This volume brings together twenty-two authors from various countries who analyze travelogues on the Ottoman Empire between the fifteenth and nineteenth centuries. The travelogues reflect the colorful diversity of the genre, presenting the experiences of individuals and groups from China to Great Britain. The spotlight falls on interdependencies of travel writing and historiography, geographic spaces, and specific practices such as pilgrimages, the hajj, and the harem. Other points of emphasis include the importance of nationalism, the place and time of printing, representations of fashion, and concepts of masculinity and femininity. By displaying close, comparative, and distant readings, the volume offers new insights into perceptions of "otherness", the circulation of knowledge, intermedial relations, gender roles, and digital analysis.

The Chief, a dying billionaire, has dreams as big as his net worth. Before he dies, hell see the biggest one come true. A lifetime of observing the sky has rewarded him with a destinationand now nothing will stop him from seeing his dreams brought to life. Hes found what he believes is the sister star to his own sun, and he fully expects to find inhabitable planets there. He has committed himself to financing an interstellar expedition, and now all he needs is a crew. He is building a ship for the journeya ship that hes convinced can reach half the speed of light. If his math is on target, the round trip to this new planet should take roughly twenty-eight years. But for the crew, the time will pass as in a dream as they safely hibernate in freezers designed for the journey. He has certain specific requirements of his crew, but first he must find a recruitersomeone to assemble the crew of his dreams. The rewards are enticing, the Chief believes. His crew will be the first humans to walk on an alien world, and on top of that, they will be handsomely paid. So the search begins for single, educated, and adventurous souls who want to go on the adventure of a lifetime. But like most grand dreams, things to do not always go as planned. Can his crew save the Chiefs dreamsand their lives?

Carroll has had a wonderful life and continues to be proud of his few abilities and the many supportive friends who have enhanced his way.

An exploration of the darker corners of ancient Rome to spotlight the strange sorcery of anonymous literature. From Banksy to Elena Ferrante to the unattributed parchments of ancient Rome, art without clear authorship fascinates and even offends us. Classical scholarship tends to treat this anonymity as a problem or game—a defect to be repaired or mystery to be solved. Author Unknown is the first book to consider anonymity as a site of literary interest rather than a gap that needs filling. We can tether each work to an identity, or we can stand back and ask how the absence of a name affects the meaning and experience of literature. Tom Geue turns to antiquity to show what the suppression or loss of a name can do for literature. Anonymity supported the illusion of Augustus’s sprawling puppet mastery (Res Gestae), controlled and destroyed the victims of a curse (Ovid’s Ibis), and created out of whole cloth a poetic persona and career (Phaedrus’s Fables). To assume these texts are missing something is to dismiss a source of their power and presume that ancient authors were as hungry for fame as today’s. In this original look at Latin literature, Geue asks us to work with anonymity rather than against it and to appreciate the continuing power of anonymity in our own time.

I slutningen af 1. Verdenskrig indførte flere krigsførende lande et nyt hidtil ukendt ritual. Kroppen af en anonym soldat, død på slagmarken, blev begravet i "den ukendte soldats grav" for at symbolisere den fælles sorg over slagmarkens voldsomme traumer. Ved at undersøge hvordan forskellige lande ofte med vidt forskellig politisk og kulturel baggrund har anvendt "Den ukendte Soldat" symbolsk, hævder forfatteren, at der er skabt en ny måde at udtrykke fælles national sorg på.

Publisher Description

This volume explores 'unknown time' as a cultural phenomenon, approaching past futures, unknown presents, and future pasts through a broad range of different disciplines, media, and contexts. As a phenomenon that is both elusive and fundamentally inaccessible, time is a key object of fascination. Throughout the ages, different cultures have been deeply engaged in various attempts to fill or make time by developing strategies to familiarize unknown time and to materialize and control past, present, or future time. Arguing for the perennial interest in time, especially in the unknown and unattainable dimension of the future, the contributions explore premodern ideas about eschatology and secular future, historical configurations of the perception of time and acceleration in fin-de-siècle Germany and contemporary Lagos, the formation of ‘deep time’ and ‘timelessness’ in paleontology and ethnographic museums, and the representation of time—past, present, and future alike—in music, film, and science fiction.

When an enormous army of ogres attacks the civilized kingdoms around their homeland of Sylvannia, three friends set out on a dangerous quest to find the last known living wizard to enlist his aid in the war. Little did the three know that among themselves, one had the potential to become a wizard, and if they can find and recover the Crystal of Enhancement, he could become a very powerful wizard.