Northern Star explores Plaskett's unorthodox and fascinating life from his rural roots near Woodstock through his days as a technician at the University of Toronto to his initiation in astronomy at the Dominion Observatory in Ottawa.

Hauntingly beautiful Perry McLain is desperate to escape the powerful Union Army captain who pursues her, seeking vengeance for her rebellion. Yet, her vow to save the handsome Hunter Kirkland plunges her deep into enemy territory—and into the tortuous flames of desire. To Hunter, weak with fever, Perry is nothing but an alluring dream visiting him in the darkness, a sultry vision he could embrace only in the heat of his own imagination. Yet the memory of her warm caresses refuses to fade in the morning light. He doesn’t realize that underneath the dirt-caked, boyish clothes of his daytime companion is the body of the woman whose nighttime passion he craves.

Ghost is finally home. Back among his kind and learning what it means to be both a man and a shaman, Ghost battles the expectations of his people, his family, and the pressures of a society that is both foreign and familiar. His power is greater than any seen before, dwarfing that of even the legendary Shaman Gray Shadow—and his union with Kane places him in the center of a controversy that rattles wolfkin society around the world. Ghost loves his mate and refuses to bow to mounting pressure to have them separated, and then Kane is falsely accused of forcing a mate bond. Kane, the alpha heir of his clan and Ghost's new mate, has finally defeated the traitor and murderer that destroyed the heart of Black Pine years before. Yet Kane has a new enemy to face: his own people. Placed on trial for violation of Law and blasphemy, Kane will have to fight to the death to preserve his bond with Ghost and keep his mate and people safe. Alphas from far and wide come to the trial, some with the intent to take everything from Kane--including his beloved mate. A soulbound pair is traditionally seen as a blessing upon the wolfkin and their clans, yet their bond flies in the face of tradition. Ghost and Kane refuse to be parted, and even with the support of their friends and family, it may not be enough to preserve their mating when ancient laws and hatred threaten to destroy their love.

Lyric and Labour in the Romantic Tradition, first published in 1998, examines the legacy of Romantic poetics in the poetry produced in political movements during the nineteenth century. It argues that a communitarian tradition of poetry extending from the 1790s to the 1890s learned from and incorporated elements of Romantic lyricism, and produced an ongoing and self-conscious tradition of radical poetics. Showing how romantic lyricism arose as an engagement between the forces of reason and custom, Anne Janowitz examines the ways in which this Romantic dialectic infected the writings of political poets from Thomas Spence to William Morris. The book includes new readings of familiar Romantic poets including Wordsworth and Shelley, and investigates the range of poetic genres in the 1790s. In the case studies which follow, it examines relatively unknown Chartist and Republican poets such as Ernest Jones and W. J. Linton, showing their affiliation to the Romantic tradition, and making the case for the persistence of Romantic problematics in radical political culture.