In Economic Nationalism and Globalization: Lessons from Latin America and Central Europe Henryk Szlajfer offers, against the background of developments in Latin America (mainly Brazil) and Central Europe (mainly Poland) in times of first globalization from late 19th century until late 1930s, a reinterpretation of economic nationalism both as an analytical category and historical experience. Also, critically explored are attempts at proto-economic nationalism in early 19th century Poland and Latin America as well as links between economic nationalism and the emergence of integral political nationalism and authoritarianism. Economic nationalism is interpreted as historically significant world-wide phenomenon intimately linked with the birth, development and crisis of capitalist modernity and as a response to underdevelopment under first globalization. Continuity of economic nationalism under present globalization is suggested.

Indigeneity in Latin American Cinema explores how contemporary films (2000-2020) participate in the evolution and circulation of images and sounds that in many ways define how indigenous communities are imagined, at a local, regional and global scale. The volume reviews the diversity of portrayals from a chronological, geopolitical, linguistic, epistemic-ontological, transnational and intersectional, paradigm-changing and self-representational perspective, allocating one chapter to each theme. The corpus of this study consists of 68 fictional features directed by non-indigenous filmmakers, 31 cinematic works produced by indigenous directors/communities, and 22 Cine Regional (Regional Cinema) films. The book also draws upon a significant number of engravings, drawings, paintings, photographs and films, produced between 1493 and 2000, as primary sources for the historical review of the visual representations of indigeneity. Through content and close (textual) analysis, interviews with audiences, surveys and social media posts analysis, the author looks at the contexts in which Latin American films circulate in international festivals and the paradigm shifts introduced by self-representational cinema and Roma (Mexico, 2018). Conclusively, the author provides the foundations of histrionic indigeneity, a theory that explains how overtly histrionic proclivities play a significant role in depictions of an imagined indigenous Other in recent films.

Globalization is a cultural phenomenon. The authors present the thematically multi-dimensional and theoretically complex contribution of Polish research on globalization. They do not approach globalization as an abstract process, instead exploring it through the lens of clearly defined factors.

Contemporary Latin America presents the epochal political, economic, social, and cultural changes in Latin America over the last 40 years and comprehensively examines their impact on life in the region, and beyond. Provides a fresh approach and a new interpretation of the seismic changes of the last 40 years in Latin America Introduces major themes from a humanistic and universal perspective, putting each subject in a context that readers can understand and relate to Focuses on ‘Ibero-America'--Brazil and the eighteen countries that were formerly Spanish possessions- while offering valuable comparative views of the non-Iberian areas of the Caribbean Emphasizes the global, regional and national dimensions of the region's recent past