Examines Nietzsche's complex attitudes toward religion and his understanding of how particular religions and deities affect the intellectual, moral, and spiritual lives of their various proselytes and adherents.

The place (or absence) of God in Nietzsche’s thought remains central and controversial. Nietzsche’s proclamation of 'the death of God' is one of the most famous (and parodied) slogans in modern philosophy, seeming to encapsulate the nineteenth-century loss of religious faith in the affirmation that God has "turned out to be our oldest lie" and yet the nature of Nietzsche’s own ‘theology’ is far from clear. This volume engages with Nietzsche’s arguments about God, theology, and religion. The volume extends the discussion to an engagement of Nietzsche with alternative models of God, with ancient Greek religions, and with discussions of diversity (race, class, gender, sex) in dis/conjunction with religion. The chapters examine Nietzsche’s genealogy of religion and his claims about the place of God and theology in the history of Western thought ("that faith of the Christians, which was also Plato’s faith"), as well as his engagements with alternative conceptions of God. The volume also examines the historical and contemporary reception of Nietzsche’s arguments about God by religious and non-religious thinkers, asking to what extent Nietzsche’s philosophy of God speaks to the challenges of today's globalized philosophy and religion.

Combining biography and a careful analysis of Nietzsche's writings from 1844-1900, this book explores Nietzsche's critique of Christianity, Judaism, and antisemitism. The first part of the book is concerned with psychological aspects and biographical elements. Part Two focuses on the ethical and political aspects of Nietzsche's views as presented in his mature writings: Thus Spoke Zarathustra, Toward the Genealogy of Morals, and the Antichrist.

At the end of the nineteenth and the beginning of the twentieth century, a large and varied group of the Russian intelligentsia became fascinated by Friedrich Nietzsche, whose provocative ideas inspired many of them to overcome obsolete traditions and to create new values. Paradoxically, the German philosopher, who vigorously challenged the established Christian worldview, invigorated the rich ferment of religious philosophy in the Russian Silver Age: his ideas served as a fruitful source of inspiration for the philosophers of the Russian religious renaissance, the so-called God-seekers, in their quest for a new religious consciousness. Especially Nietzsche’s anthropology of the Übermensch was instrumental in their reformulation of Christianity. This book explores how three pivotal figures in the Russian religious reception of Nietzsche, i.e. Vladimir Solov’ëv, Dmitrii Merezhkovskii and Nikolai Berdiaev, engaged in a vacillating yet highly prolific debate with Nietzsche and how each of them appropriated his anthropology of the Übermensch in their religious philosophy. In order to explain Merezhkovskii’s and Berdiaev’s assessment of Nietzsche, the author highlights the significance of Dostoevskii: only by reading Nietzsche through the prism of Dostoevskii could both God-seekers pin down the religious ramifications of Nietzsche’s thought. This book will be of interest to anyone fascinated by Nietzsche, Dostoevskii, Russian religious philosophy, Russian history of ideas and reception studies.

This book presents a reading of Martin Heidegger’s philosophy as an effort to strike a middle position between the philosophies of Plato and Friedrich Nietzsche. Duane Armitage interprets the history of Western philosophy as comprising a struggle over the meaning of “being,” and argues that this struggle is ultimately between materialism and idealism, and, in the end, between atheism and theism. This work therefore concerns the question of the meaning of the so called “death of God” in the context of contemporary Continental Philosophy.

This book describes the reception of the Nietzschean Death of God within the Italian philosophical debate, an ambit traditionally concerned with emphasising the practical-political meaning of philosophical thinking. Nietzsche's abyssal announcement of the Death of God - "mein Wort für Ideale" - highlights the necessity to rethink the connection between theory and praxis. This is particularly evident in the works of Italian thinkers such as Vattimo, Cacciari, Colli, Masini e Severino, who in large part have read Nietzsche's philosophy through the philosophical filter of Marxian culture, trying to show the emancipatory charge present in Nietzsche's work and the necessity to rethink the boundaries of the political, over the limits of political theology. Emilio Carlo Corriero demonstrates how the reception of Nietzsche's pronouncement, with its theoretical consequences, reveals the specific character of Italian philosophy, its eclectic attitude and its attention to the practical-political meaning of philosophical thought, but also its constant reflection on the concept of history and the origin of Being.

What is God? What does it mean to believe in God? What happens to God after the death of God? This book examines “the death of God” from a philosophical standpoint. It focuses on monotheism, polytheism, and nature, and it discusses the renewed importance of spirituality—and the “spiritual but not religious”—in response to the death of God. In recent years, religious belief has been in decline, but secularism cannot satisfy our spiritual needs. We are now living in a “post-secular” age in which the relationship between philosophy, spirituality, and religion must be re-examined. As an exploratory essay, this book engages the reader at a profound level, and considers a variety of modern thinkers, including Nietzsche, Hegel, Freud, Levinas, Assmann, and Buber. It offers a sustained meditation on the origin of God, the death of God, and the future of “God” as a guiding ideal.

A step by step illumination of the intricacy, 'logic', and importance of one of Nietzsche's richest and most complex works. In a clear and accessible manner the author explains the interconnectedness of The Gay Science's seemingly unrelated sections. Throughout she provides critical commentary, background information, and translation corrections.

This volume of essays by internationally prominent scholars interprets the full range of Heidegger's thought and major critical interpretations of it. It explores such central themes as hermeneutics, facticity and Ereignis, conscience in Being and Time, freedom in the writings of his period of transition from fundamental ontology, and his mature criticisms of metaphysics and ontotheology. The volume also examines Heidegger's interpretations of other authors, the philosophers Aristotle, Kant and Nietzsche and the poets Rilke, Trakl and George. A final group of essays interprets the critical reception of Heidegger's thought, both in the analytic tradition (Ryle, Carnap, Rorty and Dreyfus) and in France (Derrida and Lévinas). This rich and wide-ranging collection will appeal to all who are interested in the themes, the development and the context of Heidegger's philosophical thought.

In this study of Nietzsche's Thus Spoke Zarathustra, Paul S. Loeb proposes a fresh account of the relation between the book's literary and philosophical aspects and argues that the book's narrative is designed to embody and exhibit the truth of eternal recurrence. Loeb shows how Nietzsche constructed a unified and complete plot in which the protagonist dies, experiences a deathbed revelation of his endlessly repeating life, and then returns to his identical life so as to recollect this revelation and gain a power over time that advances him beyond the human. Through close textual analysis and careful attention to Nietzsche's use of Platonic, biblical, and Wagnerian themes, Loeb explains how this novel design is the key to solving the many riddles of Thus Spoke Zarathustra - including its controversial fourth part, its obscure concept of the Übermensch, and its relation to Nietzsche's Genealogy of Morals.