No Glass Slipper takes a powerful look at the lives of strong and famous women who once struggled with painful experiences, but eventually developed the life skills to set goals and move forward. Author and clinical psychologist Sharon L. Coffey uses the compelling biographies of celebrities, such as Barbra Streisand, Oprah Winfrey, Drew Barrymore, Halle Berry, and Demi Moore, and allows their life lessons with depression, sexual abuse, suicide, and alcoholism as guidance as you journey to find your true destiny. Coffey encourages you to consider adverse conditions as challenges to be conquered-not as debilitating circumstances that cripple you for life. Learn how to cope with adversity, keep life simple, set goals, and meet challenges head on and with optimism. Coffey includes self-assessment questionnaires and evaluation techniques that will help you identify the issues in your life that need resolution. When faced with hardship, remembering the survivors in No Glass Slipper will not only help you find the answers to the questions "How can I be better?" and "How can I live better?" but will also help you realize that there is no glass slipper to rescue you from adversity. Only you can define your life.

The Uncomfortable Glass Slippers sees a reluctant Sabrina Summers and her friends returning to the strange land of Dralfynia after Witchy Wu follows them to their high school. In the sequel to The Uncooperative Flying Carpet, The Uncomfortable Glass Slippers shows Sabrina Summers as Prince Charming, her brother, Rory, is Baby Bear, and her friends, Persis and Olive, are Sleeping Beauty and Goldilocks. They learn that they need to find the magic glass slippers and take them and Ruggy, the uncooperative flying carpet, to the Island of Merthyr. Before that can happen, the friends encounter more goblins, a very smelly shoe museum, a terrifying were-dragon, and make unlikely friends with a pair of sisters desperate to marry any prince. Once again, they use the skills that are unique to their fairytale characters and Sabrina’s courage and resourcefulness are pushed to the limit. To add to the drama, they discover that the real Cinderella has been imprisoned by the Beast with Eight Fingers in a case of seriously-mistaken identity, so they need to rescue her as well – all within three short days. By the end of The Uncomfortable Glass Slippers, Sabrina knows who she can trust, who has betrayed her, and what she needs to do next.

Is there a meaning in the Bible, or is meaning rather a matter of who is reading or of how one reads? Does Christian doctrine have anything to contribute to debates about interpretation, literary theory, and post modernity? These are questions of crucial importance for contemporary biblical studies and theology alike. Kevin Vanhoozer contends that the postmodern crisis in hermeneutics—”incredulity towards meaning,” a deep–set skepticism concerning the possibility of correct interpretation—is fundamentally a crisis in theology provoked by an inadequate view of God and by the announcement of God’s “death.” Part 1 examines the ways in which deconstruction and radical reader–response criticism “undo” the traditional concepts of author, text, and reading. Dr. Vanhoozer engages critically with the work of Derrida, Rorty, and Fish, among others, and demonstrates the detrimental influence of the postmodern “suspicion of hermeneutics” on biblical studies. In Part 2, Dr. Vanhoozer defends the concept of the author and the possibility of literary knowledge by drawing on the resources of Christian doctrine and by viewing meaning in terms of communicative action. He argues that there is a meaning in the text, that it can be known with relative adequacy, and that readers have a responsibility to do so by cultivating “interpretive virtues.” Successive chapters build on Trinitarian theology and speech act philosophy in order to treat the metaphysics, methodology, and morals of interpretation. From a Christian perspective, meaning and interpretation are ultimately grounded in God’s own communicative action in creation, in the canon, and preeminently in Christ. Prominent features in Part 2 include a new account of the author’s intention and of the literal sense, the reclaiming of the distinction between meaning and significance in terms of Word and Spirit, and the image of the reader as a disciple–martyr, whose vocation is to witness to something other than oneself. Is There a Meaning in This Text? guides the student toward greater confidence in the authority, clarity, and relevance of Scripture, and a well–reasoned expectation to understand accurately the message of the Bible. Is There a Meaning in This Text? is a comprehensive and creative analysis of current debates over biblical hermeneutics that draws on interdisciplinary resources, all coordinated by Christian theology. It makes a significant contribution to biblical interpretation that will be of interest to readers in a number of fields. The intention of the book is to revitalize and enlarge the concept of author–oriented interpretation and to restore confidence that readers of the Bible can reach understanding. The result is a major challenge to the central assumptions of postmodern biblical scholarship and a constructive alternative proposal—an Augustinian hermeneutic—that reinvigorates the notion of biblical authority and finds a new exegetical practice that recognizes the importance of both the reader’s situation and the literal sense.

Shatter the glass ceiling in stilettos In Tread Loudly, Kristine Cherek shares her experiences as a female professional in a male-dominated culture. Through her two-decade journey as a female attorney, corporate executive, and college professor, Cherek has cultivated a plethora of wisdom and poignant guidance to share about how to persevere in the biased world of business . . . and life in general. Cherek is here to tell you that, as women in the workforce and in broader society, you are not alone. She dispels the myth of “having it all” and uses personal stories and relatable examples to convey how you can— •dream big, •take risks, and •go for what you want. In this inspiring call to action, Cherek shines a light on the bias, gender discrimination, and inequities that women still face in the workplace. She calls on business leaders to make the changes necessary to level the playing field and invites you to join in the fight for equality. She wants you to be empowered to demand equal treatment and speak out against wrongs. She wants you to know, believe, and live the truth that you do not have to dim your light to fit into a predetermined role in society. You not only have the power to succeed in your career, but you also have the power to change the workplace culture for women who will come after you.

Charity and Condescension explores how condescension, a traditional English virtue, went sour in the nineteenth century, and considers how the failure of condescension influenced Victorian efforts to reform philanthropy and to construct new narrative models of social conciliation. In the literary work of authors like Dickens, Eliot, and Tennyson, and in the writing of reformers like Octavia Hill and Samuel Barnett, condescension—once a sign of the power and value of charity—became an emblem of charity’s limitations. This book argues that, despite Victorian charity’s reputation for idealistic self-assurance, it frequently doubted its own operations and was driven by creative self-critique. Through sophisticated and original close readings of important Victorian texts, Daniel Siegel shows how these important ideas developed even as England struggled to deal with its growing underclass and an expanding notion of the state’s responsibility to its poor.

Every woman's guide to accepting life's realities gracefully.

In Maggie Barlow's world, reality is overrated. So what if her singing career has hit a sour note or she's no longer the ingénue that she used to be? So what if she drinks and smokes a bit too much or likes to chat with a fairy godperson who appears to her from time to time? She's the queen of denial and an actress to boot—she can just take on the role of someone she likes better than her sorry self. Regrettably, that role is currently Dorothy in the Little Britches Theater Company's production of The Wizard of Oz. Dorothy on the Rocks is the story of a funny, lovable, totally self-destructive woman who, after a night of one-drink-too-many, wakes up with a strange man in her bed: confident, handsome, sexy, twenty-eight-year-old Jack. What happens next is what makes Barbara Suter's coming-of-middle-age tale so much fun. For when the make-believe is finally stripped away, our hurt, lonely, and very afraid heroine finally takes center stage and finds herself starring in a totally improbable love story. It just might be the role of a lifetime.

Use fairy tales in the library and classroom to increase students' proficiency in story structure, reading comprehension, writing, and speaking skills, and to foster collaboration with teachers. Teach core language arts skills using familiar fairy tales in AASL, IRA/NCTE standards-based, ready-to-use lessons. Use materials standard to every library to teach the curriculum, inspire a love of fairy tales, and include English Language Learners (ELL) in meaningful ways. Involve students in standards-based learning while they enjoy the charm and intrigue of their favorite fairy tales. Librarians and language arts teachers will find the information they need to increase vocabulary development, reading comprehension, and writing and speaking skills in their students, by using the wide appeal of fairy tales. Reproducible templates, worksheets, and planning guides are included.

Savannah, Georgia: city of history, mystery, and more than a few ghosts, as well as four best friends who have never fit in anywhere except with each other. But everything is about to change as an unsolved murder from decades ago draws them close--and closer still--to four sexy bachelors with secrets of their own. . . Savannah When It Sizzles In the "new" old south, pedigree and money still mean plenty. . .especially when you have neither. P.I. Charlotte deShawn and her friends Prissy, BrieAnna, and Bebe know all too well what it's like to be on the outside looking in, having grown up with more questions than answers about the parents they each lost at an early age. For Charlotte, enduring condescending looks and whispers only made her more determined to ignore social standing. So why should it be a problem when wealthy hotel owner Griff Parish wants to hire her to find the missing heir to his family fortune? Just because their chemistry is hotter than Georgia in August doesn't mean she can't be a pro about this. After all, they travel in completely different circles--or they did until now. . . Griff's always had a thing for Charlotte, with her long red hair, big green eyes, and wild streak. Even the hefty chip on her shoulder only reminds him of how strong she is. Still, nothing's ever come of the attraction. Now, however, the temptation Charlotte represents is too close to ignore. True, Griff got himself into this fix. He could have hired a different detective agency--but that wouldn't have served his ends. He has damn good reason to keep Charlotte deShawn close, and it has nothing to do with her keen mind or her gorgeous body. Yeah, right. Falling hard for Charlotte wasn't part of the plan, but in Savannah, what you expect is just about never what you get. . .