Following his acclaimed Guide Through Balthasar's Aesthetics, Aidan Nichols summarizes and illuminates the five volume series Theo-Drama, which develops the heart of Balthasar's theological theory - his exploration of the Good and of the dramatic interplay of finite and infinite freedom. Theo-Drama builds upon the earlier achievement of The Glory of the Lord and transcends it, opening up new horizons for theological and cultural reflection in the twenty-first century. Aidan Nichols' succinct commentary enables the reader to grasp the main themes of one of the most important theological works in several generations. Introduction>

The last quarter century has seen a “turn to religion” in Shakespeare studies as well as competing assertions by secular critics that Shakespeare’s plays reflect profound skepticism and even dismissal of the truth claims of revealed religion. This divide, though real, obscures the fact that Shakespeare often embeds both readings within the same play. This book is the first to propose an accommodation between religious and secular readings of the plays. Benson argues that Shakespeare was neither a mere debunker of religious orthodoxies nor their unquestioning champion. Religious inquiry in his plays is capacious enough to explore religious orthodoxy and unorthodoxy, everything from radical belief and the need to tolerate religious dissent to the possibility of God’s nonexistence. Shakespeare’s willingness to explore all aspects of religious and secular life, often simultaneously, is a mark of his tremendous intellectual range. Taking the heterodox as his focus, Benson examines five figures and ideas on the margins of the post-Reformation English church: nonconforming puritans such as Malvolio as well as physical revenants—the walking dead—whom Shakespeare alludes to and features so tantalizingly in Hamlet. Benson applies what Keats called Shakespeare’s “negative capability”—his ability to treat both sides of an issue equally and without prejudice—to show that Shakespeare considers possible worlds where God is intimately involved in the lives of persons and, in the very same play, a world in which God may not even exist. Benson demonstrates both that the range of Shakespeare’s investigation of religious questions is more daring than has previously been thought, and that the distinction between the sacred and the profane, between the orthodox and the unorthodox, is one that Shakespeare continually engages.

This introductory textbook establishes theatrical improvisation as a model for Christian ethics, helping Christians embody their faith in the practices of discipleship. Clearly, accessibly, and creatively written, it has been well received as a text for courses in Christian ethics. The repackaged edition has updated language and recent relevant resources, and it includes a new afterword by Wesley Vander Lugt and Benjamin D. Wayman that explores the reception and ongoing significance of the text.

A number of critics and scholars argue for the notion of a distinctly Catholic variety of imagination, not as a matter of doctrine or even of belief, but rather as an artistic sensibility. They figure the blend of intellectual, emotional, spiritual and ethical assumptions that proceed from Catholic belief constitutes a vision of reality that necessarily informs the artist's imaginative expression. The notion of a Catholic imagination, however, has lacked thematic and theological coherence. To articulate this intuition is to cross the problematic interdisciplinary borders between theology and literature; and, although scholars have developed useful methods for undertaking such interdisciplinary "border-crossings," relatively few have been devoted to a serious examination of the theological aesthetic upon which these other aesthetics might hinge. In A Theology of Criticism, Michael Patrick Murphy proposes a new framework to better define the concept of a Catholic imagination. He explores the many ways in which the theological work of Hans Urs von Balthasar (1905-1988) can provide the model, content, and optic for distinguishing this type of imagination from others. Since Balthasar views art and literature precisely as theologies, Murphy surveys a broad array of poetry, drama, fiction, and film and sets it against central aspects of Balthasar's theological program. In doing so, Murphy seeks to develop a theology of criticism. This interdisciplinary work recovers the legitimate place of a distinct "theological imagination" in critical theory, showing that Balthasar's voice both challenges and complements contemporary developments. Murphy also contends that postmodern interpretive methodology, with its careful critique of entrenched philosophical assumptions and reiterated codes of meaning, is not the threat to theological meaning that many fear. On the contrary, by juxtaposing postmodern critical methodologies against Balthasar's visionary theological range, a space is made available for literary critics and theologians alike. More important, the critic is provided with the tools to assess, challenge, and celebrate the theological imagination as it is depicted today.

This study offers a theological response to the problem of anxiety from the point of view of Hans Urs von Balthasar. It is a systematic presentation, analysis and development of Balthasar's original theology of anxiety found in his only work on the subject, Der Christ und die Angst. The study takes a thematic approach based upon the four types of analysis found in Der Christ und die Angst: phenomenological, anthropological, theological and ecclesial. These four approaches to the topic correspond to the phenomenon, origins, redemption and transformation of anxiety. Through this thematic approach, Balthasar's thought is examined in relation to some of the important figures on anxiety. The phenomenon of anxiety is presented in relation to modern psychiatry. The examination of anxiety's origins places him in dialogue with Kierkegaard on anxiety from discursive reasoning and Freud on anxiety from ego-consciousness. The redemption of anxiety places Balthasar in relation to Aquinas in order to clarify Balthasar's interpretation and to show its significance in the theological tradition. The transformation of anxiety places our author in dialogue with Luther on the shape of anxiety in the Christian life. The final chapter begins to unravel the construct of anxiety, with a brief exploration of how it is transformed in the Church according to Balthasar, something he had never explicitly developed. The influence of Bernanos on Balthasar's thought is felt throughout the study. The entire study is framed by the two Gardens wherein transpire the most significant events concerning anxiety for Balthasar: the Garden of Eden and the Garden of Gethsemane.

The perennial questions surrounding human identity and meaning have never before been so acute. How we define ourselves is crucial since it determines our conception of society, ethics, sexuality—in short, our very notion of the “good.” The traditional Christian teaching of “deification” powerfully addresses this theme by revealing the sacred dignity and purpose of all created life, and providing a comprehensive vision of reality that extends from the individual to the cosmos. Hans Urs von Balthasar is a valuable guide in elucidating the church’s teaching on this vital subject. Following the patristic tradition, he focuses his attention on Jesus Christ, whose kenotic descent in his incarnation and passion reveals both the loving character of God and the perfection of humanity. Christ is the “concrete analogy of being” who in his two natures as God and man unites heaven and earth. It is the Trinity, however, that brings to fruition the fullness of the meaning of theosis in Balthasar’s theology. The community of divine persons eternally deifies the cosmos by embracing and transforming it into the paradigm of all reality—the imago trinitatis—overcoming the distance between the created and uncreated while maintaining and honoring their difference.

Practical, scriptural, and contemporary, Text and Task is a series of essays on Scripture and mission. It aims to show the significance of reading the biblical text appropriately and with faithful engagement for our theology and missiology. A team of biblical scholars suggests ways forward in areas such as the implicit missional narrative of David and Goliath, the story of Solomon and his Temple building, the genre of lament, the explicit gracious message of the prophet Isaiah, Paul's understanding of divine call and gospel, and the place of mission as a hermeneutic for reading the Bible. Theological chapters engage the issues of the Trinity and the unevangelized, the missional dimensions of Barth's view of election, the gospel's loss of plausibility in the modern West, the place of preaching in mission, and the idea of belonging to a church community before one believes the gospel. Drawing together scholars from the fields of biblical studies, theology, sociology, and homiletics, Text and Task relates critically engaged textual reading to contemporary ongoing Christian life, thought, and mission.

Religious poetry has often been regarded as minor poetry and dismissed in large part because poetry is taken to require direct experience; whereas religious poetry is taken to be based on faith, that is, on second or third hand experience. The best methods of thinking about "experience" are given to us by phenomenology. Poetry and Revelation is the first study of religious poetry through a phenomenological lens, one that works with the distinction between manifestation (in which everything is made manifest) and revelation (in which the mystery is re-veiled as well as revealed). Providing a phenomenological investigation of a wide range of “religious poems”, some medieval, some modern; some written in English, others written in European languages; some from America, some from Britain, and some from Australia, Kevin Hart provides a unique new way of thinking about religious poetry and the nature of revelation itself.

How do human beings today receive divine revelation? Where and in what ways is it mediated so that all generations can hear the fullness of the gospel? In this volume, distinguished theologian Matthew Levering shows that divine revelation has been truthfully mediated through the church, the gospel, and Scripture so that we can receive it in its fullness today. Levering engages past and present approaches to revelation across a variety of traditions, offering a comprehensive, historical study of all the key figures and perspectives. His thorough analysis results in an alternative approach to prevailing views of the doctrine and points to its significance for the entire church.

Petre Tutea (1902-91) was one of the outstanding Christian dissident intellectuals of the Communist era in Eastern Europe. Revered as a saint by some, he spent thirteen years as a prisoner of conscience and twenty-eight years under house arrest at the hands of the Securitate. This book explores his unique response to the horrors of torture and 're-education' and reveals the experience of a whole generation detained in the political prisons. Tutea’s understanding of human needs and how they can be fulfilled even amidst extreme adversity not only reflects huge learning and great brilliance of mind, but also offers a spiritual vision grounded in personal experience of the Romanian Gulag. Following the fall of the Ceausescus, he has begun to emerge as a significant contributor to ecumenical Christian discourse and to understanding of wider issues of truth and reconciliation in the contemporary world. As Tutea's pupil and scribe for twelve years, as a psychiatrist, and as a theologian, Alexandru Popescu is uniquely placed to present the work of this twentieth-century Confessor of the faith. Drawing on bibliographical sources which include unpublished or censored manuscripts and personal conversations with Tutea and with other prisoners of conscience in Romania, Popescu presents extensive translations of Tutea, which make his thought accessible to the English-speaking reader for the first time. Through his stature as a human being and his authority as a thinker, Petre Tutea challenges us to question many of our assumptions. The choice he presents between ’sacrifice’ and ’moral suicide’ focuses us on the very essence of religion and human personhood. Resisting any ultimate separation of theology and spirituality, his work affirms hope and love as the sole ground upon which truth can be based. At the same time, hope and love are not mere ideal emotions, but are known and lived in engagement with the real world - in politics, economics, science, ecol