First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

First Published in 1997. North American Women Artists of the Twentieth Century: A Biographical Dictionary was created to fill a gap of there being a comprehensive reference work like this available, even though the bibliography in English on various aspects of the history of women artists has grown exponentially during the past ten years. As researchers, the editors have been frustrated many times by being unable to locate basic information about many of the artists included in this volume—especially those working outside the United States. This leads directly to another reason for producing this particular kind of reference book—to try and create a better understanding between and among the artists and art audiences in these countries.

Archaeological digs have turned up sculptures in Inuit lands that are thousands of years old, but "Inuit art" as it is known today only dates back to the beginning of the 1900s. Early art was traditionally produced from soft materials such as whalebone, and tools and objects were also fashioned out of stone, bone, and ivory because these materials were readily available. The Inuit people are known not just for their sculpture but for their graphic art as well, the most prominent forms being lithographs and stonecuts. This work affords easy access to information to those interested in any type of Inuit art. There are annotated entries on over 3,761 articles, books, catalogues, government documents, and other publications.

First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

With its lavish color illustrations - the paintings and sculptures are all reproduced in full color - and numerous documentary pictures of the artists themselves, Women Artists: An Illustrated History provides an unprecedented wealth of visual material on the subject. This updated third edition adds several new international artists - including Mona Hatoum, Kiki Smith, Carne May Weems, and Rachel Whiteread - to bring the content up to the minute. Nancy G. Heller's text offers a lively overview of the obstacles that women encountered - restricted access to education and apprenticeship, social pressures to marry and mother, limited opportunities to travel and exhibit - but she most emphasizes the ingenious ways that generations of women artists circumvented these obstacles to establish themselves as well-respected professionals.

Contributors from the UK, Canada, and the US demonstrate how different methodologies and approaches can be used to reveal the woman artist as a "subject" of histories of 20th-century art. They offer specific case studies of historical narratives, artworks, and individual artistic projects within modernism. Topics include women artists and suffrage cultures, gender and representation in the Harlem Renaissance, and the question of decadence in 1923. Paper edition (unseen), $27.95. Distributed by St. Martin's Press. Annotation copyrighted by Book News, Inc., Portland, OR