How Britain, standing alone, persevered in the face of near-certain defeat at the hands of Nazi Germany From the comfortable distance of seven decades, it is quite easy to view the victory of the Allies over Hitler's Germany as inevitable. But in 1940 Great Britain's defeat loomed perilously close, and no other nation stepped up to confront the Nazi threat. In this cogently argued book, Robin Prior delves into the documents of the time--war diaries, combat reports, Home Security's daily files, and much more--to uncover how Britain endured a year of menacing crises. The book reassesses key events of 1940--crises that were recognized as such at the time and others not fully appreciated. Prior examines Neville Chamberlain's government, Churchill's opponents, the collapse of France, the Battle of Britain, and the Blitz. He looks critically at the position of the United States before Pearl Harbor, and at Roosevelt's response to the crisis. Prior concludes that the nation was saved through a combination of political leadership, British Expeditionary Force determination and skill, Royal Air Force and Navy efforts to return soldiers to the homeland, and the determination of the people to fight on "in spite of all terror." As eloquent as it is controversial, this book exposes the full import of events in 1940, when Britain fought alone and Western civilization hung in the balance.

This is the story of 835 Naval Air Squadron as told by one of its surviving officers. It tells the story of the outstanding fleets of flying and the importance of the Merchant Navy in the Second World War.

'An exceptional book. Sailing Alone belongs on the very small shelf of the true classics of the sea' Peter Nichols, author of Sea Change and A Voyage for Madmen 'Colourful and inventive' The Times Sailing on a boat by yourself out at sea and out of sight of land can be exhilarating or terrifying, compelling or tedious - sometimes it can be all of these things just in one morning. It is an adventure at odds with our normal, sociable lives, carried out floating on a medium wholly inimical to our existence. But the deep ocean is also a remarkable place on which to think. Richard King's enormously engaging and curious new book is about the debt we owe to solo sailors: women and men, young and old, who have set out alone. Spending weeks and months alone, slowly, quietly and close to the ocean surface is to create the world's largest laboratory: an endlessly changing, capricious and startling place in which to observe oneself, the weather, the stars and myriad sea creatures, from the tiniest to the most massive and threatening. This is a book for anyone who is fascinated by sailing, solitude and the vast seas that cover so much of our planet.

This volume provides a collection of insightful essays on all phases of the Iraq War: both US-led major combat operations to defeat the Ba’athist regime as well as efforts to reconstruct the country and defeat the insurgency. Written by leading scholars on the Iraq War, many of whom have practical first-hand experience of the war, the book includes a Conclusion by leading US strategic thinker Eliot Cohen. This is the first work on the Iraq War to incorporate an understanding of the Iraqi side of the war, based on a systematic analysis of captured Iraqi archives. War in Iraq will be of great interest to students of the Iraq War, small wars and insurgencies, international security and strategic studies in general.

Alone Together reinterprets the explosion of sentimental poetry and prose in fifteenth-century Iberia.

Soloists ignited the modern dance movement and have been a source of its constant renewal. Pioneering dancers such as Loïe Fuller, Isadora Duncan, Ruth St. Denis, and Maud Allan embodied the abstraction and individuality of the larger modernist movement while making astounding contributions to their art. Nevertheless, solo dancers have received far less attention in the literature than have performers and choreographers associated with large companies. In On Stage Alone, editors Claudia Gitelman and Barbara Palfy take an international approach to the solo dance performance. The essays in this standout volume broaden the dance canon by bringing to light modern dance soloists from Europe, Asia, and the Americas who have shaped significant, sustained careers by performing full programs of their own choreography. Featuring in-depth examinations of the work of artists such as Michio Ito, Daniel Nagrin, Ann Carlson, and many others, On Stage Alone reveals the many contributions made by daring solo dancers from the dawn of the twentieth century through today. In doing so, it explores many important statements these soloists made regarding topics such as freedom, personal space, individuality, and gender in the modern era.