: cyclists and horse riders, model aircraft flyers, walkers, people who fish there, and artists who are inspired by it. The book makes an innovative contribution to landscape studies and will appeal to all those interested in nature conservation, historic preservation, the politics of nature, the politics of identity, and an anthropology of Britain.

Wogeo Island is well-known to anthropologists of Papua New Guinea through the work of Ian Hogbin. Based on substantial fieldwork, the author builds on and expands previous research by showing how Wogeos establish and maintain social relationships and identities connected to place and movement in the physical landscape. This innovative study demonstrates how Wogeo worldviews and social organization can be described in relation to terms of movements, flows and placements in the landscape while, in turn, the landscape is constituted and made meaningful through people’s activities and buildings. The author not only addresses some of the key issues in contemporary anthropology concerning place, gender, kinship, knowledge and power but also fills an important gap in Melanesian ethnography.

Over 80 archaeologists from four continents create a benchmark volume of the ideas and practices of landscape archaeology, covering the theoretical and the practical, the research and conservation, and encasing the term in a global framework.

As the study of Palaeolithic technologies moves towards a more analytical approach, it is necessary to determine a consistent procedural framework. The contributions to this timely and comprehensive volume do just that. This volume incorporates a broad chronological and geographical range of Palaeolithic material from the Lower to Upper Palaeolithic. The focus of this volume is to provide an analysis of Palaeolithic technologies from a quantitative, empirical perspective. As new techniques, particularly quantitative methods, for analyzing Palaeolithic technologies gain popularity, this work provides case studies showcasing these new techniques. Employing diverse case studies, and utilizing multivariate approaches, morphometrics, model-based approaches, phylogenetics, cultural transmission studies, and experimentation, this volume provides insights from international contributors at the forefront of recent methodological advances.