A young woman chosen as the crown prince’s bride must travel to the royal palace to meet her new husband—but her world is shaken when she discovers the dark truth the royal family has been hiding for centuries—in this lush fantasy debut perfect for fans of Song of Silver, Flame Like Night and Violet Made of Thorns. Princess Ying Yue believed in love...once upon a time. Yet when she’s chosen to wed the crown prince, Ying’s dreams of a fairy tale marriage quickly fall apart. Her husband-to-be is cold and indifferent, confining Ying to her room for reasons he won’t explain. Worse still are the rumors that swirl around the imperial palace: whispers of seven other royal brides who, after their own weddings, mysteriously disappeared. Left alone with only her own reflection for company, Ying begins to see things. Strange things. Movements in the corners of her mirror. Colorful lights upon its surface. And when, on the eve of her wedding, she unwittingly tears open a gateway, she is pulled into a mirror world. This realm is full of sentient reflections, including the enigmatic Mirror Prince. Unlike his real-world counterpart, the Mirror Prince is kind and compassionate, and before long Ying falls in love—the kind of love she always dreamed of. But there is darkness in this new world, too. It turns out the two worlds have a long and blood-soaked history, and Ying has a part to play in the future of them both. And the brides who came before Ying? By the time they discovered what their role was, it was already too late.

God is capable of creating such perfection and splendor and must have a great plan and a purpose for us. Well, he does; he wants to reveal that purpose to us and to show us the way out of the pain, the sorrow we have brought on ourselves (self-inflected wounds) from rejecting his ways. Perception is what determines how we believe; if our perception is wrong, we believe in error because perception is not always reality. Love is the cause that effectively affects people, but sometimes, we go in circles because we cant see the path. And sometimes, its just because we believe we are smarter than the average bear, and we tell ourselves it is what it is, but this stems from self-inflected wounds that are often initiated by dictated living, things you didnt see because you were too busy looking. In some cases, vanity might be the reason greed did not reveal the deception that was at work because we might have been in a state of Hurry up and wait. Selfishness is the syndrome that misleads or deceives most often. If we learn to trust in Gods plan, we learn to live a life of integrity and develop a giving spirit; we learn to forgive as we learn to be servants. In the end, we learn that love is lifes only true satisfaction.

You don’t need eyes, let alone a mirror, to peer into the depths of your own soul. Sight is a privilege denied to everyone by law in the land of Parinara. Every child is blindfolded at birth. Even the dead are buried blindfolded. To see is an unpardonable crime, punishable by death. Yet, fifteen-year-old Viola indulges in a momentary curiosity and violates the law, only to find that the gift of sight comes at an exorbitant price. To look outward, she must first lose sight of what lies inward. But therein lie the secrets that even sightlessness cannot conceal.

From its inception in Greek antiquity, the science of optics was aimed primarily at explaining sight and accounting for why things look as they do. By the end of the seventeenth century, however, the analytic focus of optics had shifted to light: its fundamental properties and such physical behaviors as reflection, refraction, and diffraction. This dramatic shift—which A. Mark Smith characterizes as the “Keplerian turn”—lies at the heart of this fascinating and pioneering study. Breaking from previous scholarship that sees Johannes Kepler as the culmination of a long-evolving optical tradition that traced back to Greek antiquity via the Muslim Middle Ages, Smith presents Kepler instead as marking a rupture with this tradition, arguing that his theory of retinal imaging, which was published in 1604, was instrumental in prompting the turn from sight to light. Kepler’s new theory of sight, Smith reveals, thus takes on true historical significance: by treating the eye as a mere light-focusing device rather than an image-producing instrument—as traditionally understood—Kepler’s account of retinal imaging helped spur the shift in analytic focus that eventually led to modern optics. A sweeping survey, From Sight to Light is poised to become the standard reference for historians of optics as well as those interested more broadly in the history of science, the history of art, and cultural and intellectual history.

According to this book, patients with eye conditions like unclear close and distant vision, astigmatism, crossed/wandering eyes, cataracts, and glaucoma can relieve their symptoms by performing some physical practices or eye gymnastics. The methods presented here are safe and can be used by children. The practices are based on the principle of multiple repetitive relaxations of eye muscles, which we don't have a habit of practicing on a daily basis. This historical book is especially interesting today when sight issues have become a common problem, and the burden on our eyes has increased tenfold.

This volume contains the proceedings of the 13th International Conference on Damage Assessment of Structures DAMAS 2019, 9-10 July 2019, Porto, Portugal. It presents the expertise of scientists and engineers in academia and industry in the field of damage assessment, structural health monitoring and non-destructive evaluation. The proceedings covers all research topics relevant to damage assessment of engineering structures and systems including numerical simulations, signal processing of sensor measurements and theoretical techniques as well as experimental case studies.

We call beliefs reasonable or unreasonable, justified or unjustified. What does this imply about belief? Does this imply that we are responsible for our beliefs and that we should be blamed for our unreasonable convictions? Or does it imply that we are in control of our beliefs and that what we believe is up to us? Reason Without Freedom argues that the major problems of epistemology have their roots in concerns about our control over and responsibility for belief. David Owens focuses on the arguments of Descartes, Locke and Hume - the founders of epistemology - and presents a critical discussion of the current trends in contemporary epistemology. He proposes that the problems we confront today - scepticism, the analysis of knowlege, and debates on epistemic justification - can be tackled only once we have understood the moral psychology of belief. This can be resolved when we realise that our responsibility for beliefs is profoundly different from our rationality and agency, and that memory and testimony can preserve justified belief without preserving the evidence which might be used to justify it. Reason Without Freedom should be of value to those interested in contemporary epistemology, philosophy of mind and action, ethics, and the history of 17th and 18th century.

Ekphrasis is the art of describing works of art, the verbal representation of visual representation. Profoundly ambivalent, ekphrastic poetry celebrates the power of the silent image even as it tries to circumscribe that power with the authority of the word. Over the ages its practitioners have created a museum of words about real and imaginary paintings and sculptures. In the first book ever to explore this museum, James Heffernan argues that ekphrasis stages a battle for mastery between the image and the word. Moving from the epics of Homer, Virgil, and Dante to contemporary American poetry, this book treats the history of struggle between rival systems of representation. Readable and well illustrated, this study of how poets have represented painting and sculpture is a major contribution to our understanding of the relation between the arts.