A memoir of a young woman, the product of a strict upbringing by conservative Indian parents, who decides to go on a Ram-Singha, her Indian version of the rumspringa, and learns how to dance, swim, drive, travel, and play in order to be happy. Rupinder Gill was raised under the strict rules of her parents' Indian upbringing. While her friends were practicing their pliés, having slumber parties, and spending their summers at camp, Rupinder was cleaning, babysitting her siblings, and watching hours on end of American television. But at age 30, Rupinder realized how much she regretted her lack of childhood adventure. Stepping away from an orderly life of tradition, Rupinder set put to finally experience the things she missed out on. From learning to swim and taking dance lessons, to going to Disney World, her growing to-do list soon became the ultimate trip down non-memory lane. What began as a desire to experience all that had been denied to her leads to a discovery of what it means to be happy, and the important lessons that are learned when we are at play. Reminiscent of Mindy Kaling, this is a warm funny memoir of the daughter of Indian immigrants learning to break free and find her own path.

Using recent scholarship in ethnography and popular culture, Miller throws light on both what these series present and what is missing, how various long-standing issues are raised and framed differently over time, and what new issues appear. She looks at narrative arc, characterization, dialogue, and theme as well as how inflections of familiar genres like family adventure, soap opera, situation comedy, and legal drama shape both the series and viewers' expectations. Miller discusses Radisson, Forest Rangers and other children's series in the 1960s and early 1970s, as well as Beachcombers, Spirit Bay, The Rez, and North of 60 - series whose complex characters created rewarding relationships while dealing with issues ranging from addiction to unemployment to the aftermath of the residential school system.

On the Outside Looking In(dian) analyzes works over the past century translated into or written in English by feminist Indian women writers such as Krupabai Satthianadhan, Rokeya Sakhewat Hossein, Maitreyi Devi, Kamala Das, Anita Desai, Bharati Mukherjee, and others. These writers condemn patriarchal customs and laws for depriving Indian women - of all castes and classes, as well as women of other cultures - of their basic human rights by sanctioning child marriage, sati, purdah, and the wearing of the burqa, while prohibiting widow remarriage, the expression of sexuality, and the pursuit of an education to promote self-sufficiency, and equal economic, political, and social status with men.

Broadens the scope and meaning of American Indian political activism by focusing on the movement's early--and largely neglected--struggles, revealing how early activists exploited Cold War tensions in ways that brought national attention to their issues.

One of America's most important poets, John Ashbery has dazzled readers with the elusive pleasures of his work for over four decades. John Shoptaw heightens those pleasures by discovering the inner and outer workings of this incomparable poet. In readings attuned to the textual, sexual, and historical specificities of Ashbery's poetic project, from Some Trees through the vast summation of Flow Chart, Shoptaw introduces readers to the poet's processes of production. The first reader with full access to Ashbery's manuscripts and source materials, he is able to reveal the poet at work. He shows us, for instance, how Ashbery built "Europe" and "The Skaters" upon children's books picked up at a Paris quai and how he drew on his own unpublished lyrics for the long dialogue "Fantasia on The Nut-Brown Maid." Shoptaw argues that Ashbery's poems are less self-referential or nonrepresentational than misrepresentative: fractious assemblies of odd details, cryptic substitutions, and artful and artless discourses. He traces Ashbery's misrepresentative poetics to diverse sources--Walt Whitman, Raymond Roussel, W. H. Auden, Gertrude Stein, Elizabeth Bishop, Jackson Pollock, and Elliott Carter, among others. Ashbery's poetry, as Shoptaw demonstrates, is inevitably "homotextual" while refraining from taking homosexuality as a topic. Ashbery disorients his poems with unexpected silences, lapses or wrong turns in arguments, mock confessions, and sudden abstractions. As this book reveals, Ashbery's misrepresentations yield a richer and stranger representation of ordinary experience. Ashbery takes his paradoxical stand on the outside looking out of an American culture and history we recognize as our own.

At a conference sponsored by the University of Saskatchewan College of Law, over 50 Aboriginal leaders, government officials and scholars explored how the three orders of government - federal, provincial, and Aboriginal - can work together so Aboriginal Peoples can achieve justice through self-government. This book is a compilation of the presentations made at the conference.