Perhaps Paul Kareem Taylor said it best in his piece called On the Road Again: Barbara Hamby's American Odyssey: "Reading Barbara Hamby's poetry is like going on a road trip, one where the woman behind the wheel lets you ride shotgun as she speeds across the open highways of an America where drive-in movie theaters still show Janet Leigh films on Friday nights, hardware stores have not been driven out of business by soulless corporate titans, and where long poetic lines first introduced by Walt Whitman and resurrected by Ginsberg are pregnant with a thousand reasons to marvel at the world we inhabit."

The Mystery of an Old Master Painting, Madonna of Divine Love Painting by Raffaello Sanzio da Urbino is written with the purpose of clarifying the story believed for centuries of a painting on wood created in 1518 by a pupil of Raffaello (Raphael), although everybody knew that the master had painted the original on canvas in 1514. Unfortunately, the original disappeared for 471 years (from the time of the 1544 Vasari description to 2015), and until there is a side-by-side exhibit of the two paintings, there will be only this story to reveal the truth.

In this book, visual and poetic emblems of God's love, created by Otto van Veen and Jeanne Guyon, symbolically represent spiritual meaning and, as such, offer a gift of revealed strength and purpose to the aware reader. In our age, when love seems almost forgotten, this emblem book uniting Guyon's poetry and D'Othon Vaenius's illustrations give us a faithful look into what might be. What if Divine love becomes part of the human endeavor and joins to human souls? Otto van Veen and Jeanne de la Mothe Guyon internalized this hope and here reveal to us their vision of the love of God bonding and becoming one with the human soul. Translated into English for the first time here, these emblems of divine love become available to postmodern readers.