One of a series which discusses topics of interest in theatre studies from various perspectives. Part 28 includes discussions of 'Mother Courage' at the Citizens, 1990, by Margaret Eddershaw, and Wole Soyinka's 'Death and the King's Horseman', at the Royal Exchange, 1990, by Martin Banham.

New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.

New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet. Topics covered in number 44 include: 'Spectatorial Theory in the Age of the Media Culture', and 'The Company You Keep: Subversive Thoughts on the Impact of the Playwright and the Performer'.

New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.

Provides an international forum where theatrical scholarship and practice can meet.

Provides an international forum where theatrical scholarship and practice can meet.

Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.

New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to critical questioning. Articles in Volume 66 will include: Dario Fo, the Commune, and the Battle for the Palazzina Liberty; Dramaturgy according to Daedalus; 'Other' Spaces of Translation: the Theatre of Bernard-Marie Koltès; 'Everybody Got Their Brown Dress': Millennium Revivals of the Medieval Mysteries; 'Suffrage Shrews': Mary Pickford's Katherina and the Stratford Visit to Los Angeles; Alternative Theatre in Poland since 1989.

One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.

New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.