With attention to the ways in which new reproductive technologies facilitate the gradual disembodiment of reproduction, this book reveals the paradox of women's reproductive experience in patriarchal cultures as being both, and often simultaneously, empowering and disempowering. A rich exploration of birth appropriation in the West, New Reproductive Technologies and Disembodiment investigates the assimilation of women's embodied power into patriarchal systems of symbolism, culture and politics through the inversion of women's and men's reproductive roles. Contending that new reproductive technologies represent another world historical moment, both in their forging of novel social relations and material processes of reproduction, and their manner of disembodying women in unprecedented ways - a disembodiment evident in recent visual and literary, popular and academic texts - this volume locates the roots of this disembodiment in western political discourse. A call to feminist political theory to re-remember the material dimensions of bodies and their philosophical significance, New Reproductive Technologies and Disembodiment will appeal to scholars of sociology, gender studies, political and social theory and the study of science, technology and health.

This book examines the proliferation of surrogacy storylines on TV, exploring themes of infertility, motherhood, parenting and family. It investigates how, despite reproductive technologies’ ability to flex contours of family, the shows’ narratives work to uphold the white, heterosexual, genetically-reproduced family as the ideal. In dialogue with responses from a range of female viewers, both mothers and non-mothers, the book scrutinises the construction of family ideology on television with studies including Coronation Street (1960-present), Giuliana & Bill (2009-2014), Rules of Engagement (2007-2013), The New Normal (2012-2013), Top of the Lake: China Girl (2017) The Handmaid’s Tale (2017-present) and film Baby Mama (2008). These studies raise a number of questions; is homosexuality only acceptable when it echoes heterosexual norms? Are female characters only fulfilled when they are genetic mothers? Does heterosexual romance override technology in the cure for infertility? While the answers to these questions may suggest that television still conforms to heteronormative narratives, this book importantly demonstrates that audiences desire alternative happy endings that show infertile female characters more positively and recognise alternative kinship formations as meaningful.

Gender After Gender in Consumer Culture provides an updated discussion of how gender cuts across consumer culture, in light of increasing gender fragmentation and integration with other identity positions. Sex, the biological distinction male/female, and gender, which refers to a person’s sense of being male, female, or any other combinations of these, inform issues as varied as personal identity, social interactions, and market behaviours. First, contributions account for the increasing fluidity and/or fragmentation of gender positions, which reshape the interplay between consumers and marketers. Second, they provide a timely illustration of how consumption and markets concur in contrasting gender inequalities, taken both individually and jointly (e.g., at the intersection of ethnicity or positions of market marginalisation). Third, chapters question the role of gender in granting personal and societal well-being, as they reflect on the collective capacity of constantly undoing gender stereotypes. Focusing on gender, this book allows the reader to trace the links among cultural categories (e.g. masculinity, femininity, gender identity), social phenomena, and market (dis)functioning. The chapters in this book were originally published as a special issue in the journal Consumption Markets & Culture.

A rich exploration of birth appropriation in the West, New Reproductive Technologies and Disembodiment investigates the assimilation of women's embodied power into patriarchal systems of symbolism, culture and politics through the inversion of women's and men's reproductive roles. Contending that new reproductive technologies represent another world historical moment, both in their forging of novel social relations and material processes of reproduction, and their manner of disembodying women in unprecedented ways - a disembodiment evident in recent visual and literary, popular and academic texts - this volume locates the roots of this disembodiment in western political discourse.

Embodiment, Morality and Medicine deals with the relevance of `embodiment' to bioethics, considering both the historical development and contemporary perspectives on the mind--body relation. The emphasis of all authors is on the importance of the body in defining personal identity as well as on the role of social context in shaping experience of the body. Among the perspectives considered are Christian, Jewish, Islamic, Buddhist, and African-American. Feminist concerns are important throughout.

Collecting a wide range of contemporary and classical essays dealing with medical ethics, this huge volu me is the finest resource available for engaging the pressin g problems posed by medical advances. '

Reproducing Reproduction addresses these debates in a range of sites in which reproduction is being redefined and argues persuasively for a renewed appreciation of the centrality of reproductive politics to cultural and historical change.

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This book looks at the representation of the body in culture from a feminist perspective. Subjects covered include bodybuilding, cosmetic surgery, and cyberculture.

Sonja van Wichelen boldly describes how contemporary justifications of cross-border adoption navigate between child welfare, humanitarianism, family making, capitalism, science, and health. Focusing on contemporary institutional practices of adoption in the United States and the Netherlands, she traces how professionals, bureaucrats, lawyers, politicians, social workers, and experts legitimate a practice that became progressively controversial.