Pregnant? Did I hear that right? Complicated doesn’t begin to cover it. Three’s a crowd? Tell me about it. Guess who showed up in my office in the middle of the night? Billionaire CEO Zachary Kintyre. No big deal. It’s his building, the guy can go wherever he wants. Not newsworthy? Maybe not. Except he’s naked. Stark naked. And he needs me to save his ass. That should’ve been it. The beginning and end of our association. Why didn’t I leave it there? I swore I wouldn’t succumb to his charms, but before I know it, we’re spending the weekend in bed. It has to be private. Secret. No one can know. Why not? The contract between him and his ex-wife says as much. Her hooks are in deep. So is it him and me or him and her? Which is real? What’s declared in public or what happens behind the scenes? Seems hopeless until I learn Ms. Julietta Ines-Kintyre has a secret of her own. To expose it, I need help, partners-in-crime… potential co-defendants. Roxie and Jane are ready to ride or die. If the truth comes out, everything will change. Will we ride the rapids to still waters, or are we rushing toward disaster? **HEA STANDALONE**

Witty response, in verse, to the satirical take on fashionable society found in "Nothing to do" and "Nothing to wear", contradicting these negative attitudes toward the rich by underscoring the various charitable services to the poor by the upper classes.

NEW YORK TIMES BESTSELLER • SOON TO BE AN FX LIMITED SERIES STREAMING ON HULU • NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • From the author of Empire of Pain—a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions. One of The New York Times’s 20 Best Books of the 21st Century "Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book—as finely paced as a novel—Keefe uses McConville's murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga." —New York Times Book Review "Reads like a novel ... Keefe is ... a master of narrative nonfiction. . .An incredible story."—Rolling Stone A Best Book of the Year: The New York Times, The Washington Post, The Wall Street Journal, TIME, NPR, and more! Jean McConville's abduction was one of the most notorious episodes of the vicious conflict known as The Troubles. Everyone in the neighborhood knew the I.R.A. was responsible. But in a climate of fear and paranoia, no one would speak of it. In 2003, five years after an accord brought an uneasy peace to Northern Ireland, a set of human bones was discovered on a beach. McConville's children knew it was their mother when they were told a blue safety pin was attached to the dress--with so many kids, she had always kept it handy for diapers or ripped clothes. Patrick Radden Keefe's mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders. From radical and impetuous I.R.A. terrorists such as Dolours Price, who, when she was barely out of her teens, was already planting bombs in London and targeting informers for execution, to the ferocious I.R.A. mastermind known as The Dark, to the spy games and dirty schemes of the British Army, to Gerry Adams, who negotiated the peace but betrayed his hardcore comrades by denying his I.R.A. past--Say Nothing conjures a world of passion, betrayal, vengeance, and anguish.

Please note: This is a companion version & not the original book. Sample Book Insights: #1 In 1972, Jean McConville, who was thirty-eight when she disappeared, had fourteen children. She had just gotten out of the bath when eight people burst into her apartment and tried to force her to go with them. The children went berserk, and the intruders tried to calm them down. #2 One night, Jean McConville was kidnapped from her home in Divis Flats by the IRA. Her children, who were still there, watched as she was taken away. #3 When Dolours was a little girl, her family were extremely committed to the republican cause. Her father, Albert, was an upholsterer who made the chairs that occupied the cramped front room. He would tell his children stories about the bravery of long-dead patriots. #4 The Price family, like many in Northern Ireland, had a tendency to talk about calamities from the past as though they had just happened last week. The Easter Rising of 1916, in which a clutch of Irish revolutionaries seized the post office in Dublin and declared the establishment of a free and independent Irish Republic, was a source of pride for the family.

It had never been attempted before, and might never be done again. One man watching another man write a novel from beginning to end. On September 1, 2014, in an 11th floor apartment in New York, Lee Child embarked on the twentieth book in his globally successful Jack Reacher series. Andy Martin was there to see him do it, sitting a couple of yards behind him, peering over his shoulder as the writer took another drag of a Camel cigarette and tapped out the first sentence: “Moving a guy as big as Keever wasn’t easy.” Miraculously, Child and Martin stuck with it, in tandem, for the next 8 months, right through to the bitter-sweet end and the last word, “needle”. Reacher Said Nothing is a one-of-a-kind meta-book, an uncompromising account in real time of the genesis, evolution and completion of a single work, Make Me. While unveiling the art of writing a thriller Martin also gives us a unique insight into the everyday life of an exemplary writer. From beginning to end, Martin captures all the sublime confidence, stumbling uncertainty, omniscience, cluelessness, ecstasy, despair, and heart-thumping suspense that go into writing a number-one bestseller.

Nothing is not. Yet it seems that we invoke absences and nothings often in our philosophical explanations. Negative metaphysics is on the rise. It has been claimed that absences can be causes, there are negative properties, absences can be perceived, there are negative facts, and that we can refer to and speak about nothing. Parmenides long ago ruled against such things. Here we consider how much of Parmenides' view can survive. A soft Parmenidean methodology is adopted in which we aim to reject all supposed negative entities but are prepared to accept them, reluctantly, if they are indispensable and irreducible in our best theories. We then see whether there are any negative entities this survive this test. Some can be dismissed on metaphysical grounds but other problems are explained only once we reject another strand in Parmenides and show how we can think and talk about nothing. Accounts of perception of absence, empty reference, and denial are gathered. With these, we can show how no truthmakers are required for negative truths since we can have negative beliefs, concerning what-is-not, without what-is-not being part of what is. This supports a soft ontological Parmenideanism, which accepts much though not all of Parmenides' original position.

PRAISE FOR EVERYTHING MEANS NOTHING TO ME, THE SEARING NOVEL OF UNDERGROUND NASHVILLE SPELLBINDING . . . I could not put it down until Id read the entire novel in one sitting. Rachel Gladstone, DishMag.com HAUNTING, BEAUTIFUL, POWERFUL. Roy E. Perry, The Tennessean In the tradition of Charles Bukowski and Hermann Hesse, David M. Carew writes dark, searing novels set in the underground of a great city: Nashville. Carews debut, Voice from the Gutter, was hailed a minor masterpiecean existential novel you will not soon forget by Tennessean book reviewer Roy E. Perry. Now Carew returns with Everything Means Nothing to Me, an impassioned tale of love, loss, betrayal, and redemption. When the sad, lonely, half-mad writer John Werrick meets mysterious singer-songwriter Eva Downing in a Nashville club, it sparks a tragic, haunted love. Obsessed with Eva, Werrick burns to answer the riddles surrounding her: Why does she so passionately yearn to performthen make sure few know about it? Why does she go through a strange, dark ritual before performing? What is the explosive secret she is hiding? As Werrick struggles to unravel the mystery, he discovers the brutal secret shrouding Evas lifeas events surge to a shattering climax.

"Nothing But the Truth" is about some non-biblical ideas circulating in the Pentecostal church, among others. Logan contends that these are false beliefs that don't come from God's word, but rather from preachers.

Is there such a thing today as music that's meaningfully new? In our contemporary era of remixing and retro styles, cynics and romantics alike cry "It's all been done before" while record labels and media outlets proclaim that everything is new. Coded into our daily conversations about popular music, newness as an artistic and cultural value is too often taken for granted. Nothing Has Been Done Before instigates a fresh debate about newness in American pop, rock 'n' roll, rap, folk, and R&B made since the turn of the millennium. Utilizing an interdisciplinary approach that combines music criticism, philosophy, and the literary essay, Robert Loss follows the stories of a diverse cast of musicians who seek the new by wrestling with the past, navigating the market, and speaking politically. The transgressions of Bob Dylan's "Love and Theft". The pop spectacle of Katy Perry's 2015 Super Bowl halftime show. Protest songs against the war in Iraq. Nothing Has Been Done Before argues that performance heard in a historical context always creates a possibility for newness, whether it's Kendrick Lamar's multi-layered To Pimp a Butterfly, the Afrofuturist visions of Janelle Monáe, or even a Guided By Voices tribute concert in a local dive bar. Provocative and engaging, Nothing Has Been Done Before challenges nothing less than how we hear and think about popular music-its power and its potential.