This groundbreaking account of postwar American art traces the profound influence of Antonin Artaud Proposing an original reassessment of art from the 1950s to the 1970s, No More Masterpieces reveals how artistic practice in postwar America was profoundly shaped by the work of the rebellious French poet and dramatist Antonin Artaud (1896-1948). A generation of artists mobilized Artaud's countercultural ideas to imagine new forms of representation and to redefine the relationship between artist and audience. The book shows how Artaud's radical writings inspired the experimental theatrical work of John Cage, Rachel Rosenthal, and Allan Kaprow; the attack on artistic and social conventions launched by assemblage artists Wallace Berman and Bruce Conner; and the feminist work of Carolee Schneemann and Nancy Spero. Lucy Bradnock traces the dissemination of Artaud's writings in America and demonstrates how his interest in political and cultural disorder, the dangers of authority, and the unreliability of representation found fertile ground in the context of the Cold War, disillusionment with the ideals of Abstract Expressionism, and the early years of identity politics.

Volume 2 of Joe Holder's exposition of Romans covers Romans chapters 9 through 16. The epistle to the Romans is, indeed, a "theological masterpiece." Against the dark background of man's tragic sinfulness, it paints the brilliant scene of God's gracious gift of righteousness through the Lord Jesus Christ. Then, it calls for a practical response of faith and godliness in the believer's daily walk of discipleship.

Winners of the Man Booker Prize and hugely successful stage plays in London's West End and on Broadway, Hilary Mantel's Wolf Hall and Bring Up the Bodies bring history to life for a whole new audience having now been adapted into a six-part television series by the BBC and PBS Masterpiece. England in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years and marry Anne Boleyn. The pope and most of Europe oppose him. Into this impasse steps Thomas Cromwell: a wholly original man, a charmer and a bully, both idealist and opportunist, master of deadly intrigue, and implacable in his ambition.

Vol. 1 comprises a biography of Daniel Webster; v. 2 consists of speeches and writings by Webster.

Sheds light on the critical role that women artists have played in the evolution of the American avant-garde

How leaders can take the moral risks necessary to create “masterpieces”—admirable, distinctive, and high-achieving businesses that create meaningful lives for customers, employees, and themselves. In Leadership as Masterpiece Creation, Charles Spinosa, Matthew Hancocks, and Haridimos Tsoukas show how the humanities can help leaders create profitable, masterpiece organizations. Such organizations, they assert, are ones that possess the emotional and moral sensibilities of an artist, the wisdom of a statesperson, and the technical know-how of commerce. The authors draw on the works of Nietzsche, Heidegger, Bernard Williams, Shakespeare, and Machiavelli to conceptualize moral risk-taking, and then on the actions of Churchill, Madam C. J. Walker, Anita Roddick, Jeff Bezos, and others to show how the humanities can help create admirable businesses today. As management consultants and educators steeped in the humanities themselves, the authors discuss their experiences helping business leaders achieve successful masterpieces that bring good lives to many. After describing our contemporary business environment and examples of leaders who have created masterpiece organizations, the book turns to the basic skills of masterpiece creation: managing moods, building trust, listening for difference, and speaking truth to power. Then come the senior skills: moral risk-taking and creating a masterpiece organizational culture, strategy, and leadership style. Last, the authors explain why their leaders build an economy of gratitude. A culturally ambitious and refreshing read, Leadership as Masterpiece Creation is an invaluable volume for leaders of every stripe who wish to act daily with moral imagination.

When an aspiring artist Nicolas Poussin gets a chance to meet the legendary painter Frenhofer, he is more than thrilled. Frenhofer has the ability to paint in an incredible way, and besides that, he has deep and philosophical thoughts about aesthetics and art. Poussin is so ensnared by Frenhofer that he offers his lover Gillette to work as a model for Frenhofer – without asking Gillette first. ‘The Unknown Masterpiece’ is Honoré de Balzac’s short story first published in 1831. Honoré de Balzac (1799–1850) was a French writer. He was born in Tours, but moved to Paris when he was a teenager. The best known works of his include ‘Father Goriot’ and ‘Cousin Bette’. Balzac’s writing style is realistic, and he also wrote plays. Besides writing he worked as a journalist and critic.

The Nervous Stage examines the relations between theatrical practices and the scientific study of the nervous system.