News Coverage of Global Disasters: Journalism’s Power to Aid Healing and Recovery addresses an under-explored aspect of news, arguing that journalism helps people heal and recover in the aftermath of significant traumas. This comparative analysis draws from local and international news in eight countries around the world that suffered a natural disaster in 2018. The book evaluates ten news themes that aid healing, coping, hope and recovery during and after a natural disaster. Analysis shows that these ten characteristics are a common element within news, transcending national borders. The book brings together contemporary theories of news choice and practice with examination of the journalistic culture within each country. Analysis also includes contextual and structural factors within each country and national disaster. Evaluation shows some characteristics of a common journalistic culture and other patterns primarily due to unique elements of a national culture. The book mixes quantitative and qualitative data to provide a rich analysis. It also fills a gap in international comparative studies of news content.

The lucidly written, sobering account of how the press fared in covering the tragedy and how news organizations might improve on their disasters coverage in the future. --Quill On a bitter December night in 1988, Pan Am Flight 103, the Maid of the Seas, flying from Frankfurt to New York, exploded over Lockerbie, Scotland, killing 270 people. Among the victims were citizens from over 21 countries, 11 villagers, and 35 Syracuse University students returning home from studying abroad. The bombing set in motion a drama of epic proportions, played out on television screens and newspaper pages around the world. Scenes from the tragedy etched themselves on the public consciousness: a screaming mother at Kennedy Airport, collapsing upon learning of the fate of her child; flames engulfing the modest homes of Lockerbie; weeping Syracuse University students in mourning at a basketball game; the mangled cockpit of the jumbo jet resting in an idyllic Scottish meadow. Behind these scenes, another drama unfolded: Hundreds of journalists swarmed to the traumatized village. In New York, scores of reporters, photographers, and cameramen rushed to the airport to record the reactions of bereaved family members. All over the country, people watched the names of the dead scrolling across their televisions, many praying for those presumed to be on board. The disaster also engulfed institutions, many unprepared to mediate between the public's need for informations and the need for privacy by those most affected. In engrossing detail, THE MEDIA AND DISASTERS chronicles the story behind the headlines, illustrating how the media and the people it encounter in pursuit of the news experienced and affected the journalistic process. The book addresses, in narrative fashion, the universal themes common to most tragedies, emphasizing the increasingly powerful role of the media and its agents in representing such catastrophes to the world. Joan Deppa and her coauthors, all of whom witnessed the effects of this media coverage at Syracuse University, focus on reactions to the disaster--individual and collective. Journalists, police, government officials, rescue workers, and witnesses all had to make important ethical decisions immediately, under conditions of great stress: --how should families of the victims be informed? --What could journalists do to get the story without adding to the distress of grieving families and friends? --should the terrible human carnage of such a disaster be conveyed--in words, in photographs, on television? One particularly telling debate on these issues pits editors of the New York Daily Newsagainst those of Newsday. The destruction of Flight 103 forever altered the media landscape. It marked a watershed moment in media history, a turning point in the global coverage of disasters. Just as the Gulf War was piped directly into living rooms two years later, disasters were now live events. THE MEDIA AND DISASTERS is must reading for anyone interested in journalism, communications, the evolution of the media, and institutional responses to disaster.

What are ‘global crises' and how do they differ from earlier crises? What do recent studies of global crises reporting tell us about the role of the news media in the global age? What are the current trends in the fields of journalism and civil society that are now re-shaping the public communication of crises? From climate change to the global war on terror, from forced migration to humanitarian disasters - these are just some of the global crises addressed in this accessible, ground-breaking book. For the first time, the author situates diverse threats to humanity in a global context and examines how, why and to what extent they are conveyed in today's news media. Global crises are conceived as the dark side of a globalizing world, but how they become reported and constituted in the news media can also help sustain emergent forms of global awareness, global citizenship and global civil society. The book: Draws on original research and scholarship in the field of media and communications Deliberately moves beyond nationally confined research studies Examines diverse global crises and their communicative politics Recognizes global crises and their constitution within global news reporting as defining characteristics of the global age Global Crisis Reporting is key reading for students in media, communications, globalization and journalism studies.

An academically focused collection of papers highlighting the successes and challenges of a move from disaster to risk management in responding to drought. The book passes on the experiences gained from Australia’s trail-blazing new policy, introduced in 1992.

This is the second of three volumes containing edited versions of papers and commentaries presented at invited symposium sessions of the Tenth World Congress of the Econometric Society, held in Shanghai in August 2010. The papers summarize and interpret key developments in economics and econometrics, and they discuss future directions for a wide variety of topics, covering both theory and application. Written by the leading specialists in their fields, these volumes provide a unique, accessible survey of progress on the discipline. The first volume primarily addresses economic theory, with specific focuses on nonstandard markets, contracts, decision theory, communication and organizations, epistemics and calibration, and patents.

The Soap Opera Paradigm is an engaging look at the pervasive use of daytime soap opera storytelling techniques in most television program genres, from prime time soap operas and reality shows to the nightly news, coverage of political campaigns, and sports programming. Drawing from a wealth of research, James Wittebols shows how programming techniques have changed over time and what roles media concentration and commercial influences have played in these changes. Visit our website for sample chapters!

Global Media Ethics Global Media Ethics Problems and Perspectives “The book pleads convincingly that news media outlets and practitioners should urgently reconsider their practices and norms in a world gone global and digitally convergent. The various contributions broach the topic from completely different perspectives to create a very stimulating and constructive framework to identify and face the new ethical challenges of journalism and the news media.” François Heinderyckx, Université libre de Bruxelles “News that crosses boundaries of culture and geography means rethinking media ethics. The demands of role, audience, digital transmission, and an industry under fierce economic pressure require the insightful approach to ethical thinking this volume provides. From theory to practice, this book has something for scholars and professionals alike.” Lee Wilkins, Journal of Mass Media Ethics Global Media Ethics is a cross-cultural exploration of the conceptual and practical issues facing media ethics in a global world. Focusing on the ethical concepts, principles, and questions in an era of major change, this unique textbook explores the aims and norms that should guide the publication of stories that impact across borders, and which affect a globally linked, pluralistic world. Through case studies, analysis of emerging practices, and theoretical discussion, a team of leading journalism and communication experts investigate the impact of major global trends on responsible journalism and lead readers to better understand changes in media ethics. Chapters look at how these changes promote or inhibit responsible journalism, how such changes challenge existing standards, and how media ethics can develop to take account of global news media. In light of the fact that media journalism is now, and will increasingly become, multimedia in format and global in its scope and influence, the book argues that global media impact entails global responsibilities: It is therefore critical that media ethics rethinks its basic notions, standards, and practices from a more cosmopolitan perspective.

For a full list of entries and contributors, sample entries, and more, visit the Routledge International Encyclopedia of Women website. Featuring comprehensive global coverage of women's issues and concerns, from violence and sexuality to feminist theory, the Routledge International Encyclopedia of Women brings the field into the new millennium. In over 900 signed A-Z entries from US and Europe, Asia, the Americas, Oceania, and the Middle East, the women who pioneered the field from its inception collaborate with the new scholars who are shaping the future of women's studies to create the new standard work for anyone who needs information on women-related subjects.

The Routledge Handbook of Humanitarian Communication is an authoritative and comprehensive guide to research in the academic sub-field of humanitarian communication. It is broadly focused on communication that presents human vulnerability as a cause for public concern and encompasses communication with respect to humanitarian aid and development as well as human rights and "humanitarian" wars. Recent years have seen the expansion of critical scholarship on humanitarian communication across a range of academic fields, sharing recognition of the centrality of media and communications to our understanding of humanitarianism as an agent of transnational power, global governance and cosmopolitan solidarity. The Handbook brings into dialogue these diverse fields, their theoretical frameworks and methodological approaches as well as the public debates that lie at the heart of the contemporary politics of humanitarianism. It consolidates existing knowledge and maps out this emerging field as an important site of interdisciplinary knowledge production on media, communication and humanitarianism. As such, the Handbook is not simply a collection of texts sharing a similar theme. It is a coherent intellectual contribution which systematizes current critical scholarship in terms of Domains, Methods and Issues and sets an agenda of emerging and evolving research priorities in the field. Consisting of 26 chapters written by international scholars, who have contributed to laying the foundation of the field, this volume provides an essential guide to the key ideas, issues, concepts and debates of humanitarian communication.

Contemporary movies and television programs often depict the world as we know it displaced, awash in ocean tides or broken into pieces by devastating earthquakes. The climate data coming through news outlets can seem to reinforce this fatalistic view, with earth warming records hitting new levels year after year. While it can seem like natural disasters are increasingly affecting our world, is there data to support this perception or is this view of events mediated by panicked activists and the media? This anthology explores key ideas and opinions regarding discussions about natural disasters, including subjects such as the frequency and severity of natural disasters, poor infrastructure, human activity, and the economic costs of natural disasters.