In 'Off Stage/On Display', ten scholars with diverse geographical, theoretical and topical interests take a close, critical look at the vexed relationship between public identities and the intimate spheres in which they are made.

He’s sold more than 25 million records. His live shows fill the world’s biggest stadiums to capacity. He has captured hearts everywhere with his classic style. Now, for the first time ever, Grammy Award–winning singer Michael Bublé offers fans an all-access, behind-the-scenes glimpse at his private life, onstage and off. Pairing the singer’s own heartfelt words with hundreds of exclusive, never-before-seen photographs, this unique diary reveals Bublé’s inspirational journey, from singing into a hairbrush in his suburban Canadian bedroom to entertaining thousands onstage at New York’s famed Madison Square Garden. The humble man, the eager-to-learn young musician, the hardworking profes-sional, the adoring husband, the fun-loving guy—the singer’s many faces are here in stunning, intimate detail. Fans will experience what it’s like to be on tour and in the studio with Bublé as he unveils the private person beneath the public persona. That rare, down-to-earth star whose unforgettable voice resonates with people from all walks of life, Michael Bublé is a natural talent. And for the fan in your life, this beautiful keepsake is both a reminder of the power of dreams and an up-close-and-personal peek at one of the greatest entertainers of our time.

Broadway, once upon a time. A place where people buy tickets at the box office, with cash; where patrons dress for theatre, with no sneakers, no water bottles, and no backpacks; and the only text messages are the ones put there by the playwright. A place where iconic legends of stage and screen can be found in plain view, smiling politely or egotistically preening. Where three dollars will get you a balcony seat at the biggest hit—or the lowliest flop—in town. And a place where an innocent teenager from the suburbs can buy a ticket, slip through the stage door, and wander o'er the threshold into the magical world backstage. Steven Suskin introduces Broadway, once upon a time, in Offstage Observations: Tales of the Not-So-Legitimate Theatre. The drama critic and noted chronicler of Broadway takes the reader through a decade's worth of adventures, working his way from a menial pencil sharpener for producer David Merrick toward a career as a full-fledged manager, producer, and drama critic. The book follows the author's progress from the wintry night after his sixteenth birthday, when he unexpectedly finds himself alone on the empty stage of a Broadway theatre, peering out at the silent, empty auditorium lit only by a solitary ghost light to the matinee eight summers later when he finds himself accidentally and uncomfortably acting in a Broadway musical, bombarded by roars of laughter from a houseful of playgoers. A keen observer of the impertinent with an ear for amusing anecdotes, whimsical curiosities, and exaggerated tales of life upon the wicked stage, Suskin draws a portrait of a not-so-long-ago theatre world that has all but vanished.

As the media have increasingly become the lens through which we see the world, media styles have shaped even the fine arts, and contemporary theatre is particularly indebted to mass media's dramatic influence. In order to stay culturally and financially viable, theatre producers have associated theatrical productions and their promotion with film, television, and the Internet by adopting new theatrical practices that mirror the form and content of mass communication. This work demonstrates how mediatization, or the adoption of the semantics and the contexts of mass media, has changed the way American theatre is produced, performed, and perceived. Early chapters use works like Robert Wilson's 3D digital opera Monsters of Grace and Thecla Schophorst's digitally animated Bodymaps to demonstrate the shifting nature of live performance. Critical analysis of the interaction between the live performer and digital technology demonstrates that the use of media technology has challenged and changed traditional notions of dramatic performance. Subsequent discussion sustains the argument that theatre has reconfigured itself to access the economic and cultural power of the media. Final chapters consider the extent to which mediatization undermines theatrical authorship and creativity.

Originally published in 1989, this book focuses on the handling of the relationship between the onstage world and the offstage world, between the world that Shakespeare shows us and the one he tells us about. It is developed in two parts. Initially examined is the way reports are used in Shakespeare to relate the offstage and onstage worlds, building from simple examples within individual scenes in various plays to related sequences of reports which can be evaluated as part of broader strategies effecting the structure of a whole play. In the second part the author examines the ways in which several, or all, of these strategies work in individual plays, and what combined effect the prominent employment of them has in shaping the effect of the plays. In all cases the author is concerned to indicate why Shakespeare chose to handle matters as he does rather than in other ways available in the sources or in the speculative alternative methods which can be imaginatively constructed.

Three universal forces are at work within you. Know them; use them; and, elevate yourself through their three stages. Become the Ultimate Hero you are meant to be. The Three Forces & You: The Most Fundamental Personality Typology unveils a treasure that has remained concealed in the writings of Eastern mysticism: the 3F personality typology. Born out of Persian Sufism, and backed by fascinating parallels found in ancient Indian and Western doctrines, the 3F typology is profound in explanation and yet easily accessible in its simplicity. From Self-knowledge devotees to those seeking relationship advice, vocational counseling, or even managerial insights, everyone can be greatly assisted by the 3F typology’s timeless applications.

Want to create animated graphics for iPhone, iPad, and the Web, using familiar Adobe features? You’ve come to the right guide. Adobe Edge Animate Preview 7: The Missing Manual shows you how to build HTML5 graphics with Adobe visual tools. No programming experience? No problem. Adobe Edge Animate writes all the code for you. With this book, you’ll be designing great-looking web elements in no time. The important stuff you need to know: Get to know the workspace. Learn how Adobe Edge Animate performs its magic. Create and import graphics. Make drawings with Animate’s tools, or use art you’ve designed in other programs. Work with text. Build menus, label buttons, provide instructions, and perform other tasks. Jump into animation. Master Animate’s elements, properties, and timeline panels. Make it interactive. Use triggers and actions to give users control over their web experience. Dig into JavaScript. Customize your projects by tweaking your code. Once you purchase this book, you can stay on top of future Adobe Edge Animate Preview releases by downloading the ebook edition on oreilly.com for free.

Near to one billion people call slums their home, making it a reasonable claim to describe our world as a 'planet of slums.' But how has this hard and unyielding way of life been depicted on screen? How have filmmakers engaged historically and across the globe with the social conditions of what is often perceived as the world's most miserable habitats?Combining approaches from cultural, globalisation and film studies, Igor Krstic outlines a transnational history of films that either document or fictionalise the favelas, shantytowns, barrios poulares or chawls of our 'planet of slums', exploring the way accelerated urbanisation has intersected with an increasingly interconnected global film culture. From Jacob Riis' How The Other Half Lives (1890) to Danny Boyle's Slumdog Millionaire (2008), the volume provides a number of close readings of films from different historical periods and regions to outline how contemporary film and media practices relate to their past predeccesors, demonstrating the way various filmmakers, both north and south of the equator, have repeatedly grappled with, rejected or continuously modified documentary and realist modes to convey life in our 'planet of slums'.

Want to use an Adobe tool to design animated web graphics that work on iPhone and iPad? You’ve come to the right book. Adobe Edge Preview 3: The Missing Manual shows you how to build HTML5 graphics using simple visual tools. No programming experience? No problem. Adobe Edge writes the underlying code for you. With this eBook, you’ll be designing great-looking web elements in no time. Get to know the workspace. Learn how Adobe Edge Preview 3 performs its magic. Create and import graphics. Make drawings with Edge’s tools, or use art you designed in other programs. Work with text. Build menus, label buttons, provide instructions, and perform other tasks. Jump into animation. Master Edge’s elements, properties, and timeline panels. Make it interactive. Use triggers and actions to give users control over their web experience. Peek behind the curtain. Understand how HTML and CSS documents work. Dig into JavaScript. Customize your projects by tweaking your code. Bestselling author Chris Grover has more than 25 years experience in graphic design and electronic media. He excels in making complex technology fun and easy to learn. In Adobe Edge Preview 3: The Missing Manual, he continues the winning formula of Flash CS5.5: The Missing Manual and Google SketchUp: The Missing Manual.

There was a time between Be-Bop and Hip-Hop, when a new generation of teenagers created rock 'n' roll. Cole was one of those teenagers and was host of his own Saturday night, pop music TV show. "Sh-Boom!"! is the pop-culture chronicle of that exciting time when teenagers created their own music.