What can the life writing of post-famine Irish immigrants tell us about Irish diasporic memory? Of Memory and the Misplaced considers the endurance and nature of Irish American memory across the twentieth century. Guided by 30 memoirs written between 1900 and 1970, Sarah O'Brien shows the prevalence of intimate and taboo themes in ordinary immigrants' writing, such as domestic violence, same-sex love, and famine-induced trauma. Importantly, Of Memory and the Misplaced critiques the role of the Irish landscape as a site of memory and shows how the interiority of the domestic world has provided Irish women with the language needed to reclaim their own lives. Combining literary and historical theory, Of Memory and the Misplaced highlights voices that have traditionally been silenced and offers a rare and unexplored collection of primary source autobiographical texts to better understand the experiences of Irish immigrants in the United States.

Iris possesses a brilliant mind. Her father encourages her talents while her mother attempts to stifle them. Her mother holds archaic beliefs about a woman’s place and ridicules anyone who disagrees. Unfortunately her father is killed while Iris is still young. Already socially awkward, Iris becomes further isolated as she tries to win her mother’s unattainable affection. She hears voices and has disturbing visions. After high school Iris lives with her mother until she marries an equally socially awkward man. She hopes for acceptance by becoming a devoted wife and mother. When Iris is unable to conceive, adoption is suggested. Iris first resists the idea, but then embraces it. When Iris goes to share the news with her mother she finds her dead and is filled with anguish. Iris becomes overwhelmed by visions of her dead mother and hatches a bizarre plan to please her by creating “perfect, happy families.”

Disorders of memory are among the most frequent and disabling symptoms of a wide range of clinical disorders. Leading scientists and clinicians review the theoretical concepts and research which contribute to an understanding of this field.

The concepts of Ireland and 'Irishness' are in constant flux in the wake of an ever-increasing reappraisal of the notion of cultural and national specificity in a world assailed from all angles by the forces of globalisation and uniformity. Reimagining Ireland interrogates Ireland's past and present and suggests possibilities for the future by looking at Ireland's literature, culture and history and subjecting them to the most up-to-date critical appraisals associated with sociology, literary theory, historiography, political science and theology.

Misconceptions about memory phenomena often go hand-in-hand with popular misrepresentations of its function in media. In Popular Myths about Memory, Brian H. Bornstein examines how the representation of memory in novels, movies, and television shows often clashes with scientific research. Bornstein discusses the consequences of these myths on the popular understanding of memory and its functions. Depictions of amnesia, eyewitness accounts, and superior memory are just a few of the processes explored and debunked. This book is recommended for scholars interested in psychology, media and film studies, literary studies, and communication studies.

Biopolitics and posthumanism have been passé theories in the academy for a while now, standing on the unfashionable side of the fault line between biology and liberal thought. These days, if people invoke them, they do so a bit apologetically. But, as Ruth Miller argues, we should not be so quick to relegate these terms to the scholarly dustbin. This is because they can help to explain an increasingly important (and contested) influence in modern democratic politics-that of nostalgia. Nostalgia is another somewhat embarrassing concept for the academy. It is that wistful sense of longing for an imaginary and unitary past that leads to an impossible future. And, moreover for this book, it is ordinarily considered "bad" for democracy. But, again, Miller says, not so fast. As she argues in this book, nostalgia is the mode of engagement with the world that allows thought and life to coexist, productively, within democratic politics. Miller demonstrates her theory by looking at nostalgia as a nonhuman mode of "thought" embedded in biopolitical reproduction. To put this another way, she looks at mass democracy as a classically nonhuman affair and nostalgic, nonhuman reproduction as the political activity that makes this democracy happen. To illustrate, Miller draws on the politics surrounding embryos and the modernization of the Turkish alphabet. Situating this argument in feminist theories of biopolitics, this unusual and erudite book demonstrates that nostalgia is not as detrimental to democratic engagement as scholars have claimed.

How does the production of performance engage with the fundamental issues of our advanced neo-capitalist age? André Lepecki surveys a decade of experimental choreography to uncover the dual meaning of ‘performance’ in the twenty-first century: not just an aesthetic category, but a mode of political power. He demonstrates the enduring ability of performance to critique and subvert this power, examining this relationship through five ‘singularities’ in contemporary dance: thingness, animality, persistence, darkness, and solidity. Exploring the works of Mette Ingvartsen, Yvonne Rainer, Ralph Lemon, Jérôme Bel and others, Lepecki uses his concept of ‘singularity’—the resistance of categorization and aesthetic identification—to examine the function of dance and performance in political and artistic debate.

Following Credit and Faith and Economic Theology, this third volume in the series develops a metaphysics which is missing when trust is ordered around economic theories and institutions. Human existence may be conceived according to its temporal dimensions of appropriation, participation, and offering. Engaging with the Western philosophical tradition from the Neo-Pythagoreans and Plato to Heidegger and Arendt, drawing especially from Augustine and Weil, Goodchild offers striking reconstructions of the meanings of economic, political and religious dimensions of life. The outcome is an elaboration of conceptions of wealth, power, contingency, necessity and grace which give a new orientation to human life and endeavour. Goodchild situates this discussion within the current historical era of the breakdown of global financial capitalism. He draws from the Financial Revolution in England as a time of crisis which illuminates our own. Faced with a range of global crises, Goodchild proposes an alternative between strategies for survival: either submission before a Great Machine of Credit as an autonomous, unthinking system for regulating human behaviour or accession to the necessity of grace as a way of empowering the pursuit of wealth, justice and thought.

An award-winning author and veteran mountain climber takes us deep into the Southwest backcountry to uncover secrets of its ancient inhabitants. In this thrilling story of intellectual and archaeological discovery, David Roberts recounts his last twenty years of far-flung exploits in search of spectacular prehistoric ruins and rock art panels known to very few modern travelers. His adventures range across Utah, Arizona, New Mexico, and southwestern Colorado, and illuminate the mysteries of the Ancestral Puebloans and their contemporary neighbors the Mogollon and Fremont, as well as of the more recent Navajo and Comanche.