In 1935, Angus Bowmer, an instructor at Southern Oregon Normal School in Ashland, began with a dream and a small coterie of devoted friends who believed, as he did, in the value of Shakespeare performed on an Elizabethan stage. Though the Oregon Shakespeare Festivals early platforms were rudimentary and the backstage areas primitive, the art drew enthusiastic audiences. The urgency of World War II closed the festivals doors, but in 1947 it reopened with larger theater facilities and an expanded repertory, winning the support and respect of state, regional, and national artists and dignitaries. In a setting of extraordinary beauty and a community dedicated to culture and the arts, the 75-year-old Oregon Shakespeare Festival (OSF) is among the largest and most influential professional regional theaters in North America.

DIVExplores fifty years of non-traditional casting practices on the American stage and the questions of cultural identity that they have raised/div

Presents current scholarship on race and racism in Shakespeare's works. The Handbook offers an overview of approaches used in early modern critical race studies through fresh readings of the plays; an exploration of new methodologies and archives; and sustained engagement with race in contemporary performance, adaptation, and activism.

This three-volume reference set explores the history, relevance, and significance of pop culture locations in the United States—places that have captured the imagination of the American people and reflect the diversity of the nation. Pop Culture Places: An Encyclopedia of Places in American Popular Culture serves as a resource for high school and college students as well as adult readers that contains more than 350 entries on a broad assortment of popular places in America. Covering places from Ellis Island to Fisherman's Wharf, the entries reflect the tremendous variety of sites, historical and modern, emphasizing the immense diversity and historical development of our nation. Readers will gain an appreciation of the historical, social, and cultural impact of each location and better understand how America has come to be a nation and evolved culturally through the lens of popular places. Approximately 200 sidebars serve to highlight interesting facts while images throughout the book depict the places described in the text. Each entry supplies a brief bibliography that directs students to print and electronic sources of additional information.

A century and a half of close-knitted community spirit, independent-mindedness, and a strong sense of stewardship have uniquely melded into present-day Ashland. Behind that patchwork of local ingenuity, artistry, and infamy are the faces of thousands--too many of whom are not mentioned within the pages of this book. There were hundreds of generations of Shasta Native American families that lived off the hills and creeks where Ashland now sprawls, but their abodes were abandoned and replaced by the lumber and flour mills, cleared streets, and painted homes of Ashland Mills. The sense of spirit and enthusiasm instilled by Ashland's early settlers bred the town's participation in the Chautauqua cultural movement, the remnants of which harbor Ashland's world-renown Oregon Shakespeare Festival, which paved the way for a former mill town's future prosperity. That spirit of ingenuity and artistry continues to shape Ashland and attracts hundreds of thousands of visitors annually to the quaint town nestled below the mighty crest of Siskiyou Pass along the Oregon-California border.

The Arden Research Handbook of Shakespeare and Contemporary Performance is a wide-ranging, authoritative guide to research on Shakespeare and performance studies by an international team of leading scholars. It contains chapters on the key methods and questions surrounding the performance event, the audience, and the archive – the primary sources on which performance studies draws. It identifies the recurring trends and fruitful lines of inquiry that are generating the most urgent work in the field, but also contextualises these within the histories and methods on which researchers build. A central section of research-focused essays offers case studies of present areas of enquiry, from new approaches to space, bodies and language to work on the technologies of remediation and original practices, from consideration of fandoms and the cultural capital invested in Shakespeare and his contemporaries to political and ethical interventions in performance practice. A distinctive feature of the volume is a curated section focusing on practitioners, in which leading directors, writers, actors, producers, and other theatre professionals comment on Shakespeare in performance and what they see as the key areas, challenges and provocations for researchers to explore. In addition, the Handbook contains various sections that provide non-specialists with practical help: an A-Z of key terms and concepts, a guide to research methods and problems, a chronology of major publications and events, an introduction to resources for study of the field, and a substantial annotated bibliography. The Arden Research Handbook of Shakespeare and Contemporary Performance is a reference work aimed at advanced undergraduate and graduate students as well as scholars and libraries, a guide to beginning or developing research in the field, and an essential companion for all those interested in Shakespeare and performance.