Filming plays from a tetralogy of history plays implies specific problems and strategies. The papers in this volume show that the plays are parts of a series, and can hardly be staged or filmed without referring to one another. What does the big screen bring to the representation of history, battles and national issues? When do ideological interpretations stop being triggered by the text itself? By deciphering the different ways in which meaning is created and ideology is conveyed, whether it be through specific aesthetics, performances, intertextuality or cultural codes, the papers in this volume all take part in the on-going exploration of what Shakespeare's contrasting afterlives keep saying, not only about the dramatic texts but also about ourselves.

Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeare's works are given new life and purpose for today's readers and actors alike. There are twelve titles in this series, which is divided into four categories: monologues for younger men, monologues for older men, monologues for women, and monologues for any gender, the latter being a unique feature since most monologue books are compiled for either men or women. Each book is presented in a smaller format that is more consistent with standard monologue books. Titles in the series: Monologues from Shakespeare's First Folio for Any Gender: The Comedies Monologues from Shakespeare's First Folio for Any Gender: The Histories Monologues from Shakespeare's First Folio for Any Gender: The Tragedies Monologues from Shakespeare's First Folio for Women: The Comedies Monologues from Shakespeare's First Folio for Women: The Histories Monologues from Shakespeare's First Folio for Women: The Tragedies Monologues from Shakespeare's First Folio for Younger Men: The Comedies Monologues from Shakespeare's First Folio for Younger Men: The Histories Monologues from Shakespeare's First Folio for Younger Men: The Tragedies Monologues from Shakespeare's First Folio for Older Men: The Comedies Monologues from Shakespeare's First Folio for Older Men: The Histories Monologues from Shakespeare's First Folio for Older Men: The Tragedies

Curated by series editor Paul Sugarman from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologues from Shakespeare's works are given new life and purpose for today's readers and actors alike. There are twelve titles in this series, which is divided into four categories: monologues for younger men, monologues for older men, monologues for women, and monologues for any gender, the latter being a unique feature since most monologue books are compiled for either men or women. Titles in the series: Monologues from Shakespeare's First Folio for Any Gender: The Comedies Monologues from Shakespeare's First Folio for Any Gender: The Histories Monologues from Shakespeare's First Folio for Any Gender: The Tragedies Monologues from Shakespeare's First Folio for Women: The Comedies Monologues from Shakespeare's First Folio for Women: The Histories Monologues from Shakespeare's First Folio for Women: The Tragedies Monologues from Shakespeare's First Folio for Younger Men: The Comedies Monologues from Shakespeare's First Folio for Younger Men: The Histories Monologues from Shakespeare's First Folio for Younger Men: The Tragedies Monologues from Shakespeare's First Folio for Older Men: The Comedies Monologues from Shakespeare's First Folio for Older Men: The Histories Monologues from Shakespeare's First Folio for Older Men: The Tragedies

Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeare's works are given new life and purpose for today's readers and actors alike. There are twelve titles in this series, which is divided into four categories: monologues for younger men, monologues for older men, monologues for women, and monologues for any gender, the latter being a unique feature since most monologue books are compiled for either men or women. Each book is presented in a smaller format that is more consistent with standard monologue books. Titles in the series: Monologues from Shakespeare's First Folio for Any Gender: The Comedies Monologues from Shakespeare's First Folio for Any Gender: The Histories Monologues from Shakespeare's First Folio for Any Gender: The Tragedies Monologues from Shakespeare's First Folio for Women: The Comedies Monologues from Shakespeare's First Folio for Women: The Histories Monologues from Shakespeare's First Folio for Women: The Tragedies Monologues from Shakespeare's First Folio for Younger Men: The Comedies Monologues from Shakespeare's First Folio for Younger Men: The Histories Monologues from Shakespeare's First Folio for Younger Men: The Tragedies Monologues from Shakespeare's First Folio for Older Men: The Comedies Monologues from Shakespeare's First Folio for Older Men: The Histories Monologues from Shakespeare's First Folio for Older Men: The Tragedies

Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeare's works are given new life and purpose for today's readers and actors alike. There are twelve titles in this series, which is divided into four categories: monologues for younger men, monologues for older men, monologues for women, and monologues for any gender, the latter being a unique feature since most monologue books are compiled for either men or women. Each book is presented in a smaller format that is more consistent with standard monologue books. Titles in the series: Monologues from Shakespeare's First Folio for Any Gender: The Comedies Monologues from Shakespeare's First Folio for Any Gender: The Histories Monologues from Shakespeare's First Folio for Any Gender: The Tragedies Monologues from Shakespeare's First Folio for Women: The Comedies Monologues from Shakespeare's First Folio for Women: The Histories Monologues from Shakespeare's First Folio for Women: The Tragedies Monologues from Shakespeare's First Folio for Younger Men: The Comedies Monologues from Shakespeare's First Folio for Younger Men: The Histories Monologues from Shakespeare's First Folio for Younger Men: The Tragedies Monologues from Shakespeare's First Folio for Older Men: The Comedies Monologues from Shakespeare's First Folio for Older Men: The Histories Monologues from Shakespeare's First Folio for Older Men: The Tragedies

When I started blogging almost 10 years ago, on the 4th of August 2016, my goal was to have a place where I could capture and express my thoughts and feelings about stuff, i.e., a place where I could digress about the things that interested me (Shakespeare, SF, Opera, Film, etc.) It also provided a kind of repository where my kids, say, could go to get glimpses of me that may go unexplored otherwise. For me, blogging was never about numbers, instead it was about meaning and sharing meaning with those who cared. I'm not a writer, not even an aspiring one. I am an Engineer with a lot going on in heart and mind that I'd like to build into a legacy of sorts. So I'm not into volume in terms of blog hits and the like. You won't find on my blog the answer why we go to Shake-speare's plays even when we know the outcome of everyone of them. Are there people interested in knowing this? I doubt it. I don't even know whether there are still people reading Shakespeare in Elizabethan English!

Book Reviews and Essays. Comprises everything I wrote on my blog over 2016.

John Barton is Advisory Director at the Royal Shakespeare Company and has directed some of the greatest Shakespeare productions of our time. His book, Playing Shakespeare, is a transcript of his televised workshops with some of our finest Shakespearean actors: Peggy Ashcroft, Judi Dench, Ian McKellen, Ben Kingsley, Patrick Stewart and David Suchet. This new edition contains a DVD with 80 minutes of video featuring John Barton in conversation with Judi Dench, Ian McKellen, Patrick Stewart and Jane Lapotaire discussing changes in approaches to Shakespeare's text since the book first published. This edition also features a foreword by Michael Boyd. This is a highly readable approach to understanding Shakespeare's text and unlocking the hidden stage directions and actors clues that reside in his verse. As Barton explains, "when an actor becomes aware of them they will find Shakespeare himself starts to direct them."