A volume of essays exploring some of the best genre fiction of the last 40 years.

Taking up where the author's book Of Modern Dragons (2007) left off, these essays continue Lennard's investigation of the praxis of serial reading and the best genre fiction of recent decades, including work by Bill James, Walter Mosley, Lois Mcmaster Bujold, and Ursula K. Le Guin. There are groundbreaking studies of contemporary paranormal romance, and of Hornblower's transition to space, while the final essay deals with the phenomenon and explosive growth of fanfiction, and with the increasingly empowered status of the reader in a digital world. There is an extensive bibliography of genre and critical work, with eight illustrations and many hyperlinks.

Mosley's novels chronicling the investigations of Easy Rawlins chart Californian history from 1948, echoing Chandler (and John D. MacDonald) while challenging Ellroy's L.A. Quartet. He has also written other crime and SF novels, Young Adult fiction, a memoir, and activist non-fiction, and is widely involved in cultural and educational projects promoting writing by people of colour. Devil in a Blue Dress is the first novel in Mosley's outstanding 'Easy' Rawlins series. The Notes in this book provide an overview of Mosley's career and the series, give historical and literary backgrounds to the novel (including Chandler, Himes, Pinkerton Men and Private Eyes, Hollywood's Gumshoes, and the 'GI Bill'), and consider the film adaptation of Devil. Chapter by chapter Annotations detail allusions, slang, musical references, flora and fauna, and fashion, while disentangling Mosley's real and fictive Los Angeles. The Essay is 'In the Mortgage of his Skin', and uses Walcott's and Lamming's great phrase to ask about Easy's purest passion, the house that is his castle. The Bibliography covers all Mosley's work, with critical material on him and on (African-American) crime writing.

An illuminating study of Vladimir Nabokov's controversial novel with special attention to its film versions. From its first publication in 1955 Nabokov's Lolita has been denounced as immoral filth, hailed as a moral masterpiece, and both praised and damned for stylistic excess. In this fresh appraisal John Lennard provides convenient overviews of Nabokov's life and of the novel (including both Kubrick's and Lyne's film-adaptations), before considering Lolita as pornography, as lepidoptery, as film noir, and as parody.

A historically informed and informing study guide to of Scott's four great novels of British India - The Jewel in the Crown, The Day of the Scorpion, The Towers of Silence, A Division of the Spoils - and of the popular coda, Staying On. The book covers Paul Scott's Life and works, the British Raj, imperial decay, civil and military India, the Indian independence movement, the birth of India and Pakistan, Ghandi, Jinnah, Congress and the Muslim League, the characters of the novel, especially Edwina Crane, Daphne Manners, Ronald Merrick and Hari Kumar.John Lennard's The Poetry Handbook (OUP, 1996; 2/e 2005), with Mary Luckhurst The Drama Handbook (OUP, 2002), and Of Modern Dragons and other essays on Genre Fiction (HEB, 2007). He is General Editor of HEB's Genre Fiction Sightlines and Monographs series, for which he has written on Reginald Hill, Walter Mosley, Octavia E. Butler, Ian McDonald, and Tamora Pierce. For Literature Insights he has also written on Shakespeare's Hamlet and Nabokov's Lolita.

A theatre-based study guide to Shakespeare's greatest play, emphasising the conditions of Jacobethan production, textual variations, and aspects of modern performance, rather than the background of ideas or critical interpretations. This book aims to introduce students (including those with little or no prior experience of the field) to the worlds of Shakespeare and his theatre revealed in King Lear. It begins by 'Approaching Shakespeare' as utterly a man of the theatre, a professional actor before he was a playwright and a resident dramatist who knew intimately the actors for whom he wrote. It continues by discussing 'King Lear' in that light. The middle chapters look in detail at the 'Actors and Players' of the drama, and at Shakespeare's favourite 'Acts and Devices' as deployed within it. A final chapter considers the concept of 'comedic agony'. The annotated Bibliography includes the current major editions, major film-adaptations, and a selection of both the best criticism and the most useful websites.

This handbook is the first-of-its-kind comprehensive overview of fantasy outside the Anglo-American hegemony. While most academic studies of fantasy follow the well-trodden path of focusing on Tolkien, Rowling, and others, our collection spotlights rich and unique fantasy literatures in India, Australia, Italy, Greece, Poland, Russia, China, and many other areas of Europe, Asia, and the global South. The first part focuses on the theoretical aspects of fantasy, broadening and modifying existing definitions to accommodate the global reach of the genre. The second part contains essays illuminating specific cultures, countries, and religious or ethnic traditions. From Aboriginal myths to (self)-representation of Tibet, from the appropriation of the Polish Witcher by the American pop culture to modern Greek fantasy that does not rely on stories of Olympian deities, and from Israeli vampires to Talmudic sages, this collection is an indispensable reading for anyone interested in fantasy fiction and global literature.

This new collection of Keith Sagar's writings on the poetry of D H Lawrence includes many new interpretations of well-known poems. It ends with a year-by-year checklist of reviews and criticism of Lawrence's poems, from 1913 to the present. Though much has been written about Lawrence's poetry (as revealed by the several hundred entries in the book's checklist of criticism), there have been relatively few full length studies. This book deals with the whole range of his poetry from his earliest poems, such as 'To Campions' and 'To Guelder Roses', through the poems inspired by his elopement with and subsequent marriage to Frieda Weekley (Look! We Have Come Through!), to the mature achievement, in free verse forms inspired by Walt Whitman, of Birds, Beasts and Flowers, Pansies and Last Poems. The genesis of the poems in Lawrence's life is explored; and there are new interpretations of his most memorable poems, such as 'The Wild Common', 'Piano', 'Song of a Man Who Has Come Through', Tortoises, 'Peach', 'Pomegranate', 'Snake', 'Bavarian Gentians' and 'The Ship of Death'.

The four books making up The Immortals are the 5th - 8th (of 15) novels set in Tortall, and introduce the' Wildmage', Veralidaine Sarrasri, who appears in most later novels in the Tortall series. The Notes in this book cover Tamora Pierce's life and work; the world of Tortall (including the geography, cast, and neighbouring cultures); the strange menagerie of immortal creatures who may be friend or foe; and the pantheon of interfering multicultural god/desse/s. The well-illustrated Annotations pay special attention to the many animals who feature, cultural and historical references, and the major thematic issues that develop throughout the quartet. Wild Magic, Wolf-Speaker, The Emperor Mage, and The Realms of the Gods are all covered on a chapter-by-chapter basis, and there is a link to the deleted chapter of The Emperor Mage (in which Daine heals a poisoned camel). The Essay compares The Immortals with its successor quartet, Protector of the Small, for both the brave teenage heroines have a particular and very educational relationship with Pierce's greatest fantasy-beasts, the amazing (and amazingly smelly) Stormwings. The Bibliography has a section detailing works about' Tamora Pierce and Children's Writing'.