Eric Gjerde demonstrates 25 of his favorite tessellations and turns them into projects for newcomers as well as experienced origamists. With step-by-step instructions, illustrated crease patterns, and how-to photos, you'll learn to create these wonderful designs yourself. Eric's first book covers the fundamentals of origami tessellations, provides history, and describes simple beginning techniques with detailed illustrations and photographs. An extensive gallery showcases tessellations folded by the world's leading origami fine artists---inspiring you to experiment, innovate, and eventually create your own unique designs.

Design Techniques for Origami Tessellations is both a collection of origami tessellations and a manual to design them. This book begins by explaining general design methods, the history and definitions of origami tessellations, and the geometric features of flat origami, before moving on to introduce a brand-new design method: the "twist-based design method." This method generates base parts that connect "twist patterns” (that can be folded with a twist) without using a lattice. Therefore, it can generate base parts such as regular pentagons, which cannot be generated with more conventional methods, and can generate new origami tessellations connected to them. Features: No proofs or formulas in the text and minimal jargon. Suitable for readers with a roughly middle school to high school level of mathematical background. Web application implementing the method described in this book is available, allowing the readers to design their own patterns.

is a unique collection of papers illustrating the connections between origami and a wide range of fields. The papers compiled in this two-part set were presented at the 6th International Meeting on Origami Science, Mathematics and Education (10-13 August 2014, Tokyo, Japan). They display the creative melding of origami (or, more broadly, folding) with fields ranging from cell biology to space exploration, from education to kinematics, from abstract mathematical laws to the artistic and aesthetics of sculptural design. This two-part book contains papers accessible to a wide audience, including those interested in art, design, history, and education and researchers interested in the connections between origami and science, technology, engineering, and mathematics. Part 1 contains papers on various aspects of mathematics of origami: coloring, constructibility, rigid foldability, and design algorithms.

Twists, Tilings, and Tessellation describes the underlying principles and mathematics of the broad and exciting field of abstract and mathematical origami, most notably the field of origami tessellations. It contains folding instructions, underlying principles, mathematical concepts, and many beautiful photos of the latest work in this fast-expanding field.

The book contains papers from the proceedings of the 3rd International Meeting of Origami Science, Math, and Education, sponsored by OrigamiUSA. They cover topics ranging from the mathematics of origami using polygon constructions and geometric projections, applications, and science of origami, and the use of origami in education.

Origami5 continues in the excellent tradition of its four previous incarnations, documenting work presented at an extraordinary series of meetings that explored the connections between origami, mathematics, science, technology, education, and other academic fields.The fifth such meeting, 5OSME (July 13-17, 2010, Singapore Management University) fol

When origami met the worlds of design and engineering, both fields embraced the ancient art form, using its principles and practices to discover new problems and to generate inventive solutions. This book demonstrates the potential of folding to improve the way things work, simplify how products are produced, and make possible new objects otherwise impossible. The solar collector, the felt stool, and the surgery tool have all been influenced in some way by folding paper. The example section is organized to show the folded figure next to the product prototype that was inspired by that work of origami. We have included models made from an array of materials over a range of sizes. This includes everything from a microscopic mechanism to huge solar panels designed to unfold in outer space. Most entries are at the prototype phase—meaning that physical hardware has been built to demonstrate the concept, but that the examples are not necessarily available commercially. Y Origami? also includes brief learning activities related to paper folding, such as a discussion of Euler's formula, angular measurements, and developable surfaces, along with more advanced topics. Throughout the book many diagrams and photographs illustrate the advancing concepts and methods of origami as an art form and a problem-solving strategy.

This book covers recent achievements on the ever-expanding field of Geometry and Graphics on both analogical and digital fronts, from theoretical investigations to a broad range of applications, new teaching methodologies, and historical aspects. It is from 20th International Conference on Geometry and Graphics (ICGG2022), a series of conference that started in 1978 and promoted by International Society for Geometry and Graphics, which aims to foster international collaboration and stimulate the scientific research and teaching innovations in the multidisciplinary field. The contents of the book are organized in: Theoretical Geometry and Graphics; Applied Geometry and Graphics; Engineering Computer Graphics; Graphics Education; Geometry and Graphics in History, and are intent for the academics, researchers, and professionals in architecture, engineering, industrial design, mathematics, and arts.

This book covers various aspects of Geometry and Graphics, from recent achievements on theoretical researches to a wide range of innovative applications, as well as new teaching methodologies and experiences, and reinterpretations and findings about the masterpieces of the past. It is from the 19th International Conference on Geometry and Graphics, which was held in São Paulo, Brazil. The conference started in 1978 and is promoted by the International Society for Geometry and Graphics, which aims to foster international collaboration and stimulate the scientific research and teaching methodology in the fields of Geometry and Graphics. Organized five topics, which are Theoretical Graphics and Geometry; Applied Geometry and Graphics; Engineering Computer Graphics; Graphics Education and Geometry; Graphics in History, the book is intended for the professionals, academics and researchers in architecture, engineering, industrial design, mathematics and arts involved in the multidisciplinary field.

Imagine mathematics, imagine with the help of mathematics, imagine new worlds, new geometries, new forms. Imagine building mathematical models that make it possible to manage our world better, imagine solving great problems, imagine new problems never before thought of, imagine combining music, art, poetry, literature, architecture, theatre and cinema with mathematics. Imagine the unpredictable and sometimes counterintuitive applications of mathematics in all areas of human endeavour. This seventh volume starts with a homage to the Italian artist Mimmo Paladino who created exclusively for the Venice Conference 2019 ten original and unique works of art paper dedicated to the themes of the meeting. A large section is dedicated to the most recent Fields Medals including a Homage to Maryam Mirzakhani including a presentation of the exhibition on soap bubbles in art and science that took place in 2019. A section is dedicated to cinema and theatre including the performances by Claire Bardainne & Adrien Mondot. A part of the conference focused on the community of mathematicians, their role in literature and even in politics with the extraordinary example of Antanas Mockus Major of Bogotá. Mathematics in the constructions of bridges, in particular in Italy in the Sixties was presented by Tullia Iori. A very particular contribution on Origami by a mathematician, Marco Abate and an artist, Alessandro Beber. And many other topics. As usual the topics are treated in a way that is rigorous but captivating, detailed and full of evocations. This is an all-embracing look at the world of mathematics and culture. The world, life, culture, everything has changed in a few weeks with the Coronavirus. Culture, science are the main ways to safeguard people's physical and social life. Trust in humanity's creativity and ability. The motto today in Italy is Everything will be fine. This work is addressed to all those who have an interest in Mathematics.