Was she a selfless political activist? A feminist heroine? A gifted writer who rose from poverty to become a leading journalist and author of the cult classic Daughter of Earth? A spy for the Soviet Union? Or all of these things? Drawing on fifteen years of intensive research and unprecedented access to previously unpublished documents, this vibrant book brings to life one of the twentieth century's most fascinating women. Ruth Price traces Agnes Smedley's unlikely trajectory from a small Missouri town to the coal country of Colorado; to Berkeley and Greenwich Village; to Berlin, Moscow, and China. Fueled by a fury at injustice, Smedley threw herself headlong into the crucial issues of the time, from Indian independence to birth control, women's rights, and the revolution in China. Her friends included such figures as Margaret Sanger, Langston Hughes, Emma Goldman, Jawaharlal Nehru, Mao Zedong, and many others. Perhaps most important, Price uncovers an astonishing truth: Smedley, long thought to be the unfair target of a Cold War smear campaign, was indeed guilty of the espionage charges leveled against her by General Douglas MacArthur and others. Smedley worked to foment armed revolution in India and gathered intelligence for the Soviet Union, seeing it as a bulwark against fascism. Price argues that Smedley acted out of a passionate idealism and that she exhibited a courage and compassion worthy of a renewed, if more complicated, admiration today. Epic in scope, painstakingly researched, and unflinchingly honest, The Lives of Agnes Smedley offers a stunning reappraisal of one of America's most controversial Leftists and a new look at the troubled historical terrain of the first half of the twentieth century.

Williams College, in Williamstown, MA, has collected art since the mid-19th century. In this chronological journey through American art in all media, each of 56 highlighted objects from the museum receives a mini-essay of several hundred words, signed by contributors who frequently are the acknowledged experts on particular artists or works. A full factual entry on each work appears at the back of the book, preceded by extremely brief summaries of the acquisitions histories of the overall collection's painting, drawing, sculpture, Williams portraits, prints, photographs, posters, and decorative arts. College alumni donated many items, including collections on Rube Goldberg, Thomas Nast, and the Prendergasts. This is not the definitive book on American art, but it is an excellent survey with many interesting objects not commonly reproduced. For art history collections. 64 colour & 65 b/w illustrations

A history of Williams College and of Williamstown, Massachusetts, by alumnus and resident Arthur Latham Perry.

The Pulitzer Prize–winning author’s stunning trilogy of American history, spanning the birth of the Constitution to the final days of the Cold War. In these three volumes, Pulitzer Prize–­ and National Book Award–winner James MacGregor Burns chronicles with depth and narrative panache the most significant cultural, economic, and political events of American history. In The Vineyard of Liberty, he combines the color and texture of early American life with meticulous scholarship. Focusing on the tensions leading up to the Civil War, Burns brilliantly shows how Americans became divided over the meaning of Liberty. In The Workshop of Democracy, Burns explores more than a half-century of dramatic growth and transformation of the American landscape, through the addition of dozens of new states, the shattering tragedy of the First World War, the explosion of industry, and, in the end, the emergence of the United States as a new global power. And in The Crosswinds of Freedom, Burns offers an articulate and incisive examination of the US during its rise to become the world’s sole superpower—through the Great Depression, the Second World War, the Cold War, and the rapid pace of technological change that gave rise to the “American Century.”

This double issue of of History of Universities, Volume XXX / 1-2, contains the customary mix of learned articles and book reviews which makes this publication such an indispensable tool for the historian of higher education. The volume is, as always, a lively combination of original research and invaluable reference material.