This guide to the piano literature for the one-handed pianist surveys over 2,100 individual piano pieces which include not only concert literature but pedagogical pieces as well. Following the introduction are four chapters cataloguing original works for the right hand alone, original works for the left hand alone, music arranged or transcribed for one hand alone, and concerted works for one hand in concert with other pianists, instruments, or voices. Each entry assesses the individual composition, its quality, its difficulty, its particular appeal, and its uses with the composer's name, dates, and nationality, where possible. Also included is a selected discography of commercially produced phonodiscs, compact discs, and cassettes. Instructors and pianists alike will appreciate this exhaustive guide to one-handed piano music. To aid further research, a bibliography of books, articles, and theses about the literature is provided along with a chapter that lists the contents of thirty-six anthologies devoted to one-handed piano music. This unique reference also includes an index.

One-handed parenting: a practical guide for new parents contains information on various aspects of baby care for one-handed parents, including lifting and carrying, nappy changing, feeding, going out and about, bathing and bedtime. For each task area, the guide suggests things to consider and also offers practical tips and equipment ideas. The guide is aimed at parents who need to carry out tasks with one hand, and may also be useful for health professionals supporting one-handed parents.

The One-Handed Pianist was published to acclaim in the early 1990’s, with the two-part Spanish edition winning the Latino Literature Prize in 1989 and the Gamma Literature Prize in 1992. Its tales look at what it means to be Jewish in the Hispanic world—a world in which spirituality is often exercised outside the realm of orthodoxy. Stavans constructs fables that raise questions about ethnicity and community; even Stavans’ person raises questions about ethnicity and community: what does it mean that a Jew of Eastern European lineage can call himself Latino and speak for that group?

One-Handed Piano Compositions and Injury Awareness: History, Study of Selected Works, and Mindful Practice calls readers to dive into the realm of one-handed piano works so they can enrich their concert repertoire with new and original works and perform beyond the limitations of their injuries if they are in a period of recovery. Zheni Atanasova wrote this book as a guide meant to inspire fellow musicians in their search for unique musical works and help colleagues navigate their professional career in case of an injury so they can thrive in such a challenging period. The author provides solutions for those who aspire to build a career in music performance even when their professional development is hindered by an injury. She offers a single source that holds the answers to a broad spectrum of questions pertaining to piano performance, wellness, and practice.