Material Theories takes a radically new approach to well-established thinking on nineteenth-century architecture and design by investigating Gottfried Semper’s classic ideas about dressing, metamorphosis of material, and cultural development, culminating in his two-volume publication Style. This book demonstrates how Semper’s theories crystallised among his encounters with material things of the late 1840s and early 1850s. It examines several discursive frameworks and phenomena which shaped the attitude to artefacts in Europe in the mid-nineteenth century, and which were specifically pertinent to Semper’s evolution: archaeology and antiquarianism, the domestic interior, print media, collections, and the embodied relationship between the designer and their work. For the first time, this book examines the construction of a design theory not only as an intellectual endeavour but also as a process of confrontation with material things. It employs recent approaches to material culture, in particular Thing Theory, in order to show that Semper’s artefact references constituted his ideas, rather than simply giving impetus to them. It will be an important investigation for academics and researchers interested in interior design history, as well as scholars of material culture and history of design theory.

This book is a critical study of the role played by architecture and texts in promoting political and religious ideologies in the ancient world. It explains a palace as an element in royal propaganda seeking to influence social concepts about kingship, and a text about a temple as influencing social concepts about the relationship between God and human beings. Applying the methods of analysis developed in built environment studies, the author interprets the palace and temple building programs of Sennacherib, King of Assyria, and Solomon, King of Israel. The physical evidence for the palace and the verbal evidence for the temple are explained as presenting communicative icons intended to influence contemporary political and religious concepts. The volume concludes with innovative interpretations of the contributions of architectural and verbal icons to religious and political reform.

Where was the Hanging Garden of Babylon and what did it look like ? Why did the ancient Greeks and Romans consider it to be one of the Seven Wonders of the World? Renowned Babylonian expert Stephanie Dalley delves into the legends filled with myth and mystery to piece together the enigmatic history of this elusive world wonder.

For almost 3000 years the story of Jonah has intrigued, amused, inspired, encouraged, a, d challenged people of faith. This timeless story about one imperfect, complex man and his difficult relationship with God continues to engage contemporary audiences. Jonah enjoys a unique place in salvation history. His life reprises the actions of key Old Testament figures and also points forward to the New Testament and the coming Messiah. Jonah s story is a beautiful, complex, artfully crafted, work of minimalist literature which speaks a profound and resounding message of grace that still captures the human heart. This book is designed to facilitate a 40 day, shared journey through the book of Jonah. The radical revelation of the book of Jonah is that God s grace is wild. It refuses all human attempts to tame, domesticate, or restrain it. This grace continually bursts forth, in the most unexpected of places, and reaches out to the most unlikely of people.