On Beauty is a provocative collection of moments, confessions, overheard conversations, and memories, both fleeting and crystalized, revolving around the small chasms and large craters of everyday life. Situated at the crossroads of prose and poetry, these 33 vignettes explore the rhythm, textures, and micro-moments of lives in motion. Composed with a poet’s eye for detail and ear for rhythm, rob mclennan’s brief stories play with form and language, capturing the act of record-keeping while in the process of living those records, creating a Polaroid-like effect. Throughout the collection, the worlds of literature and art infuse into intimate fragments of the everyday. A welcome chronicle of human connection and belonging, On Beauty will leave readers grappling with questions of how stories are produced and passed through generations.

Eva Scrivo has worked with thousands of women over the years and knows firsthand that beauty is a learned skill that is within everyone’s grasp. Approaching beauty as a whole and each person as an individual, Eva Scrivo on Beauty opens your eyes to a world of possibilities and provides the tools for attaining the looks and confidence you've always dreamed of. This is a definitive guide to gorgeous hair, glowing skin, beautiful makeup, a healthier body, more positive self-image, and a stronger fashion sense. By debunking common myths, simplifying professional techniques, translating industry terms, and sharing insights gained from years of experience, Eva Scrivo on Beauty not only teaches you the rules, it shows when to break them in order to create your own personal style. Consider this book and its author to be a beauty support system and lifestyle coach—a source of inspiration and a place to find both knowledge and encouragement. Eva Scrivo on Beauty gives you the virtual experience of sitting in Eva’s chair at her salon and provides guidance on topics such as: Designing the right haircut for your features and lifestyle. Selecting hair color to complement your skin tone and add dimension to your cut. How to give yourself a salon-worthy blowout. Understanding what part of your beauty routine can be done at home and when to invest in the services of a skilled professional. Finding and effectively communicating with a good stylist. How the right eyebrow shape and color can change your entire face. Effective beauty routines for the morning, nighttime, and in between. Beauty foods that nourish your hair and skin. Overcoming the negative impact that stress has on your looks. Making smart fashion choices to pull it all together. And much more!

The wedding was coming, but he couldn't hide his stomach. They had to make arrangements with the quasi-Husband, but why were there so many people fighting over a child? Crown Prince, Prince, who exactly was the child's father? It was with great difficulty that the Handsome Man finally helped him to escape the palace and the Prime Minister's Mansion. He thought that he could live a peaceful life now, but he didn't expect that the old man who helped him flee the palace five years later, would say that the child was his. After giving her a fierce slap, Cangxue refused to accept this' truth '.' If you want to be the next emperor, then I'm going to be a commoner. Get the hell away from me! '

In this Title “Quotes On Beauty”, we have collected & compiled the best & most beautiful Quotes & Quotations on Beauty & it’s importance in our daily Life. If we observe, we can find that the World we live is very beautiful. But it all depends on our perception of Beauty. Let’s express, experience & enjoy the beauty by going through this collection of Quotes under this title “Quotes On Beauty”

This book grew from a series of lectures presented in 1983 in the context of the Summer Program in Phenomenology at The Pennsylvania State University. For these lectures I made use of notes and short essays which I had written between 1978 and 1982 during interdisciplinary seminars on Heidegger's later philosophy in general, and on his philosophy of language and art in particular. The participants in these seminars consisted of faculty members and graduate students concerned with the sciences, the arts, literature, literary criticism, art history, art education, and philosophy. On both occasions I made a special effort to introduce those who did not yet have a specialized knowledge of Heidegger's philosophy, to his later way of thinking. In this effort I was guided by the conviction that we, as a group, had to aim for accuracy, precision, clarity, faithfulness, and depth, while at the same time taking distance, comparing Heidegger's views with ideas of other philosophers and thinkers, and cultivat ing a proper sense of criticism. Over the years it has become clear to me that among professional philoso phers, literary critics, scholars concerned with art history and art education, and scientists from various disciplines, there are many who are particularly interested in "Heidegger's philosophy of art". I have also become convinced that many of these dedicated scholars often have difficulty in understanding Heidegger's lectures on art and art works. This is understandable.

"The bourgeois ... Not so long ago, this notion seemed indispensable to social analysis; these days, one might go years without hearing it mentioned. Capitalism is more powerful than ever, but its human embodiment seems to have vanished. 'I am a member of the bourgeois class, feel myself to be such, and have been brought up on its opinions and ideals,' wrote Max Weber, in 1895. Who could repeat these words today? Bourgeois 'opinions and ideals'-what are they?" Thus begins Franco Moretti's study of the bourgeois in modern European literature-a major new analysis of the once-dominant culture and its literary decline and fall. Moretti's gallery of individual portraits is entwined with the analysis of specific keywords-"useful" and "earnest," "efficiency," "influence," "comfort," "roba"-and of the formal mutations of the medium of prose. From the "working master" of the opening chapter, through the seriousness of nineteenth-century novels, the conservative hegemony of Victorian Britain, the "national malformations" of the Southern and Eastern periphery, and the radical self-critique of Ibsen's twelve-play cycle, the book charts the vicissitudes of bourgeois culture, exploring the causes for its historical weakness, and for its current irrelevance.

This is an open access book. The biennial Conference of Language, Linguistics, and Literature (Colalite) always attempts to accommodate intriguing themes. This year, the 5th International Colalite presents "Dressed to Kill: Fashion, Body, and Identity" as a theme to accommodate the growing interest in fashion and lifestyle in the fields of language, literature, cultural studies, translation, and business communication. For this reason, the 5th Colalite encourages researchers, authors, academic practitioners, and those who are interested in exploring this issue to participate in the conference.

Quintessentially fascinating, love intrigues and perplexes us, and drives much of what we do in life. As wary as we may be of its illusions and disappointments, many of us fall blindly into its traps and become ensnared time and again. Deliriously mad excitement turns to disenchantment, if not deadening repetition, and we wonder how we shall ever break out of this vicious cycle. Can psychoanalysis – with ample assistance from philosophers, poets, novelists, and songwriters – give us a new perspective on the wellsprings and course of love? Can it help us fathom how and why we are often looking for love in all the wrong places, and are fundamentally confused about “what love really is”? In this lively and wide-ranging exploration of love throughout the ages, Fink argues that it can. Taking within his compass a vast array of traditions – from Antiquity to the courtly love poets, Christian love, and Romanticism – and providing an in-depth examination of Freud and Lacan on love and libido, Fink unpacks Lacan’s paradoxical claim that “love is giving what you don’t have.” He shows how the emptiness or lack we feel within ourselves gets covered over or entwined in love, and how it is possible and indeed vital to give something to another that we feel we ourselves don’t have. This first-ever commentary on Lacan’s Seminar VIII, Transference, provides readers with a clear and systematic introduction to Lacan’s views on love. It will be of great value to students and scholars of psychology and of the humanities generally, and to analysts of all persuasions.