The stories in this prize-winning collection evoke a complete world, one so richly imagined and finely realized that the stories themselves are not so much read as experienced. The world of these stories is Portuguese-American, redolent of incense and spices, resonant with ritual and prayer, immersed in the California culture of freeway and commerce. Packed with lyrical prose and vivid detail, acclaimed writer Katherine Vaz conjures a captivating blend of Old World heritage and New World culture to explore the links between families, friends, strangers, and their world. ø From the threat of a serial killer as the background for a young girl?s first brush with death to the fallout of a modern-day visitation from the Virgin Mary; from an AIDS-stricken squatter refusing to vacate an empty Lisbon home to a mother?s yearlong struggle with the death of her synesthetic daughter, these deft stories make their world ours.

Portuguese and Cape Verdean immigrants have had a significant presence in North America since the nineteenth century. Recently, Brazilians have also established vibrant communities in the U.S. This anthology brings together, for the first time in English, the writings of these diverse Portuguese-speaking, or "Luso-American" voices. Historically linked by language, colonial experience, and cultural influence, yet ethnically distinct, Luso-Americans have often been labeled an "invisible minority." This collection seeks to address this lacuna, with a broad mosaic of prose, poetry, essays, memoir, and other writings by more than fifty prominent literary figures--immigrants and their descendants, as well as exiles and sojourners. It is an unprecedented gathering of published, unpublished, forgotten, and translated writings by a transnational community that both defies the stereotypes of ethnic literature, and embodies the drama of the immigrant experience.

This volume problematizes the concept and practice of translation in an interconnected world in which English, despite its hegemonic status, can no longer be considered a coherent unified entity but rather a mobile resource subject to various kinds of hybridization. Drawing upon recent work in the domains of translation studies, literary studies and (socio-)linguistics, it explores the centrality of translation as both a trope for the analysis of contemporary transcultural dynamics and as a concrete communication practice in the globalized world. The chapters range across many geographic realities and genres (including fiction, memoir, animated film and hip-hop), and deal with subjects as varied as self-translation, translational ethics and language change. As a whole, the book makes an important contribution to our understanding of how meanings are generated and relayed in a context of super-diversity, in which traditional understandings of language and translation can no longer be sustained.

Winner of the Prairie Schooner Book Prize in Fiction, this daring collection of nine stories introduces readers to an edgy vision and a world in which certainties are tested and found wanting. A Cambodian refugee negotiates the icy waters of American social and sexual life. A young couple seeks ?peak experiences? to escape grief, only to discover that they?ve brought it along with them. A teenage girl, unable to face the imminent end of her grandfather?s life, risks her own life in an impulsive act. A man?s fragile hold on reality becomes the key to his finding, albeit through a terrifying labyrinth, his heart?s desire. The characters in Bliss and Other Short Stories must find their way to a truth that, though less than perfect, is one they can live with. Finding bliss, it seems, is as much about pain as about pleasure, and in Ted Gilley?s writing the discovery is always exquisite.

Winner of the Raz/Shumaker Prairie Schooner Book Prize in Fiction, Boundless Deep, and Other Stories is a portrait of a family that holds together despite everything. By turns introspective, surreal, and bitingly funny, this collection of linked short stories spans seven decades across Japan and the United States and shows the tenacity of relationships fractured by language and distance. At the funeral of her old boss, a grandmother confronts the legacy of the draft letters she delivered as a girl during World War II. Facing the loss of his job, a father becomes the caricature strangers have always believed him to be. A graduate student living far from home is worn down by the reality of what it takes to save even a small piece of the world. Along the way, we meet communist revolutionary Shigenobu Fusako hiding out in a Tokyo hotel, submariner and war criminal Nishina Sekio in his tortured dreams, and Edwin, a half-dolphin friend, wreaking havoc in a public pool. Written in the compressed style of Amy Hempel and Lucia Berlin, these stories examine characters whose struggles submerge them, weighing them down from every angle, until they can finally float free.

Now We Will Be Happy is a prize-winning collection of stories about Afro-Puerto Ricans, U.S.-mainland-born Puerto Ricans, and displaced native Puerto Ricans who are living between spaces while attempting to navigate the unique culture that defines their identity. Amina Gautier’s characters deal with the difficulties of bicultural identities in a world that wants them to choose only one. The characters in Now We Will Be Happy are as unpredictable as they are human. A teenage boy leaves home in search of the mother he hasn’t seen since childhood; a granddaughter is sent across the ocean to broker peace between her relatives; a widow seeks to die by hurricane; a married woman takes a bathtub voyage with her lover; a proprietress who is the glue that binds her neighborhood cannot hold on to her own son; a displaced wife develops a strange addiction to candles. Crossing boundaries of comfort, culture, language, race, and tradition in unexpected ways, these characters struggle valiantly and doggedly to reconcile their fantasies of happiness with the realities of their existence.

Just down the highway from Connecticut's Gold Coast is the state's rusty underbelly, the wretched, used-up sort of place where you might find Xhenet Aliu's Domesticated Wild Things: the reluctant mothers, delinquent dads, and not-quite-feral children, yet dreamers all. These are the children of immigrants who found boarded-up brass mills instead of the gilded streets of America; they're the teenaged girls raised in the fluorescent glow of Greek diners, the middle-aged men with pump trucks and teratomas. These are people who have fled, or who should have. And if they are indeed familiar, it is because Aliu writes what is real, whether we ourselves, her readers, have seen it up close or not. And her stories make sense in a way that matters. A young mother buys into a real-estate investment seminar offered on an infomercial, only to be put back into her place by a bully in foreclosure. A closeted wrestler befriends a latchkey seven-year-old neighbor who harbors secrets of her own. A YMCA counselor tries to reclaim shoes stolen by a troubled young camper. What they share is a biting humor, an eye for the absurd, and fumbling attempts at human connection, all rendered irresistible--and as moving as they are amusing--by a writer whose work is at once edgy and endearing and prize winning for reasons any reader can appreciate.

Winner of the Prairie Schooner Book Prize in Fiction, Karen Brown’s Little Sinners, and Other Stories features a sad, strange mosaic of women and men grappling with the loss and pain of everyday existence, people inhabiting a suburban landscape haunted by ghosts: a mother who leaps from a ridge, a mistress found at the bottom of the Connecticut River, a father who dresses in a pale blue-custom suit—and disappears. The dead leave behind postcards, houses, bottles of sherry, bones. They become local legends, their stories part of the characters’ own: an expectant mother in an isolated cottage on Long Island Sound uncovers an unsettling secret in her backyard; a troubled housewife is lured to a dinner party by a teenage girl whose mother has vanished under mysterious circumstances; a woman and her lover swim the pools of their neighborhood under cover of darkness; a young heiress struggles with mortality and the abandonments in her past. These stories capture the domestic world in all its blighted promise—a world where women’s roles in housekeeping, marriage, childbirth, and sex have been all too well defined, and where the characters fashion, recklessly and passionately, their own methods of escape.

Machine generated contents note: Acknowledgments -- Black Jesus -- Brim -- A Savior, Belief, Tupac, and Balloons -- We Buy Gold -- The Hurt Will Make You Stronger -- Chew -- Take Me to the Water -- In the Middle of Everything There Are Ribbons of Light -- String Theory -- A Brief Excerpt from the History of Salt -- Ephemeros -- Dog People -- Barbers -- End of the World -- Ways to Mourn an Asshole -- Rites -- They Only Look Like They're Smiling -- The Immolator -- There Are No Ninjas in the End -- Hold 'til Warm -- Ravished -- Not Like You, Not at All -- The Annie Oakley Gun Training for Women -- Scars -- Run Away Screaming

Contains ten short fiction stories in which Greg Hrbek explores what it means to be human and inhuman.