The eerie quiet and disorientating darkness of the night have long been associated with the terror of the unknown. In the cold light of day it is all too easy for sceptics to dismiss apparently inexplicable events but in the dead of night, when faced with the evidence of their senses and those of other perfectly rational people, it is far more difficult to ignore the facts - however disturbing they may be. Peter Underwood is Britain's leading ghost hunter. For over thirty years, in his position as President and Chief Investigator of the Ghost Club of Great Britain, he was actively involved in undertaking night vigils and carrying out research into ghosts and paranormal activity in controlled, scientific conditions. In this unique volume of largely unpublished accounts of nocturnal investigations, he guides son a chilling tour of the most haunted houses in Great Britain. Among others, we encounter the headless Blue Lady and disturbing inexplicable odour of lavender of Bovey House in Devon; the happy spirits monk of Bromfield Manor, Shropshire, who chuckles with delight when noticed; and the strange disembodied voices, footsteps and unnatural coldness of Newark Park, Gloucestershire. In Nights in Haunted Houses Peter Underwood vividly records terrifying accounts of ghostly encounters in locations as diverse as a farmhouse, a church, a castle and a council house, and builds a convincing catalogue of evidence for the existence of ghosts.

Felix Allsey is a travel writer with a keen eye for the paranormal, and he’s carved out a unique, if only slightly lucrative, niche for himself in nonfiction; he writes travelogues of the country’s most haunted places, after haunting them himself. When he convinces the owner of the infamous Rotterdam Mansion to let him stay on the premises for 13 nights, he believes he’s finally found the location that will bring him a bestseller. As with his other gigs, he sets rules for himself: no leaving the house for any reason, refrain from outside contact, and sleep during the day. When Thomas Ruth, Felix's oldest friend and fellow horror film obsessive, joins him on the project, the two dance around a recent and unspeakably painful rough-patch in their friendship, but eventually fall into their old rhythms of dark humor and movie trivia. That’s when things start going wrong: screams from upstairs, figures in the thresholds, and more than what should be in any basement. Felix realizes the book he’s writing, and his very state of mind, is tilting from nonfiction into all out horror, and the shocking climax answers a question that’s been staring these men in the face all along: In Rotter House, who’s haunting who?

The bestselling author of "Ghosts Across Kentucky" now presents an all-new collection of amazing ghost stories of the state.

Examining discomfort’s physical, emotional, conceptual, psychological and aesthetic dimensions, the contributors to this volume offer an alternate, cultural approach to the study of architecture and the built environment. By attending to a series of disparate instances in which architecture and discomfort intersect, On Discomfort offers a fresh reading of the negotiations that define architecture’s position in modern culture. The essays do not chart comfort’s triumph so much as discomfort’s curious dispersal into practices that form ‘modern life’ – and what that dispersion reveals of both architecture and culture. The essays presented in this volume illuminate the material culture of discomfort as it accrues to architecture and its history. This episodic analysis speaks to a range of disciplinary fields and interdisciplinary subjects, extending our understanding of the domestication of interiors (and objects, cities and ideas); and the conditions under which – by intention or accident – they discomfort.

Charles Dickens was an English writer and social critic. This volume contains two novels, including The Mystery of Edwin Drood, the final unfinished novel by Charles Dickens. Edwin Drood is contracted to marry orphan Rosa Bud when he comes of age, but when they find that duty has gradually replaced affection, they agree to break off the engagement. Shortly afterwards, in the middle of a storm on Christmas Eve, Edwin disappears, leaving nothing behind but some personal belongings. The Haunted House is a collection of ghost tales by Dickens, who wrote the opening and closing stories, framing them, and five other authors: Hesba Stretton, George Augustus Sala, Adelaide Anne Procter, Wilkie Collins and Elizabeth Gaskell.

Fictional Halloween and Spooky Stories is a collection of tales that have been carefully selected to transport readers into the eerie and mysterious world of Halloween. These stories are designed to entertain and frighten readers of all ages, providing a spine-tingling reading experience that will keep readers on the edge of their seats. One of the things that makes this collection so special is how it captures the spirit of Halloween. These stories are not just scary for the sake of being scary; they are infused with the atmosphere and ambiance of the holiday. From the dark and stormy nights to the howling of wolves in the distance, these stories will transport you to the world of Halloween and all its spooky delights.

There are a lot of little things in life that get overlooked. Rardin makes his point in an irreverent look at life's idiosyncrasies and craziness as only he can scrutinize. Jumping from one topic to another in a harebrained tour of our mundane lives and the things that most people think about but never talk about, Rardin delivers a tome that is sure to tickle. Spanning the gamut from the brutality of boredom to the excitement of discovery in a book that flows from the obvious to heart wrenching recollections of a childhood wrapped around a father who did more than his share of bonding, you will laugh, love, yawn and cry. Everyone knows that it is always windy on trash night. The bane of every dad who has ever had to take out the trash. That's how it's set up in the grand scheme of things. It's Always Windy On Trash Night so trash morning is always special.

During and after the days of slavery in the United States, one way in which slaveowners, overseers, and other whites sought to control the black population was to encourage and exploit a fear of the supernatural. By planting rumors of evil spirits, haunte