""New York Newsboys: Charles Loring Brace and the Founding of the Children's Aid Society (CAS) investigates Brace's visionary anti-poverty work among New York's vagrant children in the latter half of the nineteenth century. Taking as its central focus the CAS's flagship program-the Newsboys' Lodging House, which opened in 1854-this book examines its experiment in incentive-based youth engagement, its connection with other CAS branches, and its overall place in a continuum of child care. Brace forged new methods based on voluntary participation, a alternative to child asylums which policed the poor. Straddling periods dubbed antebellum, Civil War, Reconstruction, and the Gilded Age, CAS took root amid racial, ethnic, religious, nativist, and class-based tensions in a city absorbing a flood of poor immigrants and housing them in squalid conditions. Youth homelessness emerged as a new social problem. Brace's plan included a central office for intra- and extra-agency referrals; outreach; schools, reading rooms, evening entertainment, Sunday meetings, lodging houses, and emigration options for fostering or employing children in the West. The plan was stunning in its size, scope, and vision. It provided for children's basic needs while offering pathways out of poverty. Brace's goals were nothing short of eradicating child poverty, reducing homelessness, reducing illiteracy, preventing juvenile delinquency, improving child and maternal health, providing employment and job training, and promoting sympathy for poor children among the wealthy. Brace's internationally recognized work had a profound impact on child well-being and offered a radical alternative to the jural, carceral, and policing tactics common in the day ""--

Rufus, also known as Rough and Ready, is a newsboy who must protect his sister, Rose, from an alcoholic stepfather, James Martin. Through luck, hard work, and honesty, Rufus finds a home for Rose with a kindly seamstress and prospers in his business of selling newspapers. However, Mr. Martin is lurking in the shadows waiting for an opportunity to reclaim the children and hatches a plot to kidnap Rose.

From Benjamin Franklin to Ragged Dick to Jack Kelly, hero of the Disney musical Newsies, newsboys have long intrigued Americans as symbols of struggle and achievement. But what do we really know about the children who hawked and delivered newspapers in American cities and towns? Who were they? What was their life like? And how important was their work to the development of a free press, the survival of poor families, and the shaping of their own attitudes, values and beliefs? Crying the News: A History of America's Newsboys offers an epic retelling of the American experience from the perspective of its most unshushable creation. It is the first book to place newsboys at the center of American history, analyzing their inseparable role as economic actors and cultural symbols in the creation of print capitalism, popular democracy, and national character. DiGirolamo's sweeping narrative traces the shifting fortunes of these "little merchants" over a century of war and peace, prosperity and depression, exploitation and reform, chronicling their exploits in every region of the country, as well as on the railroads that linked them. While the book focuses mainly on boys in the trade, it also examines the experience of girls and grown-ups, the elderly and disabled, blacks and whites, immigrants and natives. Based on a wealth of primary sources, Crying the News uncovers the existence of scores of newsboy strikes and protests. The book reveals the central role of newsboys in the development of corporate welfare schemes, scientific management practices, and employee liability laws. It argues that the newspaper industry exerted a formative yet overlooked influence on working-class youth that is essential to our understanding of American childhood, labor, journalism, and capitalism.

History of American newsboys who made their living walking the streets selling newspapers.

This pamphlet discusses the legislative regulation of public dance halls in twenty-eight states. Some of the regulations undertaken by the states include restrictions on attendance, hours of operation, supervision, and regulation of the physical and social conditions of the hall. The author also discusses some of the regulations and ordinances of 100 cities including one from Lincoln, Nebraska that required patrons to keep their bodies at least six inches apart.

Rufus, also known as Rough and Ready, is a newsboy who must protect his sister, Rose, from an alcoholic stepfather, James Martin. Through luck, hard work, and honesty, Rufus finds a home for Rose with a kindly seamstress and prospers in his business of selling newspapers. However, Mr. Martin is lurking in the shadows waiting for an opportunity to reclaim the children and hatches a plot to kidnap Rose.

Focusing on the period from the 1850s through the 1930s, the contributors show how issues of labor and class have been far more important in the formation of media institutions than previous accounts concede. These essays recover the history of ethnic and cultural diversity--including the contributions of women--that have enriched the process of communication.

Strikes have been part of American labor relations from colonial days to the present, reflecting the widespread class conflict that has run throughout the nation's history. Against employers and their goons, against the police, the National Guard, local, state, and national officials, against racist vigilantes, against their union leaders, and against each other, American workers have walked off the job for higher wages, better benefits, bargaining rights, legislation, job control, and just plain dignity. At times, their actions have motivated groundbreaking legislation, defining new rights for all citizens; at other times they have led to loss of workers' lives. This comprehensive encyclopedia is the first detailed collection of historical research on strikes in America. To provide the analytical tools for understanding strikes, the volume includes two types of essays - those focused on an industry or economic sector, and those focused on a theme. Each industry essay introduces a group of workers and their employers and places them in their economic, political, and community contexts. The essay then describes the industry's various strikes, including the main issues involved and outcomes achieved, and assesses the impact of the strikes on the industry over time. Thematic essays address questions that can only be answered by looking at a variety of strikes across industries, groups of workers, and time, such as, why the number of strikes has declined since the 1970s, or why there was a strike wave in 1946. The contributors include historians, sociologists, anthropologists, and philosophers, as well as current and past activists from unions and other social movement organizations. Photos, a Topic Finder, a bibliography, and name and subject indexes add to the works appeal.