Everything can become a slog depending on your life conditions and your mental state—even things you love. Over the long haul, after the blush of the initial rush of creativity fades, how do you continue creating? When the ease of imagining and creating new work fades, how do you keep producing? On the Push to Produce Work dives into the question of stamina and productivity—how do you keep moving forward through the haze of disappointment, the necessity of repeated actions, and the drudgery of everyday life? This e-book shares powerful mindsets that you can use to help you keep moving forward.

The Visual Dictionary of Pre-press & Production is a concise and comprehensive introduction to the world of print and production. Containing textual and visual defintitions for over 250 pre-press and production terms, this book is an invaluable reference tool for all students and practitioners of graphic design, typography, illustration and visual communication subjects. From practical terms such as Accents, Bitmap and Color calibration, to styles and finishes such as Canadian and half-Canadian, Perfect Bound and TCF (Totally Chlorine Free), this book contains both modern terminology and the traditional terms still in current usage.

Push: Software Design and the Cultural Politics of Music Production shows how changes in the design of music software in the first decades of the twenty-first century shaped the production techniques and performance practices of artists working across media, from hip-hop and electronic dance music to video games and mobile apps. Emerging alongside developments in digital music distribution such as peer-to-peer file sharing and the MP3 format, digital audio workstations like FL Studio and Ableton Live introduced design affordances that encouraged rapid music creation workflows through flashy, user-friendly interfaces. Meanwhile, software such as Avid's Pro Tools attempted to protect its status as the industry standard, professional DAW of choice by incorporating design elements from pre-digital music technologies. Other software, like Cycling 74's Max, asserted its alterity to commercial DAWs by presenting users with nothing but a blank screen. These are more than just aesthetic design choices. Push examines the social, cultural, and political values designed into music software, and how those values become embodied by musical communities through production and performance. It reveals ties between the maximalist design of FL Studio, skeuomorphic design in Pro Tools, and gender inequity in the music products industry. It connects the computational thinking required by Max, as well as iZotope's innovations in artificial intelligence, with the cultural politics of Silicon Valley's design thinking. Finally, it thinks through what happens when software becomes hardware, and users externalize their screens through the use of MIDI controllers, mobile media, and video game controllers. Amidst the perpetual upgrade culture of music technology, Push provides a model for understanding software as a microcosm for the increasing convergence of globalization, neoliberal capitalism, and techno-utopianism that has come to define our digital lives.

Fundamentals of Modern Manufacturing: Materials, Processes, and Systems is designed for a first course or two-course sequence in manufacturing at the junior or senior level in mechanical, industrial, and manufacturing engineering curricula. The distinctive and "modern" approach of the book emerges from its balanced coverage of the basic engineering materials, the inclusion of recent manufacturing processes and comprehensive coverage of electronics manufacturing technologies. The quantitative focus of the text is displayed in its emphasis on manufacturing science, greater use of mathematical models and end-of-chapter problems. This International Adaptation of the book offers revised and expanded coverage of topics and new sections on contemporary materials and processes. The new and updated examples and practice problems helps students gain solid foundational knowledge and the edition has been completely updated to use SI units.

(with history, anecdotes and implementation tips)

The Free and Open Source Software (FOSS) movement demonstrates how labour can self-organise production, and, as is shown by the free operating system GNU/Linux, even compete with some of the worlds largest firms. The book examines the hopes of such thinkers as Friedrich Schiller, Karl Marx, Herbert Marcuse and Antonio Negri, in the light of the recent achievements of the hacker movement. This book is the first to examine a different kind of political activism that consists in the development of technology from below.

Contents: Organisation, An Outline of the Problem, The Classic Economic Production Quality Model, The Timing of Labour Transfers in Dual Resource Constrained Systems, Procedures for Determining Relative Frequencies of Production, Materials, A Discrete Production Switching Rule for Aggregate Planning, Replanning Frequencies for Master Production Schedules, New Technology Investments in Multistage Production Systems, Simulation Approach for Determining Maintenance Crew Size for a Machine-shop A Case Study, Quality Control, Productivity and Materials Management, Product Structure Complexity and Multilevel Lot Sizing Using Alternative Costing Policies, Budgeting in Public Enterprises.

A user's manual for our everyday world! "Whether a curious layperson, a trained physicist, or a beginning physics student, most everyone will find this book an interesting and enlightening read and will go away comforted in that the world is not so strange and inexplicable after all." —From the Foreword by Carl Wieman, Nobel Laureate in Physics 2001, and CASE/Carnegie US University Professor of the Year 2004 If you didn't know better, you might think the world was filled with magic—from the household appliances that make our lives easier to the CDs and DVDs that fill our world with sounds and images. Even a simple light bulb can seem mysterious when you stop to think about it. Now in How Everything Works, Louis Bloomfield explains the physics behind the ordinary objects and natural phenomena all around us, and unravels the mysteries of how things work. Inside, you'll find easy-to-understand answers to scores of fascinating questions, including: How do microwave ovens cook food, and why does metal sometimes cause sparks in a microwave? How does an iPod use numbers to represent music? How do CDs and DVDs use light to convey information, and why are they so colorful? How can a CT or MRI image show a cross-sectional view of a person without actually entering the body? Why do golf balls have dimples? How does a pitcher make a curveball curve and knuckleball jitter about in an erratic manner? Why is the sun red at sunrise and sunset? How does a fluorescent lamp produce visible light? You don't need a science or engineering background to understand How Everything Works, all you need is an active curiosity about the extraordinary world all around you.