Scandinavian design is known for its innovation, functionality, pure lines and original forms. In Denmark, Finland, Iceland, Nor way and Sweden, designs are often inspired by nature and fulfill both functional and aesthetic criteria. Discover through these 400 pages with color photos the new trends in Scandinavian architecture, furniture and product design. Book jacket.

For the first time, this book provides an up-to-date history of product design and product design law covering 17 countries — Japan, Korea, China, Singapore, the United Kingdom, Germany, France, Italy, the Nordic countries (Denmark, Finland, Iceland, Norway and Sweden), Russia, the United States, Brazil and Australia — selected for their innovative or influential approach to design or design protection. Each country is the subject of two chapters — one on the history of design and the other on the history of design law — authored by experts in design and intellectual property (IP) law. This unique interdisciplinary approach explains why and how various national design protection systems (that can include design, copyright, trade mark, competition and civil laws) developed, making it an ideal book for students, researchers and lawyers. The book also serves as an international survey of different national policy and legal responses to historical developments and specific design and legal issues allowing readers to consider their advantages and disadvantages — and so is also recommended for policy and law makers, as well as organizations that administer IP rights. Topics include the subject matter of design protection; procedural and substantive requirements; design registration; infringement; and the overlap of design rights and other IP rights. The chapters on design history provide further context to the historical development of these legal concepts by considering major design movements, key designers and iconic designs and the current state of design. The chapters highlight the connected and often complementary relationship between the two histories, not only for each country, but at the regional and international level, often as a result of government policies, trade, colonialism, immigration and globalisation. Design and design practice continue to become more global and evolve with developments in technology. At the same time, design laws are not internationally harmonized and continue to develop at the national level, with a number of significant changes occurring in recent years. This timely book shows how the lessons of the past continue to inform the future direction of design and the legal systems developed to protect it.

Scandinavian design is still seen as democratic, functional and simple, its products exemplifying the same characteristics now as they have done since the 1950s. But both the essence and the history of Scandinavian design are much more complex than this. Scandinavian Design: Alternative Histories presents a radically new assessment, a corrective to the persistent mythologies and reductive accounts of Scandinavian design. The book brings together case studies from the early twentieth century to today. Drawn from fields as diverse as transport, engineering, packaging, photography, law, interiors, and corporate identity, these studies tell new or unfamiliar stories about the production, mediation and consumption of design. An alternative history is created, one much more alive to national and regional differences and to types of product. Scandinavian Design analyses a century of design culture from Denmark, Finland, Norway and Sweden and, in so doing, presents a sophisticated introduction to Scandinavian design.

New Nordic Food (NNF), based on the New Nordic Kitchen Manifest, has strived in the last eight years to raise the profile of the Nordic cuisine and the meal experience both in the Nordic Region and internationally. Since the signing of the kitchen manifest, New Nordic Food has evolved into a Nordic social movement. Today, the challenge lies in taking that movement to a new level, so that the Nordic Region can become one of the most outstanding and innovative food regions in the world.

First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

Covering the 1960s and 1970s, this volume explores new ways of investigating, comparing and interpreting the different domains of design culture across the Nordic countries. Challenging the traditional narrative, this volume argues that the roots of the most prominent features of Nordic design’s contemporary significance are not to be found amongst the objects for the home collectively branded as ‘Scandinavian Design’ to great acclaim in the 1950s, but in the discourses, institutions and practices formed in the aftermath of that oft-told success story, during the turbulent period between 1960 and 1980. This is achieved by employing multidisciplinary approaches to connect the domains of industrial production, marketing, consumption, public institutions, design educations, trade journals as well as public debates and civic initiatives forming a design culture. This book makes a significant contribution to current, international agendas of historiographical critique focusing on transnational relations and the deconstruction of national design histories. This book will be of interest to scholars in design, design history and Scandinavian studies.

An exploration of the parallel development of product and graphic design from the 18th century to the 21st. The effects of mass production and consumption, man-made industrial materials and extended lines of communication are also discussed.

For serious furniture collectors, Danish is more than a pastry-it's an art form. Twentieth century Danish furniture design is simple and clean., mixes well with other design styles, and has an inherent value and history beyond its beauty. In Modern Danish, Andrew Hollingsworth explores the history of Danish design, from the earliest cabinetmakers' guilds in the 1770s through the impact of two world wars, and its evolution into the twentieth century. The book includes photographic surveys of Danish Modern furniture in homes across the Unites States; a market guide with tips, facts and resources that includes discussions of veneer vs. solid wood, places to find Danish Modern furniture, and a guide to caring for it; and an extensive resource section.

Identified as "the first designer of what would become known as Swedish Modern" by the National Museum of Women in the Arts in Washington, D.C., Karin Bergoo Larsson (1859-1928) was a mother of eight and wife to Sweden's beloved painter, Carl Larsson. Herself a well-regarded artist, she gave up painting when she married, at the request of her husband. Taking up needles and cloth, she then turned a somewhat ugly cottage--Lilla Hyttnas in the tiny village of Sundborn, Sweden--into a designer showcase. Inspired by the Swedish countryside, she filled the home with handcrafted wall hangings, bed coverings, tablecloths, pillow covers and even furniture of her own design, while greatly influencing her husband's work by encouraging him to move away from dark oils to more illuminating and light-filled watercolors. His paintings of their home made her interior designs famous, and her influence continues to inform the concepts of retail giant IKEA.