It's 1916 but Amelia Pim's thoughts are on Frederick Goodbody and not on the war in Europe. Then Frederick enlists. The pacifist Quaker community is shocked but Amelia is secretly proud of her hero and goes to the quayside to wave him farewell. For her friend MaryAnn, there are problems too, with her brother's involvement in the Easter Rising. What will become of the two young men and what effect will it have on the lives of Amelia and MaryAnn? A story of conflict, hope and courage. Sequel to the No. 1 Bestseller AMELIA.

THE BATTLE FOR THE NEW WORLD IS A FIGHT TO THE FINISH! A NEW RING OF FIRE NOVEL BY BEST-SELLING WRITING TEAM ERIC FLINT AND CHARLES E. GANNON A New Day in the New World It’s 1637 in the Caribbean. Commander Eddie Cantrell and his ally and friend Admiral Martin Tromp start it off with some nasty surprises for Spain, whose centuries-long exploitation and rapine of the New World has run unchecked. Until now. Yet life goes on in the Caribbean. Relationships among the allied Dutch, Swedes, Germans, up-timers, and even Irish mercenaries continue to evolve and deepen. New friendships must be forged with the native peoples, who will not only shape the colonists’ future in the Caribbean, but will also decide whether they will be given access to a Louisiana oilfield that could change the balance of power. But for now, the only oil Imperial Spain knows about is the crude pouring out of the Allies’ pumps on Trinidad—which threatens its interests in both the New and the Old Worlds. So, following in the footsteps of the conquistadors, the empire’s commanders are resolved to show that they do not take threats lightly or lying down. Indeed, their historical reaction is to respond with overwhelming—and often genocidal—force. The battle for the New World has not merely begun; it is a fight to the finish.

While much has been written about Irish culture’s apparent obsession with the past and with representing childhood, few critics have explored in detail the position of children’s fiction within such discourses. This book serves to redress these imbalances, illuminating both the manner in which children’s texts engage with complex cultural discourses in contemporary Ireland and the significant contribution that children’s novels and films can make to broader debates concerning Irish identity at the end of the twentieth and beginning of the twenty-first centuries. Through close analysis of specific books and films published or produced since 1990, Irish Childhoods offers an insight into contrasting approaches to the representation of Irish history and childhood in recent children’s fiction. Each chapter interrogates the unique manner in which an author or filmmaker engages with twentieth century Irish history from a contemporary perspective, and reveals that constructions of childhood in Irish children’s fiction are often used to explore aspects of Ireland’s past and present.

Irish Children’s Literature and Culture looks critically at Irish writing for children from the 1980s to the present, examining the work of many writers and illustrators and engaging with major genres, forms, and issues, including the gothic, the speculative, picturebooks, ethnicity, and globalization. It contextualizes modern Irish children’s literature in relation to Irish mythology and earlier writings, as well as in relation to Irish writing for adults, thereby demonstrating the complexity of this fascinating area. What constitutes a "national literature" is rarely straightforward, and it is especially complex when discussing writing for young people in an Irish context. Until recently, there was only a slight body of work that could be classified as "Irish children’s literature" in comparison with Ireland’s contribution to adult literature in the twentieth century. The contributors to the volume examine a range of texts in relation to contemporary literary and cultural theory, and children’s literature internationally, raising provocative questions about the future of the topic. Irish Children’s Literature and Culture is essential reading for those interested in Irish literature, culture, sociology, childhood, and children’s literature. Valerie Coghlan, Church of Ireland College of Education, Dublin, is a librarian and lecturer. She is a former co-editor of Bookbird: An International Journal of Children's Literature. She has published widely on Irish children's literature and co-edited several books on the topic. She is a former board member of the IRSCL, and a founder member of the Irish Society for the Study of Children's Literature, Children's Books Ireland, and IBBY Ireland. Keith O’Sullivan lectures in English at the Church of Ireland College of Education, Dublin. He is a founder member of the Irish Society for the Study of Children’s Literature, a former member of the board of directors of Children’s Books Ireland, and past chair of the Children’s Books Ireland/Bisto Book of the Year Awards. He has published on the works of Philip Pullman and Emily Brontë.

The year is 1914 and Amelia Pim will soon be thirteen. There are rumours of war and rebellion, and Dublin is holding its breath for major, dramatic events. But all that matters to Amelia is what she will wear to her birthday party and how she can be the envy of her friends. But where are Amelia's friends when disaster strikes her family? Now that the Pims have come down in the world, what use will Amelia have for a shimmering emerald-green dress? When Mama's political activities bring the final disgrace, it is Amelia who must hold the family together. Only the friendship of the servant girl Mary Ann seems to promise any hope.

In the context of changing constructs of home and of childhood since the mid-twentieth century, this book examines discourses of home and homeland in Irish children’s fiction from 1990 to 2012, a time of dramatic change in Ireland spanning the rise and fall of the Celtic Tiger and of unprecedented growth in Irish children’s literature. Close readings of selected texts by five award-winning authors are linked to social, intellectual and political changes in the period covered and draw on postcolonial, feminist, cultural and children’s literature theory, highlighting the political and ideological dimensions of home and the value of children’s literature as a lens through which to view culture and society as well as an imaginative space where young people can engage with complex ideas relevant to their lives and the world in which they live. Examining the works of O. R. Melling, Kate Thompson, Eoin Colfer, Siobhán Parkinson and Siobhan Dowd, Ciara Ní Bhroin argues that Irish children’s literature changed at this time from being a vehicle that largely promoted hegemonic ideologies of home in post-independence Ireland to a site of resistance to complacent notions of home in Celtic Tiger Ireland.

Mansfield Park is in essence a tapestry of allusions to various works of literature and events in history to which Jane Austen left abundant "clues." This book is about finding and interpreting those "clues." Works of literature alluded to include, among others, Spenser's The Faerie Queene, Dante's Inferno and Milton's Paradise Lost. Events in history alluded to include the slavery issue of Jane Austen's day, the American Revolution, the Battle of Actium, the Battle of Trafalgar and the then-looming War of 1812.

Illuminating a frequently neglected but extremely significant side of military history, "Intimate Strategies" is a rare and fascinating look at a critical aspect of Civil War commanders' lives--their marriages.

It is 1916 and Europe is at war. From the poverty of the Dublin slums twelve-year-old Jimmy Conway sees it all as glorious, and loves the British Army for which his father is fighting. But when war comes to his own streets Jimmy's loyalties are divided. The rebels occupy the General Post Office and other parts of the city, and Jimmy's uncle is among them. Dublin's streets are destroyed, business comes to a halt. In an attempt to find food for his family, Jimmy crosses the city, avoiding the shooting, weaving through the army patrols, hoping to make it home before curfew. But his quest is not easy and danger threatens at every corner.