Ramjibhai is a retired army officer who tries to protect not only his family but society as a whole. His wife, Shiva, follows the spiritual and traditional ways of our culture and strongly believes in giving back to the nation. Their daughter, Akshara, is a gorgeous girl though naughty at times. Sushant, seemingly a loser, is actually a smart young man with a handsome face. Vikrant, the right hand of Ramjibhai, has a fascinating personality; he looks simple but is highly intelligent and dangerous to have as an enemy. Together, these stars make a happy family. However, the introduction of one more person who storms in like a hurricane brings chaos into their lives. To know what happens and how it is resolved, go back to the front of the novel. Nothing is Everything is an interesting story about a family that contributes greatly to society, their worsening situation, and their fight against it. We may have heard stories of the victory of good over evil but this is actually a victory of good over good.

... Undone... happened by accident in my mind, but nothing is an incident- All the stars line up accordingly. But for the sake of the project, reader and my mind-this came out of nowhere. Amid battling anxiety, depression, and CV-fatigue I began to write these feelings and thoughts. More than 80 percent of the work was created at a fleeting moments & times -sometimes seemingly at my best, and other times at my worst. Poetry became little nothings, but for that critical time in my life, they became something again. - the everything of nothing. From a more philosophic view I wrestle with life, thoughts and why (at times) everything seems like nothing and other times nothing is everything. Life is masterpiece, but truthful -an undone masterpiece.

Is it possible for reality as a whole to be part of itself? Can the world appear within itself without thereby undermining the consistency of our thought and knowledge-claims concerning more local matters of fact? This is a question on which Markus Gabriel and Graham Priest disagree. Gabriel argues that the world cannot exist precisely because it is understood to be an absolutely totality. Priest responds by developing a special form of mereology according to which reality is a single all-encompassing whole, everything, which counts itself among its denizens. Their disagreement results in a debate about everything and nothing: Gabriel argues that we experience nothingness once we overcome our urge to contain reality in an all-encompassing thought, whereas Priest develops an account of nothing according to which it is the ground of absolutely everything. A debate about everything and nothing, but also a reflection on the very possibility of metaphysics.

This book tells the story of my time in the 1990s when I traveled several times from Switzerland via Italy, Greece, Turkey, Iran, Pakistan to India and Nepal. It gives insight into the daily life of these overland journeys and what a woman has to deal with, in the Middle East as well as in West Asia. On one trip back to Switzerland, I had to take the vehicle through Iran alone because my driver and mechanic did not get a visa. The book contains many details of cultural experiences, historical sights, distances and everyday life on the road. It is written with a touch of fun and is meant to be informative but also entertaining.

A middle-aged Jewish man who fantasizes about being a cowboy goes on an eccentric quest across Europe after the 1941 Nazi invasion of Lithuania in this wild and witty yet heartrending novel from the bestselling author of Yiddish for Pirates, shortlisted for the Scotiabank Giller Prize. Motl is middle-aged, poor, nerdy, Jewish and in desperate need of a shave. Since having his balls shot cleanly off as a youth in WWI, he's lived a quiet life at home in Vilnius with his shrewd and shrewish mom, Gitl, losing himself in the masculine fantasy world of cowboy novels by writers like Karl May--novels equally loved by Hitler, whose troops have just invaded Lithuania and are out to exterminate people like Motl. In his dreams, Motl is a fast-talking, rugged, expert gunslinger capable of dealing with the Nazi threat. But only in his dreams. As friends and neighbours are killed around them, Motl and Gitl escape from Vilnius, saving their own skins. But they immediately risk everything to try rescue relatives they hope are still alive. With death all around him, Motl decides that a Jew's best revenge is not only to live, but to procreate. In order to achieve this, though, he must relocate those most crucial pieces of his anatomy lost to him in a glacier in the Swiss Alps in the previous war. It's an absurd yet life-affirming mission, made even more urgent when he's separated from his mother, and isn't sure whether she's alive or dead. Joining forces, and eventually hearts, with Esther, a Jewish woman whose family has been killed, Motl ventures across Europe, a kaleidoscope of narrow escapes and close encounters with everyone from Himmler, to circus performers, double agents, quislings, fake "Indians" and real ones. Motl at last figures out that he has more connection to the Indigenous characters in western novels than the cowboys. An imaginative and deeply felt exploration of genocide, persecution, colonialism and masculinity--saturated in Gary Barwin's sharp wit and perfect pun-play--Nothing the Same, Everything Haunted: The Ballad of Motl the Cowboy is a one-of-a-kind novel of sheer genius.

A theory of nothing, where the miracle of something, is poetry in everything.

Conservative political commentator Kathy Barnette shares how liberal leadership has failed the black community and how being a democrat is not synonymous with your skin color. During his first historic run for the presidency in 2016, Donald Trump made an impassioned plea to the black community. "Give me a chance," he said. "What the hell do you have to lose?" According to Kathy Barnette, black Americans have nothing to lose, except for crime ridden communities, neighborhoods that have become shooting galleries, more social welfare programs, and the mocking indifference of the Democrat party. Barnette argues that even a cursory look into the black community reveals the destabilizing effect liberal policies have had on the black family. There was a time when Barnette bought into the same lie as everyone else-that if you're black, you must be a democrat. In fact, she was born into the Democrat party just as much as she was born into brown skin. There was no point of separation. Until she began to understand what it truly means to be black in America. Barnette contends that being black is more than just the color of her skin. It's a culture and a consciousness, too. In NOTHING TO LOSE, EVERYTHING TO GAIN, Barnette writes about why liberal policies have failed the black community time and time again - and will fail the larger American community as Democrats rush to the hard Left of the party. From the "Great Society" to Kanye West's ongoing war with the liberal establishment, this book provides sharp, eloquent commentary on the most pressing issues facing black Americans today: broken family structure, loss of identity, the legacy of slavery, and more. Barnette argues that President Trump has not been willing to presume that the "black vote" is a foregone conclusion resting comfortably in the back pockets of Democrats. With his plainspoken style and willingness to face harsh truths, the president has done more for the black community than any president since Abraham Lincoln. Barnette insists the time is now to get back what has been lost, to fix the brokenness, and to recognize and support those who are actually working in our favor. We have nothing to lose, and even more to gain.

This is an ongoing adventure of a person with no sense of time and no emotions. This book is his second attempt to communicate how he perceives things after the "accident".

PRAISE FOR EVERYTHING MEANS NOTHING TO ME, THE SEARING NOVEL OF UNDERGROUND NASHVILLE SPELLBINDING . . . I could not put it down until Id read the entire novel in one sitting. Rachel Gladstone, DishMag.com HAUNTING, BEAUTIFUL, POWERFUL. Roy E. Perry, The Tennessean In the tradition of Charles Bukowski and Hermann Hesse, David M. Carew writes dark, searing novels set in the underground of a great city: Nashville. Carews debut, Voice from the Gutter, was hailed a minor masterpiecean existential novel you will not soon forget by Tennessean book reviewer Roy E. Perry. Now Carew returns with Everything Means Nothing to Me, an impassioned tale of love, loss, betrayal, and redemption. When the sad, lonely, half-mad writer John Werrick meets mysterious singer-songwriter Eva Downing in a Nashville club, it sparks a tragic, haunted love. Obsessed with Eva, Werrick burns to answer the riddles surrounding her: Why does she so passionately yearn to performthen make sure few know about it? Why does she go through a strange, dark ritual before performing? What is the explosive secret she is hiding? As Werrick struggles to unravel the mystery, he discovers the brutal secret shrouding Evas lifeas events surge to a shattering climax.