NO ONE WANTED TO END UP AT MORGATE HOUSE. BUT THE GIRLS HAD NOWHERE ELSE TO GO . . . 'The thrilling, heartbreaking, and shocking story of dark secrets, twisted lives, lies, and manipulation. The twist! OMG!' ⭐ ⭐ ⭐ ⭐ ⭐ Reader Review ----- 1985. Separated from her little sister at the children's home where they are taken as orphans, Holly Moore is a troubled teenager in need of love. When she meets a man who promises to take care of her, she hopes her luck has finally changed. 2015. The clock is ticking for Superintendent Jo Hamilton when the discovery of a young woman's remains takes her back to an unsolved case from the past. As a constable, Jo was often called out to deal with runaways from Morgate House, but when Holly Moore disappeared - after another female resident fell from the cliffs - Jo was convinced the home was hiding something. Now, with only days before her forced retirement, Jo decides to track down Holly's sister and re-open the case. But will the trail lead her disturbingly close to home? A girl disappeared, a terrible wrong, and powerful people with something to hide . . . Discover the brand new emotional and thrilling novel from the bestselling author of The Girl in the Letter ------------- READERS ARE OBSESSED WITH THE GIRLS LEFT BEHIND: 'A cracking tale' ⭐ ⭐ ⭐ ⭐ ⭐' 'Kept me gripped till the very end, good job I had tissues to hand' ⭐ ⭐ ⭐ ⭐ ⭐ 'I stopped everything to finish this book' ⭐ ⭐ ⭐ ⭐ ⭐ 'Brilliant narrative, great characters . . . read it, you will love it!' ⭐ ⭐ ⭐ ⭐ ⭐' YOUR FAVOURITE AUTHORS LOVE EMILY GUNNIS: 'Compelling, twisty, heart-wrenching... A novel that stays with you' Sophie Kinsella 'Utterly gripping, taut and powerful. An emotionally charged, compulsive novel Adele Parks 'Fast paced and brilliantly plotted - all hallmarks of a bestseller' Lesley Pearse

PART OF THE NEW JONES & BARTLETT LEARNING INFORMATION SYSTEMS SECURITY & ASSURANCE SERIES! Computer crimes call for forensics specialists, people who know how to find and follow the evidence. System Forensics, Investigation, and Response begins by examining the fundamentals of system forensics, such as what forensics is, the role of computer forensics specialists, computer forensic evidence, and application of forensic analysis skills. It also gives an overview of computer crimes, forensic methods, and laboratories. It then addresses the tools, techniques, and methods used to perform computer forensics and investigation. Finally, it explores emerging technologies as well as future directions of this interesting and cutting-edge field.

Three recent and commercially successful series of novels employ and adapt the resources of popular fantasy fiction to create visions of religious identity: J.K. Rowling's Harry Potter books, Phillip Pullman's Dark Materials and Tim LaHaye and Jerry Jenkins' Left Behind series. The act of creating fantasy counter-worlds naturally involves all three stories in the creation of what Mike Gray terms "transfigurations of transcendence": hopeful albeit paradoxical encodings of the ambiguous, non-observable reality whose primary locus in modern society is the societally extra-systemic human individual. Popular fantasy fiction turns out to involve acts of world-creation that are inherently religious and inherently paradoxical.A substantive examination shows that all three are involved in more or less intentional re-narrations of traditional Christian beliefs and narratives. The »atheist« His Dark Materials series does not deny but re-imagines the Christian visions of selfhood; the »traditionalist« Left Behind series does not simply replicate but modifies its own declared values; the apparent secularity of the Harry Potter series is shaped by its creative reception of Christian patterns and narratives. While the stories' visions of selfhood clearly clash, the basic paradoxes involved in their struggle to articulate transcendence expose significant parallels and a productive conversation with the Christian tradition.It is not simply that popular fantasy fiction is theologically relevant – the Christian Heilsgeschichte, too, proves to be highly relevant in popular culture. However, while far from obsolescent, models of religious identity in contemporary society require criticism and creativity – and, as evinced most powerfully in the Harry Potter stories, a flair for constructive engagement with paradox.