This book explains fundamental optical principles that apply to photography, cameras, and lenses. It is intended for professionals and serious amateur photographers as well as lens designers and optical engineers.

Selected by the American Library Association's 'Choice' magazine as "best technical book", the first edition of this book soon established itself as the standard reference work on all aspects of photographic lenses and associated optical systems. This is unsurprising, as Sidney Ray provides a complete, comprehensive reference source for anyone wanting information on photographic lenses, from the student to the practitioner or specialist working with visual and digital media worldwide. This third edition has been fully revised and expanded to include the rapid progress in the last decade in optical technology and advances in relevant electronic and digital forms of imaging. Every chapter has been revised and expanded using new figures and photographs as appropriate, as well as extended bibliographies. New chapters include details of filters, measurements from images and the optical systems of digital cameras. Details of electronic and digital imaging have been integrated throughout. More information is given on topics such as aspherics, diffractive optics, ED glasses, image stabilization, optical technology, video projection and new types of lenses. A selection of the contents includes chapters on: optical theory, aberrations, auto focus, lens testing, depth of field, development of photographic lenses, general properties of lenses, wide-angle lenses, telephoto lenses, video lenses, viewfinder systems, camera movements, projection systems and 3-D systems.

This hand book is concerned with optical imaging – from simple pinhole cameras to complex imaging systems. It spans the range all the way from optical physics to technical optics. Based on ray- and wave-optical approaches complemented by principles of Fourier optics, the book discusses the process of imaging from the beginning until image capture where, in particular, the different topics are well integrated with each other. Different imaging systems and sensors are reviewed as well as lenses and aberrations, image intensification and processing. The second and enlarged edition has been updated by actual developments and complemented by the topic of smart phone camera photography. The latter plays an important role today in the field of optical imaging and represents a fully integrated optical system with potential for further new developments. For physicists, natural scientists, engineers, photographers and microscopists on one side and students of physics, natural sciences or engineering in general on the other side, the books provides an introduction into the complex field of optical imaging. For all of them with practical experience the book conveys a deeper insight into the intricacies and quality assessment of their daily used devices.

Crime Scene Photography is a book wrought from years of experience, with material carefully selected for ease of use and effectiveness in training, and field tested by the author in his role as a Forensic Services Supervisor for the Baltimore County Police Department.While there are many books on non-forensic photography, none of them adequately adapt standard image-taking to crime scene photography. The forensic photographer, or more specifically the crime scene photographer, must know how to create an acceptable image that is capable of withstanding challenges in court. This book blends the practical functions of crime scene processing with theories of photography to guide the reader in acquiring the skills, knowledge and ability to render reliable evidence. - Required reading by the IAI Crime Scene Certification Board for all levels of certification - Contains over 500 photographs - Covers the concepts and principles of photography as well as the "how to" of creating a final product - Includes end-of-chapter exercises