Giosue Carducci: Presentation address. Poems. The life and works of Giosue Carducci. The 1906 Prize.--Grazia Deledda: Presentation address. The mother. The life and works of Grazia Deledda. The 1926 Prize.--Jose Echegaray: Presentation address. The great Galeoto. The life and works of Jose Echegaray. The 1904 Prize.--T.S. Eliot: Presentation address. Acceptance speech. Poems. The elder statesman. Tradition and the individual talent. The life and works of t. S. Eliot. The 1948 Prize.

This book discusses key works by important writers from Church of Ireland backgrounds (from Farquhar and Swift to Beckett and Bardwell), in order to demonstrate that writers from this Irish subculture have a unique socio-political viewpoint which is imperfectly understood. The Anglican Ascendancy was historically referred to as a “middle nation” between Ireland and Britain, and this book is an examination of the various ways in which Irish Anglican writers have signalled their Irish/British hybridity. “British” elements in their work are pointed out, but so are manifestations of their proud Irishness and what Elizabeth Bowen called her community’s “subtle ... anti-Englishness.” Crucially, this book discusses several writers often excluded from the “truly” Irish canon, including (among others) Laurence Sterne, Elizabeth Griffith, and C.S. Lewis.

In 21st century America, personhood is under daily assault, sometimes with dire consequences. Scientist, ethicist, and ordained minister Craig C. Malbon encourages the reader to consider such assaults on personhood endured by victims of abortion, ageism, Alzheimer’s disease, drug addiction, mental and physical disabilities, gender, gender orientation, racism, sexual preference, identity politics, and our will-to-power over the “other.” In exploring personhood status, Malbon poses difficult questions for us. Is personhood assigned as all-or-nothing, or is it a sliding scale based upon criteria arbitrarily aimed at our vulnerabilities? Does the voiceless embryo and fetus have advocates who can speak to the moral question of abortion? Is the personhood of an economically insecure pregnant woman degraded to the point where lack of access to early termination of pregnancy results in “coercive childbearing?” Does being a member of the LGBTQI+ community target one for assaults on personhood, to the extreme of being killed? In delving into the biology and psychology of assaults of “self” upon the “other,” Malbon sees powerful linkages of everyday assaults on personhood to darker, profound “original sins” that are foundational to the rise of the American empire, i.e., assaults on the indigenous Native Americans and assaults derivative to the institution of slavery upon Africans, African Americans, and their descendants.

In this second volume of his major work on Ivan Bunin, the neglected master of Russian letters, Thomas Marullo recreates the writer's life in exile, chiefly in Paris, after escaping from his newly bolshevized country in 1920. Drawing from Bunin's correspondence, his diaries, and his stories, and translating most of these materials into English for the first time, Mr. Marullo gives us a vivid picture of a man suddenly and agonizingly without a country. Bunin's life and art, which depended so heavily on traditional Russian values, seemed to be overthrown in a moment, and the writer found himself marooned amidst western culture, clinging to his old ideals. Though he was still able to write and publish - indeed, his work and its attendant criticism continued to be available in the Soviet Union - Bunin was despondent and frequently bitter about the course of his native country and about his own position in the literary galaxy. He struggled to have his work read and his ideas accepted. Through Bunin's writings we are also provided a window on the lively but despairing and often fractious community of Russian emigres in Paris in the 1920s, which included Stravinsky, Rachmaninoff, Chaliapin, Prokofiev, Chagall, Kandinsky, Pavlova, Diaghilev, and Zamyatin. The volume ends in 1933, when Bunin became the first Russian to receive the Nobel Prize in literature.