Mund, Lippen, Zunge und Zähne – Sprache, Schmerz und Schrei – Essen, Schlingen, Speien und Spucken – Lust und Leidenschaft: Die Mundhöhle ist im wahrsten Sinne des Wortes eine äußerst reizvolle Körperzone. Ihrer Erkundung haben sich dabei nicht nur Wissenschaft und Medizin gewidmet, Gleiches gilt auch für die Kunst- und Kulturgeschichte – von der Antike bis zur Gegenwart. Diesen breit gefächerten motivgeschichtlichen Pfad verfolgt das Kunstmuseum Wolfsburg im Herbst 2020 erstmals in einer umfassenden Ausstellung rund um den Mund. Der begleitende Bildband bietet mit seinen anschaulichen Essays nicht nur inhaltliche Vertiefungsebenen an, sondern reicht weit über die Ausstellung hinaus. Hier wird der Mund mit seinen Fähigkeiten auch im Bereich der Filmgeschichte, Ethnologie, Literaturwissenschaften und Architektur unter die Lupe genommen.

A landmark history of the antisemitic blood libel myth—how it took root in Europe, spread with the invention of the printing press, and persists today. Accusations that Jews ritually killed Christian children emerged in the mid-twelfth century, following the death of twelve-year-old William of Norwich, England, in 1144. Later, continental Europeans added a destructive twist: Jews murdered Christian children to use their blood. While charges that Jews poisoned wells and desecrated the communion host waned over the years, the blood libel survived. Initially blood libel stories were confined to monastic chronicles and local lore. But the development of the printing press in the mid-fifteenth century expanded the audience and crystallized the vocabulary, images, and “facts” of the blood libel, providing a lasting template for hate. Tales of Jews killing Christians—notably Simon of Trent, a toddler whose body was found under a Jewish house in 1475—were widely disseminated using the new technology. Following the paper trail across Europe, from England to Italy to Poland, Magda Teter shows how the blood libel was internalized and how Jews and Christians dealt with the repercussions. The pattern established in early modern Europe still plays out today. In 2014 the Anti-Defamation League appealed to Facebook to take down a page titled “Jewish Ritual Murder.” The following year white supremacists gathered in England to honor Little Hugh of Lincoln as a sacrificial victim of the Jews. Based on sources in eight countries and ten languages, Blood Libel captures the long shadow of a pernicious myth.

An exciting interdisciplinary study based on new literary, historical, and bibliographical evidence, this book will appeal to students and scholars of the Italian Renaissance, the Reformation, and the history of the book.

Following on from the successful He Iti te Kupu: Māori Metaphors and Similes, Hona Black’s new book explores the rich vein of humour in Māori life. Want to know how to call a silly person a ‘roro hipi / sheep’s brain’, or tell someone to get stuffed in te reo Māori? The answers are all in Te Reo Kapekape (literally, ‘the language of poking fun’), with more than 130 humorous and unique phrases in te reo and English that can be used to describe people, events and actions. The sayings are divided into four chapters — above the hip, below the hip, other phrases, and idioms. Using a cast of characters and dramatised dialogue, Hona explains each phrase and gives examples and suggestions for use — whether to tease, crack a joke or just add some flair to your daily use. This book is a valuable resource for anyone wanting to spice up their te reo or English with some fun and cheeky sayings, and will appeal to both language learners and fluent speakers of Māori.

This book unlocks the meaning of more than 5,000 idioms used in American English today.

The Penguin Writers' Guides series provides authoritative, succinct and easy-to-follow guidance on specific aspects of written English. Whether you need to brush up your skills or get to grips with something for the first time, these invaluable Guides will help you find the best way to get your message across clearly and effectively. This practical one-stop guide explains all the punctuation marks you are ever likely to encounter - and gives advice for writing on computer, such as the use of italics and boldface type. From apostrophes to accents, it shows you which marks to use and where to put them in a sentence, with helpful examples of correct and incorrect use. Ideal for both quick reference and in-depth browsing, the guide provides all the tips and techniques you will need for accurate punctuation.

“castling our home in the air”？ 是 “put the horse before the cart” 定還是 “put the cart before the horse”？來到《又中又英5》，褚簡寧繼續秉承此系列的傳統，在書中指出高官名人說英語時犯下的錯誤。不過，第五本跟之前四本最大的不同，是褚簡寧更會親自朗讀書中每一篇文章，讓你可藉著聆聽由外籍人士以純正地道的英語朗讀出的文章，藉此提升聆聽英語能力。多聆聽由外籍人士朗讀的英文，當有助你擺脫港式口音，說出一口更接近地道的英文。

This is the first volume dedicated solely to the topic of epistemological disjunctivism. The original essays in this volume, written by leading and up-and-coming scholars on the topic, are divided into three thematic sections. The first set of chapters addresses the historical background of epistemological disjunctivism. It features essays on ancient epistemology, Immanuel Kant, J.L. Austin, Edmund Husserl, and Ludwig Wittgenstein. The second section tackles a number contemporary issues related to epistemological disjunctivism, including its relationship with perceptual disjunctivism, radical skepticism, and reasons for belief. Finally, the third group of essays extends the framework of epistemological disjunctivism to other forms of knowledge, such as testimonial knowledge, knowledge of other minds, and self-knowledge. Epistemological Disjunctivism is a timely collection that engages with an increasingly important topic in philosophy. It will appeal to researches and graduate students working in epistemology, philosophy of mind, and philosophy of perception.

Jewel, AKA, Tadpole is nine when he follows The Cobras in their escape from a burning reform school in rural Arkansas. The boys commit horrible crimes, but most of them manage to avoid capture and become model citizens. It is more than twenty-five years before the code of silence is broken and their secret is told.