David, a man of the future from the planet Galaxias is time Warped to Earth in the Year 229CE as an investigative Geologist who falls out of favor for failure to comply with protocol and is left to die. He escapes to China and begins a reign of Piracy in the China Sea. He returns to Galaxias and takes vengeance only to return once more to China in the Song Dynasty and saw the armies of Genghis Khan Take control. He returns to Galaxias only to find discord so relocates to a new planet he called Nova Patria with his Elite Military forces.

Las historias e invenciones de Félix Muriel, de Rafael Dieste, se publicaron en Buenos Aires en 1943 y, ya entonces, pudo causar cierta sorpresa el hecho de que su autor, exiliado republicano, no se refiriera en ellas a la reciente guerra de España ni a sus consecuencias. Sin embargo, de modo subrepticio, la política estructura el texto y contribuye a construir la problemática unidad del libro -un libro que muchos llamaron "obra maestra" y que José Ramón Marra-López ha situado "al margen de toda posible clasificación". No para clasificarlo, sino para entender esa "marginalidad" y los motivos de su encanto está escrito este estudio, el primero dedicado en extenso específicamente al volumen y el primero que contempla con detenimiento el manuscrito autógrafo.

In June of 2015, five cardinals and forty-five bishops representing fifty African countries met in Accra, Ghana, to prepare for the October 2015 Synod on the Family. In his opening remarks included in this volume Robert Cardinal Sarah encouraged the bishops of Africa to speak with one voice during the synod: ""I encourage you to speak with clarity and with one credible voice and with filial love of the Church. Be conscious of the mission of the Church; protect the sacredness of marriage which is now being attacked by all forms of ideologies that intend to destroy the family in Africa. Do not be afraid to stress the teaching of the Church on marriage."" In a major six-page interview released during the same period in the French magazine Famille Chr賩enne , Cardinal Sarah said: ""At the synod next October we will address, I hope, the question of marriage in an entirely positive manner, seeking to promote the family and the values that it bears. The African bishops will act to support that which God asks of man concerning the family, and to receive that which the Church has always taught. . . . Why should we think that only the Western vision of man, of the world, of society is good, just, universal? The Church must fight to say no to this new colonization."" These African pastors provide much food for thought and reflection about modern Western culture and our personal lives, as well as an introduction to the Synod. The title of the book comes from a phrase used by Blessed Pope Paul VI, which in our time beautifully expresses the universality of the Church and the increasing role played by African Church leaders. Among the contributing cardinals and bishops are Robert Cardinal Sarah, Francis Cardinal Arinze, Christian Cardinal Tumi, Th认ore Cardinal Sarr, Archbishop Samuel Kleda, and more.

In June of 2015, five cardinals and forty-five bishops representing fifty African countries met in Accra, Ghana, to prepare for the October 2015 Synod on the Family. In his opening remarks—included in this volume—Robert Cardinal Sarah encouraged the bishops of Africa to "speak with one voice" during the synod: "I encourage you to speak with clarity and with one credible voice and with filial love of the Church. Be conscious of the mission of the Church; protect the sacredness of marriage which is now being attacked by all forms of ideologies that intend to destroy the family in Africa. Do not be afraid to stress the teaching of the Church on marriage." In a major six-page interview released during the same period in the French magazine Famille Chrétienne , Cardinal Sarah said: "At the synod next October we will address, I hope, the question of marriage in an entirely positive manner, seeking to promote the family and the values that it bears. The African bishops will act to support that which God asks of man concerning the family, and to receive that which the Church has always taught. . . . Why should we think that only the Western vision of man, of the world, of society is good, just, universal? The Church must fight to say no to this new colonization." These African pastors provide much food for thought and reflection about modern Western culture and our personal lives, as well as an introduction to the Synod. The title of the book comes from a phrase used by Blessed Pope Paul VI, which in our time beautifully expresses the universality of the Church and the increasing role played by African Church leaders. Among the contributing cardinals and bishops are Robert Cardinal Sarah, Francis Cardinal Arinze, Christian Cardinal Tumi, Théodore Cardinal Sarr, Archbishop Samuel Kleda, and more.

This book emerges from, and performs, an ongoing debate about transatlantic approaches in the fields of Iberian, Latin American, African, and Luso-Brazilian studies. In thirty-five short essays, leading scholars reframe the intertwined cultural histories of the transnational spaces encompassed by the former Spanish and Portuguese empires.

Recepient, 2013 Guggenheim Fellowship Dante’s Vita Nova (circa 1292–1295) depicts the joys and sorrows, the discoveries and conflicts of Dante’s early love for Beatrice—who would achieve later and even greater fame in Commedia—starting with his first sighting of her and culminating in his prevision of Beatrice among the beatified in heaven. Award-winning translator and poet Andrew Frisardi channels the vigor and nuance of Dante’s first masterpiece for a modern audience. The “little book,” as Dante calls it, consists of thirty-one lyric poems—mostly sonnets—embedded in a prose narrative, which both recounts an apparently autobiographical set of events also evoked in the poems and offers analysis of the poems’ construction in the medieval critical tradition of divisio textus, or division of the text. Dante selected poetry he had written before age twenty-eight or so and wrote the prose to shape it into a story. The poems anthologize Dante’s growth as a poet, from the influence of his earliest mentors to the stylistic and thematic breakthroughs of his poetic coming-of-age. The interplay of poetry and prose in Vita Nova, along with the further distinction in the latter between autobiography and critical divisioni, presents a particular challenge for any translator. Frisardi faithfully voices the complex meter and rhyme schemes of the poetry while capturing the tone of each of the prose styles. His introduction and in-depth annotations provide additional context for the twenty-first-century reader.