No One Gardens Alone tells for the first time the story of Elizabeth Lawrence (1904-1985). Like classic biographies of Emily Dickinson and Edna St. Vincent Millay, this fascinating book reveals Lawrence in all her complexity and establishes her, at last, as one of the premier gardeners and gardening writers of the twentieth century. "In this first biography of the renowned gardening writer Elizabeth Lawrence, Emily Herring Wilson reminds us that even quiet lives hold unsuspected passions. Written with graceful clarity, sensitivity, and empathy, this life is a perennial."--Linda H. Davis, author of Onward and Upward: A Biography of Katharine S. White Elizabeth Lawrence (1904-1985) lived a singular, often contradictory life. She was a traditional southerner; a successful, independent garden writer with her own newspaper column and numerous books to her credit; a dutiful daughter who cared for her elders and lived with her mother; a landscape architect; a passionate poet; a friend of literary figures like Eudora Welty and Joseph Mitchell; and a very private woman whose recently discovered letters illuminate aspects of her mystery. Lawrence earned many fans during her lifetime and gained even more after her death with the reissue of many of her classic books. When Emily Herring Wilson edited a collection of letters between Lawrence and famed New Yorker editor Katharine S. White in Two Gardeners, she found legions of readers who were eager to know more about the legendary Lawrence. Now, one hundred years after her birth, No One Gardens Alone tells for the first time the story of this fascinating woman. Like classic biographies of literary figures such as Emily Dickinson and Edna St. Vincent Millay, this book reveals Lawrence in all her complexity and establishes her, at last, as one of the premier gardeners and garden writers of the twentieth century.

"Inspires, sustains, surprises, and consoles."--National Geographic Traveler (for River Time) "The good stuff . . . Not only good history, but an engaging intellectual autobiography."--Sue Hubbell, New York Times Book Review (for Dangerous Birds) Janet Lembke loves to garden. But when she moved into her urban home in Virginia, she only had one-eighth of an acre to work with: a small front yard and a small backyard. How she traded a postage-stamp lawn for an edible cornucopia is what this enchanting book is all about. Lembke joyfully guides us on her gardening journey, in chapters called: "Tomato Haven" "The Grass Extermination Project" "Tools of the Trade" "How a Garden Grows" "Herbs" "Flowers" "Vegetables" "Outwitting the Gardener" "Wooing the Green Man, Courting Dame Kind" and "Garden Dreams" From Grass to Garden is chock-full of tips and advice for gardeners with tiny plots, including what plants are compatible with others; garden paths and seating; what vegetables and plants work best in front versus backyards; and more. She offers everything a hopeful gardener needs to reap bounty for the kitchen table from what was once a small, pesky lawn.

Urban nature conservation is a field that has grown rapidly in importance over the past 20 years and will continue to do so in the coming years as landscape ecology and greenspace planning become established disciplines. A widespread concern and interest in the wild plants and animal life found in urban areas now influences the policies and practices of land management organizations. This book provides a comprehensive overview of the subject. It will assist professionals in formulating strategic management policies that integrate urban nature conservation into the wider context of landscape management and urban planning.

Presents simple lessons on propagating plants, providing plant profiles for self-sowing plants, spreaders, and plants that overwinter, and includes additional gardening tips and design ideas.

By the time she reached her late twenties, Eudora Welty (1909–2001) was launching a distinguished literary career. She was also becoming a capable gardener under the tutelage of her mother, Chestina Welty, who designed their modest garden in Jackson, Mississippi. From the beginning, Eudora wove images of southern flora and gardens into her writing, yet few outside her personal circle knew that the images were drawn directly from her passionate connection to and abiding knowledge of her own garden. Near the end of her life, Welty still resided in her parents' house, but the garden—and the friends who remembered it—had all but vanished. When a local garden designer offered to help bring it back, Welty began remembering the flowers that had grown in what she called “my mother's garden.” By the time Welty died, that gardener, Susan Haltom, was leading a historic restoration. When Welty's private papers were released several years after her death, they confirmed that the writer had sought both inspiration and a creative outlet there. This book contains many previously unpublished writings, including literary passages and excerpts from Welty's private correspondence about the garden. The authors of One Writer's Garden also draw connections between Welty's gardening and her writing. They show how the garden echoed the prevailing style of Welty's mother's generation, which in turn mirrored wider trends in American life: Progressive-era optimism, a rising middle class, prosperity, new technology, women's clubs, garden clubs, streetcar suburbs, civic beautification, conservation, plant introductions, and garden writing. The authors illustrate this garden's history—and the broader story of how American gardens evolved in the early twentieth century—with images from contemporary garden literature, seed catalogs, and advertisements, as well as unique historic photographs. Noted landscape photographer Langdon Clay captures the restored garden through the seasons.

Combining the study of food culture with gender studies and using per­spectives from historical, literary, environmental, and American studies, Elizabeth S. D. Engelhardt examines what southern women's choices about food tell us about race, class, gender, and social power. Shaken by the legacies of Reconstruction and the turmoil of the Jim Crow era, different races and classes came together in the kitchen, often as servants and mistresses but also as people with shared tastes and traditions. Generally focused on elite whites or poor blacks, southern foodways are often portrayed as stable and unchanging—even as an untroubled source of nostalgia. A Mess of Greens offers a different perspective, taking into account industrialization, environmental degradation, and women's increased role in the work force, all of which caused massive economic and social changes. Engelhardt reveals a broad middle of southerners that included poor whites, farm families, and middle- and working-class African Americans, for whom the stakes of what counted as southern food were very high. Five “moments” in the story of southern food—moonshine, biscuits versus cornbread, girls' tomato clubs, pellagra as depicted in mill literature, and cookbooks as means of communication—have been chosen to illuminate the connectedness of food, gender, and place. Incorporating community cookbooks, letters, diaries, and other archival materials, A Mess of Greens shows that choosing to serve cold biscuits instead of hot cornbread could affect a family's reputation for being hygienic, moral, educated, and even godly.

“The ultimate literary bucket list.” —THE WASHINGTON POST Celebrate the pleasure of reading and the thrill of discovering new titles in an extraordinary book that’s as compulsively readable, entertaining, surprising, and enlightening as the 1,000-plus titles it recommends. Covering fiction, poetry, science and science fiction, memoir, travel writing, biography, children’s books, history, and more, 1,000 Books to Read Before You Die ranges across cultures and through time to offer an eclectic collection of works that each deserve to come with the recommendation, You have to read this. But it’s not a proscriptive list of the “great works”—rather, it’s a celebration of the glorious mosaic that is our literary heritage. Flip it open to any page and be transfixed by a fresh take on a very favorite book. Or come across a title you always meant to read and never got around to. Or, like browsing in the best kind of bookshop, stumble on a completely unknown author and work, and feel that tingle of discovery. There are classics, of course, and unexpected treasures, too. Lists to help pick and choose, like Offbeat Escapes, or A Long Climb, but What a View. And its alphabetical arrangement by author assures that surprises await on almost every turn of the page, with Cormac McCarthy and The Road next to Robert McCloskey and Make Way for Ducklings, Alice Walker next to Izaac Walton. There are nuts and bolts, too—best editions to read, other books by the author, “if you like this, you’ll like that” recommendations , and an interesting endnote of adaptations where appropriate. Add it all up, and in fact there are more than six thousand titles by nearly four thousand authors mentioned—a life-changing list for a lifetime of reading. “948 pages later, you still want more!” —THE WASHINGTON POST

Gardening has always attracted devotedly literate practitioners; people who like to dig, it would appear, also like to write. And many of them write exceedingly well. Focusing on gardeners' words about the art of gardening, and ranging in time and place from Enlightenment France to modern-day New York, Writing the Garden brings together a diverse array of authors including Vita Sackville-West, Gertrude Jekyll and Sir Roy Strong. For the most part they are not professional landscape designers or how-to horticulturalists, but rather hands-on gardeners who write with their own gardens in full view.

Is that a weed? This question, asked by anyone who has ever gardened or mowed a lawn, does not have an easy answer. After all, a weed, as suburban mother and professional weed scientist Nancy Gift reminds readers, is simply a plant out of place. In A Weed by Any Other Name, Gift offers a personal, unapologetic defense of clovers, dandelions, plantains, and more, chronicling her experience with these "enemy" plants season by season. Rather than falling prey to pressures to achieve the perfect lawn and garden, Gift elucidates the many reasons to embrace an unconventional, weedy yard. She celebrates the spots of wildness that crop up in various corners of suburbia, redeeming many a plant's reputation by expounding on its positive qualities. She includes recipes for dandelion wine and garlic mustard pesto as well as sketches that show the natural beauty of flowers such as the morning glory, classified by the USDA as an invasive and noxious weed. Although she is an advocate of weeds, Gift admits that some plants do require eradication-she happily digs out multiflora rose and resorts to chemical warfare on poison ivy. But she also demonstrates that weeds often carry a message for us about the land and our treatment of it, if we are willing to listen.